TBA:10

Eighth Annual Time-Based Art Festival

Go See It

  • Various Locations
  • Capacity: N/A
  • $ Various Members
    $ Various General
  • All Ages
  • Thurs . Sept 9 . - Sun . Sept 19 .

PICA ANNOUNCES OUR TBA:10 LINEUP! VISIT THE PICA BLOG FOR THIS YEAR'S PROJECTS

ADVANCE PASSES ON SALE NOW WITH AN EARLY-BIRD DISCOUNT.

Portland Institute for Contemporary Art (PICA) is ready to launch our eighth annual Time-Based Art Festival (TBA). Join us September 9-19, 2010 in Portland, Oregon for a ten-day happening of contemporary performance, dance, music, and new media, with an additional month of visual arts installations. Now is the time to mark your calendars, buy your passes, and explore the Festival lineup.

TBA All Day Long, All Over Town
This year's slate of artists will fill the city and fill up your hours with morning workshops, daytime installations, noontime lectures, afternoon salons, evening performances, outdoor happenings, and no shortage of late-night activity.

Featuring: Charles Atlas, Ronnie Bass, Jérôme Bel, Jacob Ciocci and David Wightman, Mike Daisey, Eric Fredericksen and Weekend Leisure, Gare St. Lazare Players, Dan Gilsdorf, Dayna Hanson, Maria Hassabi, Jessica Jackson Hutchins, John Jasperse Company, Emily Johnson/Catalyst, Sarah Johnson, Nina Katchadourian, Danielle Kelly & Noelle Stiles, Lovers, Anissa Mack, Matrimony, Claudia Meza and Portland Taiko, Christopher Miner, The Miracles Clubs, Nature Theater of Oklahoma, Offsite Dance Project, Tara Jane Oneil, Jane Paik, People's Biennial, Publication Studio, Stan Shellabarger & Dutes Miller, Jennifer Reeves and Skuli Sverrisson, The Slaves, John Smith, Stefan Zeromski Theatre, Ruby Sky Stiler, Ten Tiny Dances, Tender Forever, Storm Tharp, Tunnels, Rufus Wainwright, Weed Wolf, White Rainbow, Woolly Mammoth Comes to Dinner, The Wooster Group, Yemenwed, Yesbians! and more to come...


www.pica.org/tba

It's all in how you look at things, goes an old saying. And one of the chief values of TBA is the way it gives us so many new ways to look. Marty Hughley, The Oregonian