Supported by a grant from the Precipice Fund, Resident Residency invited artists to participate in their respective neighborhood association meetings as a context for developing participatory public artworks. Over the past year, six artists-in-residence worked as organizers, researchers, activists and fellow neighbors to create projects that were engaging, playful, and thought provoking in their own Portland neighborhoods.

At the end of the project, Resident Residency published a book documenting the project. The book includes writing and project documentation from each of this year’s six artists, an essay by Travis Nikolai, and a group interview about the idea and practice of Resident Residency:

Portland Neighborhood Map

“The artists of Resident Residency … recode our perceptions of where and what we call home. They draw us outside of ourselves, outside of our homes, by constructing reasons to linger in spots just beyond the boundaries of our personal property. They make us loiter. And whilst loitering create circumstances in which we exchange our peculiarities or partake jointly of the idiosyncrasies of our surroundings. In Linda Wysong’s “Sabin Now and Then”, the exchange is a formal one, where longtime residents relate watershed moments in the neighborhood’s history. In Khris Soden’s “Buckman Wonder Wander”, smaller changes and personal places are examined on a casual stroll. Ariana Jacob’s “Piedmont Neighborhood Walk Swap” turns the dérive inward as she pairs residents off for walks in ways designed to burst our “filter bubble”: the phenomenon, heightened by information age over-saturation, to seek out that which is already attuned to our particular sensibilities. Mack McFarland and Katy Asher’s piece Tug O’ War: North Portland Knockdown is less verbal but offers discourse through physical competition where audiences can know one another through victories, losses, bumps and bruises. Last, Krista Connerly’s “Reprieve From Infinite Bustle” creates an intimate exchange through shared silence in the vulnerability of a communal nap in a public place. By activating audiences through varied forms of personal exchange in spaces often delineated by private reverie, the artists endeavor to make us distinctly aware of the boundaries we place around our communal spaces, ourselves, and each other.”

- Excerpt from Where is a Place by Travis Nikolai, an essay in the Resident Residency Book

For more information and documentation of Resident Residency, please visit





Resident Residency