Artists Archive
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Amelia Reeber is a choreographer and performer. She received a BA in dance from the University of Washington in 2000. Her solo work has been presented in Seattle at On the Boards, Velocity’s MainSpace Theatre, Freehold Theater, and Chamber Theater, and in Portland, Oregon at PICA’s TBA Festival. She has danced for and/or collaborated with Corrie Befort, Sheri Cohen, KT Niehoff, Katie Duck, and Deborah Hay, among others.
Amelia has received an Office of Arts & Cultural Affairs City Artist Grant, a 4Culture grant, an Artist Trust GAP Award, among others. Currently Amelia is a licensed craniosacral therapist and offers a variety of movement classes.
Learn moreFor the TBA Festival, Mr. Ritchey has specially composed a totally unique narrative-form biography of no more than 150 words. This personal biography provides context for the 16mm programs he has organized. At each of the screenings, Mr. Ritchey's exclusive, narrative-form biography will be distributed as an addendum to the program notes. This biography totaling at least less than 150 words will be an important and unrepeatable part of the unique experience of each individual program, as well as the exhibition as a whole. All attendees of the TBA Festival are encouraged to read the program notes for additional details. These program notes will be made available no later than the date of each individual program, at or prior to the start time of each event.
Learn moreGray and Paulsen are artists who live and work collaboratively. Their idea-based practice fuses history, fiction, autobiography, and artistic commentary into a wide variety of material works. Their work has been shown and published internationally. They live and work in Portland, where they are represented by PDX Contemporary Art.
Selected Press
Anna Gray & Ryan Wilson Paulsen, Nat Andreini, Shift.jp, June, 2011.
Review: Anna Gray and Ryan Wilson Paulsen at PDX Gallery, DK Row, The Oregonian, July 15, 2010.
Learn moreAnthony Hudson is a Grand Ronde/Siletz artist and writer also known as Carla Rossi, Portland's premier drag clown. Hudson’s performance work—from his award-winning solo show Looking for Tiger Lily to Queer Horror at the Hollywood Theatre—have earned him national fellowships, international engagements including the US Pavilion’s drag clown in residence at the 2024 Venice Biennale, features in Hyperallergic and Art in America, and sainthood from the Portland Sisters of Perpetual Indulgence. A 2023 FSG Writer’s Fellowship finalist and 2024 Tin House resident, Hudson’s writing has appeared in American Theatre, BOMB Magazine, and Arts and International Affairs. Hudson is currently adapting Looking for Tiger Lily into a book.
Learn moreCombining spontaneous off the cuff wit and well-written punches to the gut, Anthony's comedy can best be described as Chuck D and Flavor Flav in one person. Beginning stand up in Kansas City, MO at 21, he left the Midwest to further pursue comedy and hasn't looked back since.
Worked with comedians like Ty Barnett, Aparna Nancherla, Rory Scovel, Amy Miller, Aamer Rahman, Baron Vaughn, Curtis Cook, Neel Nanda, JohnRoy, just to name a few.
Credits include Bumpershoot, NW Comedy Festival, Seattle International Competition, NBC Stand Up for Diversity
Learn moreBrede Rørstad is the co-founder of No More Mondays and Fiol. No More Mondays is a creative studio bridging luxury fashion, object design, interiors and digital spaces. Rørstad is passionate about story telling and the user journey in luxury fashion.
Learn moreGerard & Kelly (Brennan Gerard and Ryan Kelly) have collaborated since 2003 to create project-based installations and performances interrogating the formation of the couple and the critical potential of intimacy. Driven by an inquiry of their own partnership, the duo uses choreography, video, and sculpture to address questions of sexuality, memory and the formation of queer consciousness. Their work has been exhibited internationally at Palais de Tokyo, Paris; Guggenheim Museum, New York; the Hammer Museum, Los Angeles; New Museum, New York; and The Kitchen, New York, among other institutions. Their ongoing performance series Modern Living, in collaboration with L.A. Dance Project, was recently presented by The Glass House, New Canaan, Connecticut, and the MAK Center for Art and Architecture at the Schindler House in West Hollywood, in association with Art Production Fund. Gerard & Kelly have received numerous recognitions for their work, including the New England Foundation for the Arts (2015), Art Matters grant (2014), and the 2014 Juried Award from the New York Dance and Performance Awards, also known as the Bessies. Gerard & Kelly completed the Whitney Museum Independent Study Program in 2010, and received their MFAs in 2013 from the Interdisciplinary Studio in the UCLA Department of Art.
Learn moreBrian Rogers is a theater and film director, video and sound artist, and performing arts curator. Since 1997, Rogers has created films, performances, albums, and other time-based projects including Small Songs (2023-2024); Screamers (2018); Hot Box (2012, co-presented with FIAF’s Crossing The Line Festival, PS122’s COIL Festival, Experimental Media and Performing Arts Center and supported by a MAP Fund grant); and the Bessie-nominated Selective Memory (2010). Rogers composed the soundtrack for Shaun Iron & Lauren Petty’s film Standing By: Gatz Backstage and has collaborated as a sound and video artist with numerous experimental dance and theater artists in New York and elsewhere. Rogers is a MacDowell Fellow and has had residencies at Yaddo and Mount Tremper Arts.
Rogers is the Co-Founder and Artistic Executive Director of The Chocolate Factory Theater, an internationally recognized venue for experimental dance, theater, and interdisciplinary performance based in Queens, NY. Now in its twenty-second year, Rogers serves as chief curator of The Chocolate Factory Theater’s artistic programming and leads its artistic and administrative operations.
Rogers has taught at Kenyon College, University of Michigan, University of Colorado, The School at The Art Institute of Chicago, St. Johns University, Carnegie Mellon University, Sarah Lawrence College, The New School, New York University, Princeton University, and others. He has served as a panelist/recommender for New York State Council on the Arts, Queens Council on the Arts, Fresh Tracks, New York City Department of Cultural Affairs, Foundation for Contemporary Arts, Creative Capital, Pew Charitable Trust, Mid Atlantic Arts Foundation, The Kresge Foundation, Yaddo, Macdowell, MacArthur Foundation, Guggenheim, and others. Rogers is a graduate of Bennington College.
Learn moreBorn in Cannes, Christian Rizzo took his first steps as an artist in Toulouse, where he started a rock band and created a line of clothing before studying visual arts at the Villa Arson in Nice. In the ’90s, he performed with and created costumes and soundtracks for choreographers including Mathilde Monnier, Hervé Robbe, Mark Tompkins, Georges Appaix, Vera Mantero, Catherine Contour, Emmanuelle Huynh, and Rachid Ouramdane. Since founding “l’association fragile” in 1996, he has created over 30 performances and dance pieces, alternating with other projects or commissions for fashion and visual arts. He was an artist-in-residence at l’Opéra de Lille, and has performed his works around the world at the Ballet de l’Opéra de Lyon, the Nouveau Festival du Centre Pompidou, deSingel, the Festival d’Avignon, and On the Boards.
On January 1, 2015, Christian Rizzo took over as the Director of the Centre Choréographique National de Montpellier Languedoc-Roussillion-Midi-Pyrénées, which has been renamed ICI (International Choreographic Institute).
Learn moreC. Riley Snorton is a scholar, author, and activist whose work focuses on historical perspectives of gender, sexuality, and race. His publications include Nobody is Supposed to Know: Black Sexuality on the Down Low (U Minn Press, 2014) and Black on Both Sides: A Racial History of Trans Identity (U Minn Press, 2017). Snorton is Professor of English and Gender and Sexuality Studies at the University of Chicago.
Learn moreCrystal Baxley and Stefan Ransom are Portland-based artists who make events, videos, sounds, posters, prints, books, blogs, sculptures, playlists, drawings, emails, and food, individually and collaboratively. In 2012 they created a compilation album of 35 songs based on Sol LeWitt's Sentences on Conceptual Art, titled Songs on Conceptual Art. It is available for free online at http://songsonconceptualart.com. Baxley and Ransom have organized events and exhibited projects at the Museum of Contemporary Art in Los Angeles, the Henry Art Gallery in Seattle, the Open Engagement Conference and Pacific Northwest College of Art in Portland, and the Kadist Foundation in San Francisco.
Learn moreDez Ramirez is a writer, filmmaker, artist and DJ. Known as DJ La Cosmica, Dez has been a member of the Noche Libre DJ Collective since 2018, and has hosted, recorded and produced episodes of Radio Noche Libre! on XRAY FM. Currently living between the Mojave Desert, Los Angeles, and Portland - La Cosmica's style and musical curation ranges widely as she draws from the influences of dramatic wilderness, urban vibrancy, and the pulse of collective and radical liberation in the communities in which she lives and creates. Recent flavors consist of electrocumbia, electronica, house, synth, R&B, bass, reggaeton, norteno, salsa, and disco.
Find her at:
@silver_mother
Learn moreEast Rodeo has recently become popular in the European experimental sound scene under the leadership of the Sinkauz brothers—Alen and Nenad—who were born in Pula and formed the band while studying musicology in Italy. Since the release of their third album, Morning Cluster, they have been noticed by important critics, and have gained the affections of their audiences. At the same time, the brothers Sinkauz also work in the theater, but all too rarely.
Learn moreFounded in 2020, Elbow Room is a 501(c)(3) nonprofit community art studio and gallery dedicated to supporting artists with intellectual and developmental disabilities. More than 30 participating artists visit Elbow Room’s SE Portland studio (and satellite community art programming) each week to develop their creative practice, experiment with new materials, cultivate their portfolio of finished artwork, and to build community through friendship and collaboration. Elbow Room provides art materials and mentorship in painting, drawing, creative writing, sewing, digital media/video, music, hand tool woodworking, ceramics, and many other forms of art making. Participating artists pay no out-of-pocket expenses for materials or studio access, and they have opportunities to show and sell their work through Elbow Room’s gallery and through Elbow Room’s efforts to network with other contemporary art spaces.
Elbow Room and PICA have fostered an ongoing community partnership since 2022. Through weekly studio arts programs hosted by PICA, Elbow Room artists have access to PICA’s library of art books for inspiration and immersion into contemporary art, and can work with a wide range of artistic media in PICA’s Resource Room.
Learn moreFounded in 1991 by Artistic Director John Collins, Elevator Repair Service creates original works with an ongoing ensemble.
ERS’s theater pieces are built around a broad range of subject matter and literary forms; they combine elements of slapstick comedy, hi-tech and lo-tech design, both literary and found text, and the group’s own highly developed style of choreography.
ERS creates its performances through extended periods of collaboration. A typical development cycle includes 4-6 intensive work periods within a 2 year period, which conclude with work-in-progress showings. Time off between development is filled with touring and presentations of finished works. Following completion, the piece is presented in NYC for an extended run and is toured throughout the US and abroad.
Learn moreEmily Roysdon (1977) is a New York and Stockholm based artist and writer. Her working method is interdisciplinary and recent projects take the form of performance, photographic installations, printmaking, text, video, curating, and collaborating. Roysdon developed the concept "ecstatic resistance" to talk about the impossible and imaginary in politics. The concept debuted with simultaneous shows at Grand Arts in Kansas City, and X Initiative in New York. She is editor and co-founder of the queer feminist journal and artist collective, LTTR. Her many collaborations include costume design for choreographers Levi Gonzalez, Vannesa Anspaugh and Faye Driscoll, as well as lyric writing for The Knife, and Brooklyn based JD Samson & MEN. Recent solo projects include new commissions from Performance Room, Tate Modern (London), If I Can't Dance (Amsterdam), PICA's TBA Festival, Visual Art Center (Austin), Art in General (NY), The Kitchen (NY), Konsthall C (Stockholm) and a Matrix commission from the Berkeley Art Museum. Roysdon is a recently appointed Professor of Art at Konstfack in Stockholm, Sweden.
Learn moreOver the past ten years, Rose has released recordings, created sound installations, scored films, and performed internationally. He has worked with a number of artists and organizations including Gus Van Sant, Molo Design, and Portland Institute for Contemporary Art. His work was recently featured in a project curated by Tilt Export at Gallery Homeland (OR). Upcoming exhibitions and projects include an original score for the feature film Nothing Personal and a collaborative installation with glass artist Andy Paiko at the Museum of Contemporary Craft. Rose was recently awarded an Individual Artist Fellowship from the Oregon Arts Commission.
Learn moreFreddie Robins’ practice crosses definable categories of art, craft and design. She combines these elements elegantly, and with playful wit subverts meaning and making, fusing a melting-pot of approaches to ‘craft’.
She uses knitting to explore pertinent contemporary issues of the domestic, gender and the human condition, as well as the cultural preconceptions surrounding knitting as craft. Her work aims to disrupt the notion of the medium as passive and benign. Her pieces often incorporate both humour and fear. There is also a display of almost obsessive perfectionism in the quality of each piece’s hand-made finish.
Freddie Robins’ work is in several private and public collections, including the Government Art Collection, Victoria and Albert Museum, Crafts Council, Nottingham Castle Museum, Aberdeen Art Gallery, Scotland and Kode, Bergen, Norway. She has exhibited internationally, including most recently, History in the Making: stories of materials and makers, 2000 BC – Now, Compton Verney, Warwickshire, UK; If Not Now, When? Generations of Women in Sculpture in Britain, 1960 – 2022, Hepworth Wakefield and Saatchi Gallery, London, UK; I Put a Spell on You – New Magic and Mysticism, Art Exchange, University of Essex, Colchester, UK; Creature Comforts, JGM Gallery, London, UK; Kette und Schuss, Mönchengladbach, Germany; CC binder, Puurs-Sint-Amands, Puurs, Belgium; and We are Commoners: Creative Acts of Commoning, a Craftspace national touring exhibition.
Currently Professor of Textiles at the Royal College of Art, Robins is the 2025 Stephen E. Ostrow Distinguished Visitor in the Visual Arts Program, Douglas F. Cooley Memorial Art Gallery, Reed College, Portland, OR. She lives and works in Essex, UK and London, UK.
Learn moreGolden Retriever was formed in Portland during the year 2008 by multi-instrumentalists Jonathan Sielaff and Matt Carlson. Focusing on the relationship of two primarily monophonic instruments—modular synth & bass clarinet—and utilizing layering with a deft balance of improvisation and composition, the duo has created an infinitely varied approach to their sound world. Their latest record, Occupied with the Unspoken, was released last year on Thrill Jockey.
Learn moreRodman is a visual artist who lives and works in New York. His work has a structural/performative bent and often integrates gestural painting, diagrammatic drawing, and intense color, and he has often collaborated with others to realize “event-based group figurative sculptures.” Rodman received his BA in sculpture from The College of Creative Studies at UCSB and his MFA from Columbia University and has exhibited widely both nationally and internationally at venues including Guild & Greyshkul (New York), The Institute of Contemporary Art at Maine College of Art, and, in collaboration with the SFBC, Los Angeles Contemporary Exhibitions (LACE). Recent shows include a solo presentation at Arte Portugal 10 (Lisbon), and group exhibitions at Laurel Gitlen (New York) and Sue Scott Gallery (New York).
Selected Press
The Wolves from Three Angles; Or, The Benefits of the Middle,, Claire Jarvis, ARCADE, January 26, 2011.
"A Room, In Three Movements,", Naomi Fry, Artforum.com, March, 2011.
The Tension of Objects in Space, Michelle Levy, ArtSlant, February 27, 2011.
Selected Video
The Navigator from Doublr on Vimeo.
This video documents two events, one year apart: The Navigator (3/26/2006) + Navigator Two (3/25/2007). The footage for both years is overlain and made transparent allowing the two events to be seen at the same time.
THREE_CLOUDS from Doublr on Vimeo.
Three simultaneously conceived improvisational sculptures of a cloud of smoke exhaled by a furloughed ill cigarette factory worker constructed as unfolding in time by or through an experimental cooperative photography workshop in conjunction with and within the premises of ohad meromi's rehearsal sculpture at art in general, 79 walker st., ny, ny on the 6th floor at 6:30pm on tuesday, feb 1st 2011 Learn moreReeves is a New York-based filmmaker, who has shown at the Berlin, New York, Vancouver, London, Sundance, and Seoul Film Festivals, as well as at the Whitney Biennial, Princeton University, and the Museum of Modern Art. She has made 20+ film works since 1990, pushing the boundaries of film through optical-printing, film stock “misuse,” and direct-on-film techniques including hand-painting film frames.
Selected Press
When It Was Blue, Michael Sicinski, Cinema Scope, 2008.
Outward Bound, Ed Halter, artforum, October 27, 2008.
Learn moreJen Rosenblit makes performance engaging bodies, architectures and ideas between New York City and Berlin. Her works focus on an improvisational approach to choreographic thought, locating ways of being together amidst impossible spaces. Recent works include Hands (upcoming, 2016, The Invisible Dog/New York Live Arts), a Natural dance (2014, The Kitchen), Pastor Pasture, in collaboration with composer Jules Gimbrone, (2013, Issue Project Room), In Mouth (2012, Dance Theater Workshop), and When Them (2010, Danspace Project). Rosenblit is a 2015-16 Movement Research Artist-in-Residence, a recipient of a 2014 New York Dance and Performance “Bessie” Award for Emerging Choreographer for a Natural dance and was awarded the 2012 Grant to Artists from the Foundation for Contemporary Arts. Rosenblit was included in MoMA PS1’s Greater New York exhibition in October 2015, and has received commissions from The Kitchen, The Invisible Dog, New York Live Arts, Danspace Project, and Issue Project Room. Rosenblit has also collaborated and performed with artists including Simone Aughterlony, Young Jean Lee, Ryan McNamara, Yvonne Meier, Sasa Asentic, Anne Imhof, Miguel Gutierrez, A.K. Burns, and Kerry Downey with Joanna Seitz. Rosenblit's upcoming work, Swivel Spot, in collaboration with Geo Wyeth premiers at The Kitchen in March 2017. A new collaboration with Simone Aughterlony, Everything Fits in the Room, premieres January 2017 as a commission between HAU Hebbel am Ufer and Haus der Kulturen Der Welt in Berlin as part of their 100 Years of Now festival.
Learn moreJesus Rodales is a Hillsboro native. He started his dance career as a freestyler, specializing in Tutting and Popping. He is co-founder of Find A Way Threads, a lifestyle brand dedicated to its self-explanatory purpose. Through Find A Way, they hope to help create opportunities for their community!
Learn moreJoseph Rosenburger has not let hardships, tragedies, and adversities stop him from excelling in the written word. His wit matches his wisdom, both of which are plentiful beyond his years. Newly released from five years in three institutions, Joe has much to offer the people.
Learn moreKameelah Janan Rasheed (East Palo Alto, CA) is an artist, writer, and former public school social studies teacher based in Brooklyn, NY. In her interdisciplinary and research intensive practice, she considers ideas of selective legibility and opaqueness as a political strategy; the tension between narrative contingencies and narrative resolutions; as well as black traditions of covert literacies and self-publishing. She has exhibited at Studio Museum in Harlem, Bronx Museum, Queens Museum, Smack Mellon Gallery, Schomburg Center for Research in Black Culture, Project Row Houses, among others. She has been the recipient of awards including the Keyholder Residency at Lower East Side Print Studio, Triple Canopy Commission at New York Public Library Labs, Artadia Grant, Queens Museum Jerome Emerging Artist Fellowship, Art Matters Grant, among others. She is a curriculum writer for NYC public schools, the Arts Editor for SPOOK Magazine, a contributing editor at The New Inquiry, and on faculty at School of Visual Arts. Currently, she is an artist in residence at Smack Mellon.
Learn moreLeyya Mona Tawil (Lime Rickey International) is an artist working with sound, performance, and hybrid transmissions. Tawil is a Syrian, Palestinian, American engaged in the world as such. Tawil uses voice, transactive choreography, interactive surfaces, and electronics to build hybrid performances and sound compositions. Her work has been presented in over 40 cities throughout the states, Europe, and the Arab region. She was nominated for a Bessie Award in Music for Lime Rickey International’s Future Faith, commissioned by Abrons Arts Center (NYC) and KONE Foundation (Helsinki). Recent residencies and exhibitions include Wysing Art Centre/British Council (UK), Arab American National Museum/JAM3A Festival 2021, FUSEBOX Festival 2022, and the Tarek Atoui Sound Residency at Sharjah Art Foundation (UAE). As a curator/producer, Tawil is on the team of Live In America Festival, Southern Exposure Gallery, TAC (Temescal Art Center), and was also the 2020 ISSUE Project Room Suzanne Fiol Curatorial Fellow for her NOMADIC SIGNALS series, which continues into 2022. She is the founding director of Arab.AMP.
Learn moreLisa Radon makes poems that may be publication, object, essay, installation, website, performance. Her books include The Plumb and The Wave (2014), Prototyping Eutopias (2013), An Attempt at Exhausting a Place (2013), The Book of Knots (c_L, 2013), A Reading (Portland Institute for Contemporary Art, 2012), Sentences on Sentences on Paragraphs on Paragraphs (Publication Studio, 2011). Her work has been presented recently in solo exhibitions at Pied-à-terre, Littman Gallery, and White Box, as well as in exhibitions at Hedreen Gallery and LxWxH, and publications for MK Gallery, Disjecta, and Appendix Project Space. Radon publishes the journal EIGHTS.
Learn moreLucy Raven was born in Tucson, Arizona in and lives in New York City and Oakland, California. Her work has been included in exhibitions and screenings internationally at Berlinale, Berlin (2013); Hammer Museum, Los Angeles (2012); Whitney Biennial, New York (2012); MoMA, New York (2010); and PS1, New York (2010). Raven is a contributing editor to BOMB magazine, and her writing has appeared in Artforum, BOMB, and October. She has curated projects for the Goethe Institute, New York (2010); Ballroom Marfa, Texas (2008); and was the co-creator of Bump City, a series of online documentaries for the Oakland Museum of California (2012).
Selected Press
"Lucy Raven," Jason Simon, BOMB, Fall 2012.
"Greater New Yorkers | Lucy Raven," Kevin McGarry, T Magazine, May 13, 2010.
Learn moreFounded in 1993, Mammalian Diving Reflex is a research-art atelier dedicated to investigating the social sphere, always on the lookout for contradictions to whip into aesthetically scintillating experiences. Mammalian creates site and social-specific performance events, theatre-based productions, gallery-based participatory installations, video products, art objects and theoretical texts. They create work that recognizes the social responsibility of art, fostering a dialogue between audience members, between the audience and the material, and between the performers and the audience. It is their mission to bring people from across the planet together in new and unusual ways to create ideal entertainment for the end of the world. For greater context and a more in-depth exploration of Mammalian Diving Reflex's projects and philosophy, click here to view a PDF of collected reviews, interviews, articles and links. A great resource for those who really want to dive into the Festival!
Learn moreMarbles Jumbo Radio is a dancer and movement thinker who works within performance, video, and discussion based platforms that engage experiences of social marginality with politics of place, belonging, land, and identity.
Learn moreMark Russell is a writer and cartoonist living in Portland, Oregon. He is the author of God Is Disappointed in You and has written several acclaimed comic book series, including the DC reboot of The Flintstones, Second Coming, and Exit Stage Left: The Snagglepuss Chronicles, which won the 2019 GLAAD Award for Outstanding Comic.
Learn moreReinsch is a multidisciplinary artist based in Portland, Oregon, where he earned his MFA in Visual Studies from the Pacific Northwest College of Art in 2009. His work incorporates performance and activated sculptural props to explore human connection and disconnection, often through themes of celebration and melancholy.
Learn moreMorgan Ritter has a BA in Intermedia from the Pacific Northwest College of Art (2011). Her visual and written work has been exhibited through institutions such as the Portland Institute of Contemporary Art (PICA), the Henry Art Museum (Seattle), LUMA Foundation (Zurich) and Centre Pompidou (Paris). She has been awarded residencies in New Mexico, New York, Washington and Colorado. Ritter has published three books and is working on a new book of poetry to be published by Ambient Press (NY) and a multi-media release with Musical Archive (LA).
Learn morePatrick Rock is a conceptual artist who has shown internationally, most recently with the collective AMERICAN MEAT LLC., and with the post-punk trio PISS in the Sequences Live Art Festival in Reykjavik. He is the director of ROCKSBOXCONTEMPORARYFINEART, a short-term artist residency and exhibition space in Portland, as well as the director of the Portland State University Art Department galleries, where he also teaches as an adjunct instructor of its Art Department.
Learn moreAs an artist, Rachael Archibald plays with the conventions of art categorizations and conforms them into digital processes, as an all inclusive art form.
Currently she is expanding her practice into graphic arts and visual communication; having already designed posters and promotional media for other artists, musicians and galleries.
Although living and working in Brisbane, Australia, most of her work has been shown overseas in Bristol, Venice, Brooklyn, and online as part of the The Wrong – New Digital Art Biennale.
Learn moreRachel Carrico is a scholar and practitioner of dance and performance. She holds a Ph.D. in Critical Dance Studies from the University of California–Riverside and an M.A. in Performance Studies from NYU. She has published her research on second lining, an improvisational dance form rooted in New Orleans's African diaspora parading traditions, in TDR: The Drama Review, TBS: The Black Scholar, and several anthologies. Fellowships and awards include the Society of Dance History Scholars' Selma Jeanne Cohen Award for excellence in dance scholarship, the UC Center for New Racial Studies Research Grant, and the Center for Gulf South Research Global South Fellowship at Tulane University. Also a practitioner, Carrico completed the Limón Institute's dance teacher training. In 2008, she co-founded Goat in the Road Productions in New Orleans, with whom she has directed two international artist residencies and launched Play/Write, a youth playwriting festival, in New Orleans schools.
Learn moreRachid Ouramdane is a French choreographer of Algerian descent at the forefront of Europe’s conceptual dance thinkers. His projects reassess the definitions of “performer” and “choreographer” and question modes of producing and circulating artwork. Prior to founding L’A. in 2007, Ouramdane collaborated with artists such as Emmanuelle Huynh, Meg Stuart, Christian Rizzo, Alain Buffard, and choreographer Julie Nioche, with whom he co-founded Fin Novembre in 1996. Ouramdane has worked with institutions also focused on visual art, including FRAC Champagne/Ardennes, Manège de Reims, and the Ménagerie de Verre in Paris. Besides choreography, Ouramdane regularly leads artistic workshops and moderates international encounters with artists.
Peripheries
The Purple Shall Govern, Daniel Fernández Pascual, deconcrete, June 8, 2011. Learn moreEducated at the Institut supérieur d'art dramatique (ISAD) of Tunis, choreographer Radhouane El Meddeb was rewarded as 'young hope of the Tunisian theatre' in 1996 by the Tunisian section of the International Theatre Institute. Subsequently, he was selected to participate in the education and research courses at the Théâtre National de Toulouse under the direction of Jacques Rosner.In Tunisia he worked with key artists of the Arab world such as Fadhel Jaïbi, Taoufik Jebali and Mohamed Driss. In France he collaborated with theatre directors Jacques Rosner, Lotfi Achour and Catherine Boskowitz, and with authors such as Adel Hakim and Natacha de Pontcharra. He performed in two films by Férid Boughedir (Un été à la Goulette et Halfaouine, l’enfant des terrasses) and took dance classes with Jean-Laurent Sasportès and Lisa Nelson.
In 2005 he created his first dance solo, performing himself, Pour en finir avec MOI, followed by a creation for Montpellier Danse in 2006, Huwa, ce lui. In 2007, Radhouane performed in Héla Fattoumi and Eric Lamoureux' 1000 Departures of Muscles. In 2008 he created Quelqu’un van danser…, commissioned by the festival Rencontres Chorégraphiques de Seine-Saint-Denis. That same year, invited by choreographer Salia Sanou, he conceived a culinary dance performance for the event “Sonorités et corps d’Afrique”, entitled Je danse et je vous en donne à bouffer. It premiered at Centre National de la Danse and is still a highly demanded piece. In 2010 he created his first group piece, Ce que nous sommes, premiering as well at the Centre National de la Danse. Other works since: Chant d’amour (2011), Aletroit (2011), Tunis, 14 janvier 2011 (2011), Sous leurs pieds, le paradis (2012), and Nos Limites (2012, a piece for two young circus performers, produced by the 104-Centquatre in Paris). In spring 2014 followed Au temps où les Arabes dansaient… (2014) premiered at CDC Toulouse. In April 2015, Radhouane will present a prelude to his new creation, Heroes, with ten performers, at the Paris Panthéon, premiering within the framework of the festival Séquence Danse of the 104-Centquatre, where Radhouane has been associate artist since 2011.
Learn moreElisa Harkins, Hanako Hoshimi-Caines, and Zoë Poluch came together in 2019 to create Radio III / ᎦᏬᏂᏍᎩ ᏦᎢ. The work was borne in part from a common interest in minimalism in art and music, which led to a wish to create a first work together. Elisa Harkins is a Native American (Cherokee/Muscogee) artist and composer based in Tulsa, Oklahoma. Her work is concerned with translation, language preservation, and Indigenous musicology. Hanako Hoshimi-Caines is a mother, dancer, performance-maker, writer, questioner, enthusiast, and organizer born and based in Tiohtià:ke/Montreal. Her work plays with the pleasure and the haunt of the familiar as strategies of resistance and transformation. Zoë Poluch’s artistic practice puts into motion different mediums and takes shape in different rooms. Her relationship with the “contemporary dance” scene is based on a long-term and practice-based interest in the politics and poetics of moving and sensing. She is based in Stockholm, Sweden.
Learn moreRadoslaw Rychcik is a young director living and working in Poland. He began his career as an assistant to renowned director Krystian Lupa on Factory 2 and later worked on Stanislaw Wyspianski's drama Protesilas and Laodamia. In 2008, Rychcik directed Dictator, a performance based on Charlie Chaplin’s film, for the Wybrzeze Sztuki Festival in Gdansk. Most recently, Rychcik has presented A Lover's Discourse: Fragments by Roland Barthes at the Drama Theatre in Warsaw and an adaptation of Bertolt Brecht’s Versus: In the Jungle of Cities at the New Theatre in Krakow and the Under the Radar Festival in New York.
Selected Press
Rychcik burns actors (Solitude of Cotton Fields), Beata Frysztacka, e-splot.pl, December 20, 2009 (Translated from Polish).
Loneliness is Discovered, Agata Piecuch, e-teatr.pl, January 6, 2010 (Translated from Polish).
Learn more
The cavernous and beautiful project of renowned DJ and Further Records headmaster Chloe Harris, Raica walks a fine line between lucid animation and blurred darkness.“Originally released as a tape in 2012, Dose marked a difficult transition for Chloe Harris, the Seattle-based producer and co-head of Further Records. Before she made experimental synth music as Raica, Harris toured the world as a progressive house DJ and close associate of John Digweed, an artist who couldn’t be further removed from the music on Dose. Harris says the tape (now a record) was the sound of her trying to claw her way out of that world, or at least find a new one. Looking back on it now, Dose is a stunning document of vulnerability and volatile inspiration couched in seriously experimental, mind-bending music.” – Resident Advisor on Dose (2012)
Learn moreInspired to perform by Pier Paolo Pasolini’s injunction to "Throw your body into the fight," Hoghe was born in Wuppertal, Germany, and began his career as a writer. Until 1990, he worked as dramaturge for Pina Bausch’s Tanztheater Wuppertal. In 1994, he produced his first solo for himself, Meinwärts, which together with the subsequent Chambre séparée (1997) and Another Dream (2000) made up a trilogy on the 20th century. Since 2002, Hoghe has choreographed group productions or duos that reinterpret classic dance pieces, including Swan Lake, 4 Acts (2005); Sacre — The Rite of the Spring (2004), with Lorenzo De Brabandere; Boléro Variations (2007) and L'Après-midi with Emmanuel Eggermont (2008).
Learn moreConceived in 2002 by Nick Jones and Raja Azar, the group began with a song, Pyrate Love, performed while they were working for the Bindlestiff Family Cirkus, and the two set out to create a massive live musical pirate puppet sea saga. Four years, six “episodes,” and hours of bizarre musical material later, Jollyship the Whiz-Bang have toured the US, Canada, Ireland, and have recently finished a residency in Bangkok for the Hoontown Puppet Festival. In 2005, they released their first album, Songs to Drown By, and recorded a DVD (forthcoming) adapting Crabquistador, the latest episode of their saga.
Learn moreRaja Feather Kelly is a choreographer, a director, and the artistic director of the feath3r theory. He is a three-time Princess Grace Award winner (2017, 2018, 2019), two-time Lucille Lortel Award nominee (2019, 2020), and 2019 Chita Rivera Award nominee. In 2020 he was the Obie Award winner and Outer Critics Circle Award honoree for choreography for the Pulitzer-winning musical A Strange Loop. In 2019 he was an SDCF Joe A. Callaway Award finalist for both A Strange Loop and the Pulitzer-winning play Fairview. Raja is also the 2019–2020 Randjelović/Stryker Resident Commissioned Artist at New York Live Arts, an inaugural Jerome Hill Artist Fellow, and a 2019 Creative Capital award recipient. He is a current fellow of HERE Arts, the Center for Ballet and the Arts at NYU, and a Creative Associate at The Juilliard School. Over the past decade, Kelly has created fifteen evening-length premieres with his company the feath3r theory as well as directing and choreographing extensively for Off-Broadway theatre in New York City. His choreography has also garnered a 2018 Breakout Award from the Stage Directors and Choreographers Foundation (SDCF) and the Solange MacArthur Award for New Choreography (2016), and he was Dance Magazine's inaugural Harkness Promise Award (2018). He was born in Fort Hood, Texas and holds a B.A. in Dance and English from Connecticut College.
Learn moreRalph Pugay is an artist who was born in the province of Cavite, Philippines, and has resided in Portland, OR for the majority of his adult life. He creates imaginative and thought-provoking tableaus that prompt viewers to contemplate the boundaries of cultural norms, identity, and social perception. His works have been exhibited at various venues, including Ortega Y Gasset Projects, Seattle Art Museum, Upfor Gallery, Marinaro, Webb Art Gallery, Vox Populi, AA|LA, and King School Museum for Contemporary Art. Pugay is the recipient of a Joan Mitchell Foundation Painters and Sculptors Award, a Betty Bowen Award, and an Oregon Arts Commission Individual Artist Fellowship among others. He has also been an artist-in-residence at Skowhegan School of Painting and Sculpture, the Joan Mitchell Center, the Rauschenberg Residency, Vermont Studio Center, PICA’s Creative Exchange Lab, Crows Shadow, and the University of Oregon’s Center for Artistic Research.
Learn moreRap Class is an eclectic DJ and producer who has been operating out of the Pacific Northwest for the better part of the last decade. His styles are routed in a heavy sample-based audio collage and disco mix champion influence. He can deliver anything; changing the ins and outs of his routine is his specialty. Every time you see him it’s like drawing a prize out from a bag. His one goal: to keep his audience guessing. Seeing him live, audiences may just learn that forward thinking electronic music doesn’t merely exist in the present, but lives as a culmination of all music history, a fact to be presented by the right DJ at the right place & time: Rap Class.
Selected Press
"Rap Class: Brothers Superhero," Christian Santana, XLR8R, August 10, 2012.
"Rap Class," Reed Jackson, Willamette Week, October 31, 2012.
Learn moreRaquel André was born in Caneças, Portugal in 1986. Her artistic path began early on. In 2009, her first performance was created out her the discovery of a box full of handwritten letters from the ‘70s, ‘80s and ‘90s. André has since cultivated an interest in collecting—particularly in the performing arts—and in 2016, she completed her master’s thesis at University Federal of Rio de Janeiro on the subject.
In 2011, she moved to Rio de Janeiro, where a five-month artistic residency in Companhia dos Atores turned into five years. There, she began working with director and actress Bel Garcia on several theater productions. André also worked with actor, curator, and director César Augusto in Galpão Gamboa, where she co-programmed and produced theater, dance and music. André studied in the Theater and Film School of Lisbon, and worked with several Portuguese artists from different artistic languages. Her work has been shown on television, and in Portugal, Spain, Poland, Cuba, Argentina, and Brazil.
Learn moreRaven Chacon is a composer, performer, and installation artist from Fort Defiance, Navajo Nation. As a solo artist, collaborator, or with Postcommodity, Chacon has exhibited or performed at the Whitney Biennial, documenta 14, REDCAT, Musée d’art Contemporain de Montréal, San Francisco Electronic Music Festival, Chaco Canyon, Ende Tymes Festival, 18th Biennale of Sydney, and The Kennedy Center. Every year, he teaches 20 students to write string quartets for the Native American Composer Apprenticeship Project (NACAP). He is the recipient of a United States Artists fellowship in music, a Creative Capital award in visual arts, the Native Arts and Cultures Foundation artist fellowship, and the American Academy’s Berlin Prize for Music Composition. He lives in Albuquerque, NM.
Learn moreRay Beldner is a sculptor and mixed media artist whose work has been exhibited both nationally and internationally and can be found in many public and private collections including the Smithsonian National Portrait Gallery and the Federal Reserve Board, Washington D.C., 21c Museum, Kentucky, the Fine Arts Museums of San Francisco, Oakland Museum of California, and the San Jose Museum of Art, among others.Born in San Francisco, Beldner received a BFA from the San Francisco Art Institute and an MFA from Mills College. He has received numerous awards and fellowships including a California Arts Council Fellowship in New Genres, a Creative Work Fund Grant from the Haas Foundations, and a Potrero Nuevo environmental art grant. He has taught sculpture, interdisciplinary studies, and professional practices at the San Francisco Art Institute, California College of the Arts, San Francisco State University, and University of California, Santa Cruz.His work has been reviewed in publications including Art in America, Arte, Art On Paper, Artweek, Wired, Playboy, the Boston Globe, the Los Angeles Times, the Village Voice, the International Herald Tribune, the Wall Street Journal, and the New York Times.
Learn moreRebecca Gates is an Oregon based musician, artist, curator, and activist. She has toured and released albums internationally, and appeared on recordings by a range of artists including Willie Nelson, Akito Katayose and The Decemberists. Her programs and work relating to issues of sound and space, listening, and artist's roles in their communities have been hosted by PS1, Mass MOCA, WFMU's Radiovision Festival, PICA Symposium, The Museum of Contemporary Craft, New York University and galleries in the United States and Europe. Gates co-curated Ballroom Marfa's sonic exploration of land arts, "The Marfa Sessions", co-founded The Relay Project audiomagazine, and is chief wrangler at The Agency League of Musicians, a musician centered think tank and action network.
Learn moreReggie Watts made his name playing and singing in the band Maktub, a central part of the Seattle music scene throughout the 1990s. Embarking on his solo career in 2004, Watts has focused on developing a unique comedic style that synthesizes elements from R&B, beatboxing, alternative theatre and video. A prolific artist, Watts has completed projects with The Yes Men, collaborated with SOULLIVE and Yunchen Lhamo, and appeared at SXSW, the Montreal Comedy Festival, Cape Town and Edinburgh Comedy Festivals, TBA Festival in Portland, The Fuse Box Festival in Austin, Bonaroo, Sasquatch Festival, plus several BBC live radio events. He is winner of the 2005 Malcolm Hardee Oy! Oy! Award and the 2006 Andy Kaufman Comedy Award. In 2006 he was also a recipient of the Seattle Mayor’s Arts Award.
Learn moreReuben Tomás Roqueñi is a Program Officer in the Performing Arts Program at the William and Flora Hewlett Foundation in San Francisco making grants to sustain artistic expression and encourage public engagement in the arts. These grants embrace a wide range of artistic disciplines, aesthetics, and cultural traditions in the areas of dance, media, music, and theater that engage people across diverse communities.
Prior to Hewlett, Reuben served 5 years as Program Director at the Native Arts and Cultures Foundation, a national arts philanthropic organization, located in the Portland, Oregon area and serving Native American, Alaska Native, and Native Hawaiian artists, organizations, and programs. The grantmaking strategies included artist fellowships that focusing on innovation in contemporary arts practices; project support investing in social change and community development through the arts; and operating support working in partnership with Native arts service organizations to leverage broader support for the field. Previously, Reuben served as Grants Manager at a public agency, the Tucson Pima Arts Council in Tucson, Arizona, directing all grantmaking processes and program administration, supporting the region’s nonprofit arts organizations and individual artists.
Reuben currently serves on the board of Portland Institute of Contemporary Art (PICA) whose annual Time Based Art Festival (TBA) supports the experiments of innovative contemporary performing artists. He serves on the board of The Association of American Cultures (TAAC), whose bi-annual Open Dialogue conference provides leadership in achieving equal participation in policymaking, equitable funding for all cultural institutions, and an elevation in multicultural leadership that impact cultural policies. He is also on the Grantmakers in the Arts (GIA) national Thought Leader Forum on Racial Equity in Grantmaking. Previously he served on the Board of Directors at Access Tucson (public television) and was a founding Board member of the Tucson Musicians and Artists Health Alliance (TAMHA). He is a graduate of the National Association of Latino Arts and Culture’s (NALAC) Leadership Training Institute and the first NALAC Arts Advocacy Institute in DC. Reuben has served on grants review panels, national to local, for the National Endowment for the Arts, ArtPlace, NALAC Fund for the Arts, Rasmuson Foundation, Artist Trust, Arizona Commission on the Arts, Regional Arts and Culture Council (Portland), Community Foundation for Southern Arizona, and Pro-Neighborhoods Tucson.
Reuben is of mixed ancestry (Yaqui/Mexican). He began his career in arts administration at the afterschool arts and business program, Old Pascua Youth Artists (OPYA), serving Yaqui youth and as an artist educator in the public school system. He spent 6 years in the private sector with American Airlines and has lived in Seattle, St Croix, New Orleans, and San Antonio. He was raised in California, received his BFA from The Evergreen State College in Olympia, Washington, and is a multi-media visual artist.
Learn moreReuben Tomás Roqueñi
Director of National Artists Fellowships
Native Arts and Cultures Foundation
Reuben is a nationally respected arts administrator with over 15 years in progressive program development, management, artist-centric support systems and grantmaking experience. He is currently Director of National Artists Fellowships at Native Arts and Cultures Foundation, serving Native American, Alaska Native, and Native Hawaiian artists, organizations, and programs across the US. Previously, Reuben was Program Officer in the Performing Arts Program at the William and Flora Hewlett Foundation in the San Francisco Bay Area, one the nation’s largest arts and culture funders. Formerly, Reuben served as Grants Program Director at the Arts Foundation for Tucson and Southern Arizona. Reuben is a board member at MAP Fund in NYC and a former a board member at PICA. Reuben is of mixed Yaqui/Mayo/Chicanx ancestry and is currently living in Portland, Oregon.
Learn moreRhea Wolf is feminist, witch and astrologer whose life purpose is to help people awaken their inherent creativity, activate their authentic selves and deepen their connections to the larger world. Rhea is motivated by a vision of an emerging culture based on respect, beauty, justice and relatedness.
Rhea Wolf has been a workshop facilitator for fifteen years, bringing creative writing, theater arts and The Work that Reconnects to a variety of groups, including at-risk youth and women in prison. After her Saturn Return, she began her journey as a professional astrologer and a mother of two daughters.
Rhea has worked as the Program Coordinator for Write Around Portland and was a performing artist and teacher with Sowelu Ensemble Theater. Rhea has a BFA in Theater Performance from Wichita State University. In addition, she has studied theater and deep ecology at the Naropa Institute, and trained extensively with world-renowned author Joanna Macy. After 4½ years of intensive study, she graduated from Colette Gardiner's Blue Iris Mystery School in 2009.
Rhea is the author of The Light That Changes: The Moon in Astrology, Stories and Time. Her articles have appeared in The Mountain Astrologer, hipMama, Perspectives, and VoiceCatcher. For the past seven years, she has offered workshops on astrology, spirituality and creativity to groups large and small throughout the Pacific Northwest.
Rhea’s passion for astrology began in childhood when she was given an impromptu tutorial of the zodiac by her hippie teen-aged babysitter. She remembers feeling a sense of wonder and also familiarity. Since then, she's devoured countless books on astrology and has received training and guidance from astrologers such as Demetra George, Emily Trinkaus and Steven Forrest. Rhea brings her love of the Earth, the spirit of wonder and her desire to deepen relationships to all that she does. She enjoys helping people find ways to claim more beauty and magic in their daily lives.
Rhea is a Leo Sun, Leo Rising, Taurus Moon and North Node in Scorpio. Full chart information is available upon request for students and potential students.
Learn moreHelgard Haug, Stefan Kaegi, and Daniel Wetzel founded the theatre label Rimini Protokoll in 2000 and have since worked in different constellations under this name. Work by work, they have expanded the means of the theatre to create new perspectives on reality.
Rimini Protokoll often develops their stage-works, interventions, performative installations, and audio plays together with experts who have gained their knowledge and skills beyond the theatre. Furthermore, they like to transpose rooms or social structures into theatrical formats. Many of their works feature interactivity and a playful use of technology.
Hence, Rimini Protokoll declared the “General Assembly” of Daimler stockholders a theatre play, or, with “Call Cutta” and “Call Cutta in a Box,” they set up a transatlantic conversation between a worker in an Indian call center and each audience member.
With “100% City,” they have created a worldwide, ever-newly contextualizing work in which 100 statistically selected inhabitants of the city gather on a theatre stage. Their production “World Climate Conference” mirrors the drama of diplomatic efforts to protect the Earth's atmosphere at the Schauspielhaus Hamburg. For the multiplayer video walk “Situation Rooms,” they built a hyperrealistic set in which the 20 audience members follow the tracks of people whose biographies have been shaped by weapons.
In “Utopolis,” the audience is guided through the city by 48 portable speakers that set a course for shared or contradicting utopias.
Recently, more immersive and interactive works have been created for museums, such as “win><win“ and “Urban Nature.”The pieces "All right. Good night." (2022), “Chinchilla Arsehole, eyeye” (2020), “Situation Rooms” (2014), “Wallenstein” (2006), and “Deadline” (2004) have been invited to the Berliner Theatertreffen. On top of that, Rimini Protokoll received the Mülheimer Dramatikerpreis for “Karl Marx: Das Kapital, Erster Band,” the German theatre award Faust, the Grand Prix Theatre from the Swiss Federal Office for Culture, the European Theatre Award, the Silver Lion at the Theatre Biennale in Venice, as well as the German Audio Play Award and the War Blinded Audio Play Prize.
Since 2003, the production office of Rimini Protokoll has been in Berlin.
Learn moreThe multi-talented Rinde Eckert is an acclaimed performer, director, writer, composer, librettist, and musician whose virtuosic command of gesture, language, and song takes this total theatre artist beyond the traditional boundaries of what a ‘play,’ a ‘dance piece,’ an ‘opera,’ or a ‘musical’ might be. Eckert creates solo work, chamber pieces and through-composed operas with larger casts in collaborations with choreographers, composers, directors, and new music ensembles. His Opera/New Music Theatre productions have toured throughout the U.S. and to major European and Asian festivals. Current theater and music projects in which he performs include My Lai with the Kronos Quartet; The Aging Magician with Paola Prestini and Beth Morrison Productions; and Five Beasts with composer/performer Ned Rothenberg and beat box artist Adam Matta. Among his many awards, Rinde Eckert was the 2007 finalist for the Pulitzer Prize in Drama.
Learn morerise x fall is an in-progress multimedia collaboration between rubén garcía marrufo, maximiliano, and Jaleesa Johnston. Conjured from liminal space, this work considers the rise and fall of an empire, and the possibilities between stability and instability. Taking inspiration from the ocean’s crashing waves against the earth, rise x fall simultaneously inhabits the space between the pain and fear of death, as well as the hope and growth of rebirth.
ARTISTS' BIOS
mononymously named, maximiliano, is a conceptual artist working in BLKwvv, a generative multimedia mythos: a Black reclamation rococo aesthetic and agenda based in exploring and expanding the multiplicity and fluidity of the Black self through pleasure, desirability, innocence, and imagination as performance, video, GIF, sculpture, thought, and publications.
rubén garcía marrufo is a border artist.
https://rubengarciamarrufo.com/
Jaleesa Johnston is an interdisciplinary artist, educator, and arts administrator currently living and working in the Pacific Northwest. She holds a BA from Vassar College and an MFA from the San Francisco Art Institute. She has been the recipient of the AICAD Post-Graduate Teaching Fellowship, Centrum’s Emerging Artist Residency, and Open Signal’s New Media Fellowship. She has exhibited her work in cities along the West Coast, including San Francisco, Portland, and Seattle, and she occasionally facilitates workshops and classes in new media and performance art. Jaleesa also organizes public programs as Programs Lead in the Learning and Community Partnerships Department at the Portland Art Museum.
Learn morerobbinschilds (Layla Childs and Sonya Robbins) have presented choreographed and video works since 2003, in venues including P.S. 122, Marfa Ballroom, The New Museum, and Autumn Skatebowl. Most recently, robbinschilds was commissioned to create original choreography for David Byrne and premiered a new work, Sonya and Layla Go Camping, at The Kitchen.
Learn moreBoyd's work has been exhibited at venues such as the Hong Kong Museum of Art, Hong Kong (2009); P.S.1 Contemporary Art Center, NY (2008); Sundance Film Festival, Park City, UT (2008); Pinchuk Art Centre, Kiev (2008); Peabody Essex Museum, Salem, MA (2008); The Indianapolis Museum of Contemporary Art, Indianapolis (2007); 303 Gallery, NY (2007); PKM Gallery, Beijing (2006); Kunst-Werke, Berlin (2006); and Participant Inc, NY (2006). His work is included in several public collections, including the Solomon R. Guggenheim Museum in New York and the Fondation Louis Vuitton pour la Création in Paris.
Learn moreRobert Quillen Camp is a theater artist and scholar whose current research focuses primarily on the ways in which expanded dramatic practices intersect with contemporary post-conceptual visual art. His other research areas include European modern drama and the phenomenology of performance.
He has written extensively for the stage, including writing the text for Pig Iron Theater Company’s OBIE-award winning CHEKHOV LIZARDBRAIN, which has toured internationally and been published by 53rd State Press. His most recent play, ALL HANDS, a collaboration with the Hoi Polloi Theater Company, premiered at NYC’s Incubator Arts Project in 2012, directed by Alec Duffy, with music by Dave Malloy and choreography by Dan Safer. Another collaboration with Pig Iron, the Barrymore Award nominated PAY UP, returned to the Philadelphia Live Arts Festival in the fall of 2013. His plays and performance works have been produced at many venues in the US and abroad, including the Public Theater Under the Radar Festival, the Ohio Theater, the Ontological-Hysteric, Peak Performances at Montclair University, The Empty Space, Prelude Festival, the Boulder Museum of Contemporary Art and HERE. His plays have been published in the literary journals Conjunctions, Chain, Conundrum, Factorial, and Play A Journal of Plays.
He currently teaches in the theatre department at Lewis & Clark College in Portland, OR.
BA Reed College, MFA Brown University, PhD University of California, Santa Barbara.
Learn moreRob Halverson is an artist and curator living and working in Los Angeles, California. Recent solo exhibitions include XO the Sky Billions Star, Chapter NY, New York, Warm Side of Zero, Overduin & Co., Los Angeles and List Grows Eyeball, Ditch Projects, Springfield, Oregon. Halverson has been included in exhibitions at Artist Curated Projects, Los Angeles, Queer Thoughts, Lake Nicaragua, Nicaragua and Misako & Rosen Tokyo, Japan. Halverson will be part of a two person exhibition with Chadwick Rantanen at Soloway, Brooklyn, New York in December. In 2016 Halverson will be curating Lasting Concept at the Portland Institute for Contemporary Art.
Learn moreRobin Deacon (born 1973 Eastbourne, England) is a British artist, writer and filmmaker currently based in the USA. Active from the 1990’s, his work explores questions of memory, absence and fiction in performance, through a constant reconfiguration of his role as an artist - as journalist and biographer, operator and technician, imposter and stooge. His recent research projects have explored histories of video documentation and outmoded media formats, and the practice and ethics of performance re-enactment. His live and screen based work has been commissioned and programmed throughout Europe, the US, and Asia. A MacDowell Fellow, he has been a recipient of a variety of awards and fellowships from organizations such as the Delfina Foundation, British Arts Council, Live Art Development Agency and Franklin Furnace Inc.
Learn moreRobin Lane began studying dance, gymnastics, theater, and visual art as a child. At fourteen, she created her first evening-length performance at the Robert Frost Auditorium, combining her high school gymnastic team with the dance club and creating an original score with the school orchestra playing office equipment. As a director/choreographer/writer, her focus has always been telling stories, linear and nonlinear, bringing to life the visual images, metaphors, and stories she sees in her head. She uses whatever vocabulary the images demand. Her intent is always to hone each new work to communicate and connect with her audiences. Exploration, collaboration, and ensemble building are core elements of her creative process.
In 1977, Lane founded Do Jump to explore her unique genre. Lane has created 19 original, full‐length works and countless smaller site‐specific pieces, events, and spectacles.
In 1983, Lane and company renovated the Echo Theatre in southeast Portland, OR, creating a permanent home for Do Jump! The following year she opened the Do Jump Physical Theatre School, sharing her unique teaching style with children and adults, providing a training ground for the company. Lane has toured extensively with Do Jump, including multiple extended runs in the New Victory Theater in NYC, the Kennedy Center in Washington, D.C., and the Geffen Playhouse in L.A. “That Happened,” Lane’s first feature film, just had its first screening at PAM CUT’s Tomorrow Theater in Portland, Oregon
Robin is the recipient of the Oregon Arts Commission Fellowship in Dance, three creativity grants from the NEA, and the 2010 Regional Arts and Culture Council’s Individual Artist Fellowship in Performing Arts. Lane attended a joint program between Reed College and the Portland Museum Art School. She studied the LeCoque Method and was a member of Theatre Elan Company. In 1973, Lane studied aerial dance with Terry Sendgraff in San Francisco and Bill & Arnie Zane in NYC. In Portland, Oregon, she created and choreo/directed original works for Storefront Theater, Tygres Heart Shakespeare, Portland Family Circus, and others.
Learn moreRoland Dahwen Wu is a filmmaker whose work explores migration, race and memory. His films and installations have been shown at CalArts, Portland Art Museum, Time Based Art Festival, Northwest Film Center, and numerous galleries. His films span nonfiction, experimental, and narrative genres, and are commonly marked by poetry: from his first documentary about the whistling language of the Canary Islands (There are no birds in the nests of yesterday) to his recent short film about 20th century Asian migration (Haft-Seen).
Learn moreRonaldo V. Wilson, PhD, is the author of Narrative of the Life of the Brown Boy and the White Man (University of Pittsburgh, 2008), winner of the 2007 Cave Canem Prize, Poems of the Black Object (Futurepoem Books, 2009), winner of the Thom Gunn Award for Gay Poetry and the Asian American Literary Award in Poetry in 2010. His latest books are Farther Traveler: Poetry, Prose, Other (Counterpath Press, 2015), finalist for a Thom Gunn Award for Gay Poetry and Lucy 72 (1913 Press, 2017). Co-founder of the Black Took Collective, Wilson is also a mixed media artist, dancer and performer. His Off the Dome: Rants, Raps, and Meditations, an online album, exists on The Conversant. His short films “Grey,” “White,” “Blue,” “Red,” “Green,” “Brown,” “Pink,” “Black,” can also be found online at the Center for Art and Thought. Wilson is currently an Associate Professor of Creative Writing and Literature at the University of California, Santa Cruz, serving on the core faculty of the Creative Critical PhD Program, and co-directing the Creative Writing Program. He splits his time between Santa Cruz, CA and Long Island, New York.
Learn moreBass is a visual artist and musician who lives and works in New York City. He has exhibited widely both nationally and internationally at institutions and galleries including P.S.1 Contemporary Art Center (New York), The New Museum of Contemporary Art (New York), The Kitchen (New York), James Cohen Gallery (New York), The Henry Art Gallery (Seattle), The Centre for Contemporary Arts (Glasgow, Scotland), and The Contemporary Art Center of Tel Aviv (Israel). Musical compositions include the score for Rirkrit Tiravanija’s Hugo Boss Prize Exhibition at the Serpentine Gallery in London. Bass is currently producing a hip-hop album intended for release in 2012.
Selected Press
500 Words: Ronnie Bass, Miriam Katz, Artforum.com, December 9, 2009.
2009, A Space Odyssey-Ronnie Bass at Marginal Utility, Libby Rosof, The Artblog, November 8, 2009.
Art in Review: Ronnie Bass, Ken Johnson, New York Times, October 17, 2008.
Selected Videos
Learn moreRose Bond creates work at the juncture of expanded cinema and experimental animation. Her large-scale animated installations navigate the allegories of place and illuminate urban space with fragments of the often overlooked – the ‘other’. With roots in frame-by-frame, hand drawn animation, she has since turned her focus towards public media performances. Her current work-in-progress, Earths to Come, an interdisciplinary collaboration with composer inti figgis-vizueta and Roomful of Teeth, pushes her cinema-born aesthetic into the spatialized terrain of VR and domes. Earths to Come, was developed in part at a Multi-disciplinary residency at the Baryshnikov Arts Center in NYC and at the 2024 Venice Biennale Immersive College.
Recent work includes large-scale, multi-screen live projections for symphony with works by avant-garde composers Luciano Berio’s Sinfonia, 2020 and Olivier Messiaen‘s Turangalîla- Symphonie, 2016. Other animated installations include: two pieces for the permanent collection at the Portland Chinatown Museum, 2018; Illumination No.1 reprise at Portland’s Old Town Society Hotel, 2014; a prototype for a media installation in the Smithsonian’s Arts & Industries Building, 2012;Broadsided! at Exeter Castle, 2010; Intra Muros, shown during the 2007 Platform International Animation Festival and reprised for the Holland Animation Film Festival, Utrecht, 2008, and Nuit Blanche, Toronto 2011.
Bond’s paint-on-film animated films have been presented at major international festivals and are held in the MoMA Film Collection. She has received support from The Princess Grace Foundation, Bloomberg LP, Prince Bernhard Culture Foundation, Creative Heights Oregon Community Arts, the National Film Board of Canada, Arts Council England, the Canada Council for the Arts, American Film Institute, and the National Endowment for the arts. Her work has been cited in numerous publications including Experimental Animation: Origins of a New Art, Re-imagining Animation: The Changing Face of the Moving Image, The Animation Bible, Experimental and Expanded Animation: New Perspectives & Practices, and the Experimental Animation: From Analogue to Digital. Rose Bond is a Canadian born media artist based in Portland Oregon.
Learn moreRoyal Osiris Karaoke Ensemble (ROKE) has performed rituals at the Guggenheim Museum, Under the Radar Festival, FringeArts, Under the Radar’s Incoming! Series, Gibney Dance Center, Kate Werble Gallery, Special Effects Festival at Participant Inc., Prelude Festival, AUNTS Arts@Renaissance, and JACK. ROKE received a 2016 Creative Capital award for The Art of Luv series, and has been awarded a Franklin Furnace Fund grant (2013) and a BAX Space Grant (2014). They were part of the Public Theater’s Devised Theater Working Group and PS122’s RAMP residency program. They spent the summer of 2014 at the Skowhegan School of Painting and Sculpture and were 2015 CUNY Hunter Artists-in-Residence in ceramics. The Art of Luv (Part 1): Elliot is created with support from The Public Theater’s Devised Theater Working Group, Gibney Dance Center, The Skowhegan School of Painting and Sculpture, and a residency at CUNY City Tech. Royal Osiris Karaoke Ensemble is supported by Immediate Medium’s AGENCY program, which provides financial, administrative, and equipment support to emerging artists. The Art of Luv is a project of Creative Capital.
Learn moreRoy Pérez teaches and writes about gender, sex and race in contemporary literature, art, and performance. He is an associate professor of English, American Ethnic Studies, and Women's and Gender Studies at Willamette University in Salem, Oregon. His poems and essays have appeared in Trap Door: Trans Cultural Production and the Politics of Visibility (MIT Press, 2017), Narrative, Race, and Ethnicity in the United States (OSUP, 2017), Women & Performance: a journal of feminist theory, the Best of Panic! poetry anthology, Bully Bloggers, and FENCE Magazine, and he is co-editor with Kadji Amin and Amber Musser of "Queer Form," a special issue of ASAP/Journal. He is writing a book titled Proximities: Queer Configurations of Race in Latinx Literature and Performance.
Learn moreRoza Moshtaghi (Tehran/Iran) lives and works in Oslo. Her works are situated within the performing arts field as a choreographer and performer. Questions of how she, buildings, streets, nature, events, bodies, and objects in general react or adapt to structures have been crucial to most of her work. Roza holds an MA in choreography from Oslo National Academy of the Arts. She presents her works internationally and continues to develop projects with other artists, both as a collaborator and as a performer. Her most recent projects are Only Forever (2018), Flonch (2017), The Smell of Its Shirt (2016), Water Graffiti (2016).
Learn morerubén garcía marrufo is a border artist and ⅓ of rise x fall.
Learn moreCurrently based in Brooklyn, New York, Stiler received a BFA from the Rhode Island School of Design and her MFA from Yale University. Her work has been shown internationally at galleries including Nicelle Beauchene (New York), Sandroni Rey (Los Angeles), and Annarumma 404 (Naples, Italy). Recent and upcoming exhibitions include solo projects at Callicoon Fine Arts (New York), The Suburban (Chicago) as well as the Emerging Artist Fellowship Exhibition at Socrates Sculpture Park (New York). Stiler has been featured in BOMBlog, Artforum.com, and Flash Art Italia and is represented by Nicelle Beauchene Gallery in New York.
Selected Press
Ruby Sky Stiler, Christopher Howard, Artforum, May 2009.
Ruby Sky Stiler, Rebekah Drysdale, Daily Serving, May 16, 2009.
In Words: Ruby Sky Stiler, Kelly Devine Thomas, BOMBlog May 25, 2009.
That's What He Said, Ian Cooper, The Highlights, October 2009.
Learn moreSince 1995, Rude Mechs has created a mercurial slate of 23 theatrical productions that represent a genre-defying cocktail of big ideas, cheap laughs, and dizzying spectacle. What these works hold in common is the use of play to make performance, the use of theaters as meeting places for audiences and artists, and the use of humor as a tool for intellectual investigation. The company tours these performances nationally and abroad; maintains The Off Center, a performance venue in Austin for arts groups of every discipline; and operates a year-round arts mentoring program for teenage girls.
Selected Press
The Rude Mechs' "The Method Gun" at DTW, Jeremy M. Barker, Culturebot, March 3, 2011.
Many Methods to Collaborative Madness, Joan Anderman, The New York Times, February 22, 2011.
Learn moreThe son of folk singers Loudon Wainwright III and Kate McGarrigle, Rufus Wainwright has achieved success by carving out his own singular sound in the worlds of rock, opera, theater, dance and film. He has released seven albums and three DVDs, as well as collaborating with artists including Elton John, David Byrne, and Burt Bacharach. Wainwright was nominated for a Grammy for the live recording from his Judy Garland tribute concert, Rufus Does Judy At Carnegie Hall. His opera, Prima Donna, premiered at the 2009 Manchester International Festival, and has been presented as part of Toronto's Luminato Festival and at London’s Sadler’s Wells.
Selected Press
A flair for the popular, Andrew Clark, Financial Times, July 13, 2009.
How We Met: Janis Kelly & Rufus Wainwright, Rhiannon Harries, The Independent, March 21, 2010.
Learn moreThe original YouTube cover band, Portland-based Rush-N-Disco reappropriates found media into an absurdly entertaining assault on the senses. Like a postmodern Elaine May and Mike Nichols, Greg Arden and Alicia McDaid commit fully to their invocations of failed pop stars, celebutante breakdowns, amateur pet videos, and exercise gurus. Acting as oral historians of our information-overloaded age, they flow each vignette into the next, creating an arc that takes the audience through an incantation, a birthing, a love story, a descent into betrayal and death, resurrection, therapy, insanity, religious zealotry, and finally, redemption—depending on the show.
Though material is mostly inspired by Youtube, Arden and McDaid create characters and situations that stand alone, regardless of one's familiarity with the 'Tube. While some audiences might recognize everything from "Talking Cats" to "Britney On Drugs," those who have not seen any of the source material are still consistently engaged and drawn into the performances. From the brink of cable access stardom to the edge of sanity, Rush-N-Disco are the carnies of this hilarious yet poignant roller coaster ride of song, dance, and stairway-to-stardom castaways.
Learn moreSara Greenberger Rafferty is an artist and art writer who lives and works in Brooklyn, New York. Her photos, paintings, and sculptures reveal a fascination with comedy, performance, and intentional accidents (foot + banana peel, photo + spilled water, pie + face). She received her BFA in Photography from the Rhode Island School of Design in Providence, and her MFA in Sculpture and New Genres from Columbia in New York. Greenberger has had solo exhibitions at Rachel Uffner Gallery, New York; The Kitchen, New York; P.S.1, New York; and The Suburban, Chicago. She has also produced a project for the 2007 Time-Based Art Festival. From 2005–07, Rafferty was co-editor of the annual publication North Drive Press; her own writing about art and comedy has been published in several notable art and culture publications. Rafferty is represented by Rachel Uffner Gallery New York.
Learn moreRichard Bishop, guitarist and founding member of the band Sun City Girls (1981-2007), released his first solo record (Salvador Kali) in 1998 on John Fahey’s esteemed Revenant label under the moniker Sir Richard Bishop. Since then he has released albums on a variety of labels: Improvika, Elektronika Demonika, and While My Guitar Violently Bleeds (Locust Music); Fingering the Devil (Southern Records, UK); Hypostasis: A Work in Three Parts (VDSQ); Intermezzo (Editions Mego); The Unrock Tapes and Road to Siam (Unrock); and Polytheistic Fragments, The Freak of Araby, Tangier Sessions, and Oneiric Formulary (Drag City).
“Sir Richard Bishop forces one to alter that hoary cliche ‘jack of all trades’, to master of…damn near all. Renowned for his mercurial guitar-playing for 26 years with Seattle ethno-delic legends Sun City Girls, Bishop has wrought a distinguished solo canon as well. He combines soulfulness and advanced technique with a panache that’s nearly unrivaled among today’s guitarists. Bishop strums spiritual with incantatory ragas, free-folk excursions, crystalline flamenco flourishes, ruddy Appalachian folk, Middle Eastern-tinged fantasias and gypsy arabesques. This is eclecticism done with respect and third-eye-dilating filigree; his compositions attain a sepia-toned wistfulness and a psychedelic complexity.” - Dave Segal (OC Weekly)
Learn moreIn 1997, riot grrrl legend Kathleen Hanna (Bikini Kill, Le Tigre) released a solo album under the name Julie Ruin, hoping someday to find a band to play the songs live. She finally assembled her dream team in 2010 as The Julie Ruin, with her ex-Bikini Kill bandmate Kathi Wilcox on bass; Kenny Mellman (half of the legendary punk cabaret act Kiki and Herb) on keys; actor, filmmaker, and musical juggernaut Carmine Covelli on drums; and, Sara Landeau, who Kathleen met while through the Rock Camp for Girls, killing it on guitar. The Julie Ruin brings a strong, tight musical backbone to Hanna’s iconic vocals. Run Fast—their debut album as a band—spans topics from euthanasia to cookies and will be released in September 2013.
Selected Press
"Kathleen Hanna Shares Details of Her Band Julie Ruin's Collaboration With James Murphy", Jenn Pelley, Pitchfork.com, December 10, 2012.
Learn moreBorn and raised in Asheville, NC; bred and perfected in the cities of Las Vegas, Atlanta and Portland, The Real Hyjinx is an infusion of music and comedy that has made him a fast-rising all around entertainer. He has appeared on AMC's Showville (Summer '13) as a finalist and was voted Fan Favorite. He is a well known performer and has hosted many events throughout the Pacific Northwest. He also co-produces a weekly open mic (The Real Comedy Spot) and a monthly showcase (The House of Hyjinx) and co-founder of the NW Black Comedy Festival. The Real Hyjinx has shared the stage with Rodney Perry (The Monique Show), Honest John (The Wash), the late great Ricky Harris (Everybody Hates Chris), Ralph Porter (BET's CommicView), Tony Roberts & Easu McGraw (Lil Yellow Bus Tour), Nate Jackson (Wild' N Out), Eric Blake (P. Diddy Presents Bad Boys of Comedy) to name a few. He also co-hosted a radio show on 99.1 FM Portland Radio Project titled Soulfull Saturdays. He can currently be seen hosting and performing in the Pacific Northwest and beyond.
Learn moreTim Reid makes theater, writes, teaches, performs. He takes analytic thought to absurd ends, looking for rupture and frames. The work is about love and trouble. He has made and directed pieces at PAM Residencies, Machine Project, and Highways, and performed at Pieter, REDCAT, Night Gallery, USC Visions and Voices, the Hammer Museum, and Links Hall, among others. He is a co-curator at PAM Residencies, a co-editor at Riting.org, was an ensemble member of The Neo-Futurists in Chicago and an original member of Wet The Hippo in Los Angeles. Most recently, he has researched and written on both melodrama and clown. He has a BA from the University of Chicago and an MFA from CalArts in Critical Studies.
Learn moreFounder and janitor of the Oregon Department of Kick Ass
Vanessa Renwick is an artist by nature, not by stress of research. They put scholars to rout by embracing nature's teaching problems that have fretted trained minds. Working in experimental and poetic documentary forms, their iconoclastic work embodies their interest in landscape and transformation, and relationships between bodies and landscapes, and all sorts of borders.
They have been a singular voice in the experimental cinema for over 20 years. Eschewing an allegiance to any one medium or form, Renwick builds authentic moving image works revealing an insatiable curiosity and unflinching engagement with the world around them. Often focusing their lens on nature, freedom and the locales of their adopted home, the Pacific Northwest, Renwick uses avant-garde formal elements to explore radical politics and environmental issues. An artist who often self-distributes, their screening history reads as a map of independent cinema worldwide. They have screened work in hundreds of venues internationally, institutional and not, including The Museum of Modern Art, Light Industry, The Wexner Center for the Arts, Art Basel, Oberhausen, The Museum of Jurassic Technology, Centre Pompidou, Bread and Puppet Theater and True/False Film Festival, among many others.
Vanessa Olivia Renwick is a non-binary artist of Scottish and German descent, born on the traditional and unceded territory of the Illiniwek in what is now known as Chicago, Illinois. They live and work as an uninvited guest on the traditional territory of the Chinookan peoples, now known as Portland, Oregon.
Learn moreAlthough the Magnolia Housing Projects have long been demolished, a light post still stands at the corner where youth like Vockah Redu (Javocca Davis) gathered to rap and create beats. The light post marks one of the birthplaces of Bounce music, a genre of rap specific to New Orleans that has invigorated crowds throughout the South. Vockah Redu and the Cru animate the stage with their dynamic revival of dance, music, and art from the street corner to the club. More than your typical hip-hop act, this theatrical performance sets the stage for a sweaty, hands-down, booty-up good time, transforming any party, bar, or dance floor in your neighborhood.
The original Cru formed in 1997 and was composed of the Ave Girls: Joi Jadah (Joi Denise Sessions), Teedy Booh (Tasha Marie Butler), Ninny (Shanita Davis), and Grahonda Pooh (Madonna Melissa Oliver). Currently the Cru is composed of Shortee Whop (Glendell Weir), Energyzah (Clarence Mosley), and Taveion Rodeo (Donte Brown). The Cru dominates the stage with electrifying choreography, costumes, skits, and superb street style.
Learn moreWendy Red Star was born in Billings, Montana just outside of the Crow Indian reservation where she was raised. She grew up in a multi-cultural family. Her mother is of Irish decent, her father a full blood Crow Indian and her older sister is Korean. Wendy left the Crow Indian reservation when she was eighteen to attend Montana State University in Bozeman, Montana where she studied sculpture. She then went on to earn her MFA in sculpture at UCLA. Wendy has worked as an adjunct professor of fine art at Portland State University for five and a half years. In 2012 to 2013 Wendy was the manger of Chief Plenty Coups State Park located within the Crow Indian Reservation in south-central Montana. The park preserves the log home, sacred spring, museum, and farmstead of Chief Plenty Coups and is a National Historic Landmark. Wendy is currently the Program Associate for the Native Arts & Cultures Foundation.
Wendy Red Star’s work explores the intersection between life on the Crow Indian reservation and the world outside of that environment. She thinks of herself as a Crow Indian cultural archivist speaking sincerely about the experience of being a Crow Indian in contemporary society.
Her work has been shown at the Missoula Museum of the Arts, Missoula, MT, Utah Museum of Contemporary Art, Salt Lake City, UT, Bockley Gallery, Minneapolis, MN, Eiteljorg Museum of American Indians and Western Art, Indianapolis, IN, Museum of Contemporary Native Arts, Santa Fe, NM, The Fondation Cartier L’Art Contemporain, Paris, France, The CSULB gallery, Long Beach, CA, Research & Development, Chicago, IL, The Museum Tower at MOCA, Los Angeles, CA, And/Or gallery, Dallas, TX, The UCLA New Wight gallery, Los Angeles, CA, The L.A. Municipal Art gallery, Los Angeles, CA, The Domaine De Kerguehennc, Brittany, France, The Hudson D. Walker gallery, Provincetown, MA, The Plush Gallery, Dallas TX, The Laura Bartlett Gallery, London, England, The Luckman gallery, Los Angeles, CA,The Volitant gallery, Austin, Texas, Eiteljorg Museum of Native American & Western Fine Art, Yellowstone Art Museum, and Museum of Contemporary Native Arts. Studio Visit with Wendy Red Star in Portland Oregon from Amelia winger-bearskin on Vimeo.
Learn moreWhite Rainbow is Portland, OR electronic music producer Adam Forkner. With a storied past in the experimental/psychedelic/electronic underground, White Rainbow explores the full spectrum of psychedelic sound production.
Learn moreWill Rawls is a multidisciplinary artist whose practice encompasses choreography, dance, video, sculpture, works on paper, and installation. Rawls is best known for his choreographic work that employs repetition to explore the limits of language and gesture as tools for staging performances of black presence and becoming. Rawls has created a solo exhibition for Adams + Ollman Gallery (2022) and a multi-part installation at the Henry Art Gallery in Seattle, Everlasting Stranger (2021), as well as presenting work at the Museum of Modern Art, the Hirshhorn Museum, Performa 15, Danspace Project, The Chocolate Factory Theater, High Line Art, REDCAT, the 10th Berlin Biennale, and the Hessel Museum at Bard College. He has received fellowships and residencies from the Guggenheim Foundation, The Alpert Foundation, the Foundation for Contemporary Arts, the Mellon Foundation, United States Artists, the Rauschenberg Foundation, Creative Capital, New England Foundation for the Arts, National Performance Network, MAP Fund, the MacDowell Colony, Headlands Center for the Arts, and Movement Research. Rawls recently joined UCLA’s Department of World Arts and cultures/Dance as an Associate Professor of Choreography. In 2016, Rawls co-curated Lost and Found—six weeks of performances at Danspace Project that addressed the intergenerational impact of HIV/AIDS. His writing has been published by the Hammer Museum, MoMA, Museu de Arte de São Paolo, Dancing While Black Journal, Brooklyn Rail, and Artforum.
Learn more at will-rawls.com
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