Justine A. Chambers is a dance artist and educator living and working on the unceded Coast Salish territories of the Sḵwx̱wú7mesh, Musqueam, and Tsleil-Waututh Nations in Vancouver, Canada. Her practice is a collaboration with her Black matrilineal heritage, and extends from this continuum and its entanglements with Western contemporary dance and visual arts practices. At the centre of her practice is a question often posed by her grandmother: “You feel me?” This question is both a declaration of one’s personal orientation, and an invitation to reorient and include what is held in our flesh. Chambers meets this question in her work by attending to individual and collective embodied archives, social choreographies of the everyday, and choreography/dance as otherwise ways of being in relation. Chambers’ work has been hosted at galleries, festivals, and theaters nationally and internationally including Experimental Media and Performing Arts Center (EMPAC), Troy, NY; Toronto Biennial of Art, Toronto, ON; Libby Leshgold Gallery, Vancouver, BC; Leonard and Bina Ellen Gallery, Montreal, QC; Contemporary Art Gallery, Vancouver, BC; Sophiensaele, Berlin, Germany; National Arts Centre, Ottawa, ON; Agora de la Danse, Montreal, QC; Art Museum at the University of Toronto, Toronto, ON; Morris and Helen Belkin Art Gallery, Vancouver, BC; Cantor Fitzgerald Gallery, Haverford, PA; Artspeak, Vancouver, BC; Vancouver Art Gallery, Vancouver, BC; Western Front, Vancouver, BC; The Dance Centre, Vancouver, BC; Burrard Arts Foundation, Vancouver, BC; and the Hong Kong Arts Festival. Chambers holds a MFA in Interdisciplinary Art and is currently Assistant Professor in Dance at the School for Contemporary Arts at Simon Fraser University, Vancouver, BC, and Associate Artist to The Dance Centre, Vancouver, BC. Chambers is Max Tyler-Hite’s mother.