WEST COAST PREMIERE: A Smeary Spot, 2015 is a 53 minute 4-channel video installation drawing on theater and documentary methods to rework the genre of science fiction. The title, A Smeary Spot is a references to the sun borrowed from feminist sci-fi writer Johanna Russ. The sun, a dense concentration of heat and light, is an organizing principle of time, place and ego. What potential emerges when we glance away from the source and settle into the blurry residue of the afterimage? This work re-orients the audience within a speculative present. Shot in two locations: on public lands in the deserts of southern Utah and inside a black box theater, where performers deliver recitations of appropriated and altered texts that compose a loose manifesto on being. Inside this cinematic experience is a surreal narrative of bodies in transition (both movement and definition) that act out, delivering curious combinations of language, materiality and gestures. Among these bodies, the land, the water, the refuse pile and the theater are not simply grounds, resources, waste or stages upon which these actions occur, they are sprawling protagonists, like the sun—permeating and persistent.

A.K. Burns is an interdisciplinary artist living and working in Brooklyn, NY. Burns is currently a 2016-17 Radcliffe Fellow at Harvard University, where she will be developing the long term project, Negative Space, a cycle of multi-media installations. The opening episode from this cycle of works, A Smeary Spot, debut at Participant Inc, NY in the Fall of 2015. The work was initiated with the generous support of a 2015 Creative Capital Foundation Visual Arts Award. Additional support for the forthcoming episodes of Negative Space is being provided through the Education Department’s Spring 2017 Research & Development Season at the New Museum, where Burns is also currently in residence. The residency will culminate with an exhibition opening in January 2017. Burns is a founding member of W.A.G.E (Working Artists in the Great Economy) an artists’ advocacy group that most recently developed W.A.G.E certification and fee calculator both launched in 2014.

Run time: 53 min

A Smeary Spot was created with the support of Creative Capital.

Leave No Trace

Record release party & performance with Jen Rosenblit and keyon gaskin

Jen Rosenblit makes performance engaging bodies, architectures and ideas between New York City and Berlin. Her works focus on an improvisational approach to choreographic thought, locating ways of being together amidst impossible spaces. Recent works include Hands (upcoming, 2016, The Invisible Dog/New York Live Arts), a Natural dance (2014, The Kitchen), Pastor Pasture, in collaboration with composer Jules Gimbrone, (2013, Issue Project Room), In Mouth (2012, Dance Theater Workshop), and When Them (2010, Danspace Project). Rosenblit is a 2015-16 Movement Research Artist-in-Residence, a recipient of a 2014 New York Dance and Performance “Bessie” Award for Emerging Choreographer for a Natural dance and was awarded the 2012 Grant to Artists from the Foundation for Contemporary Arts. Rosenblit was included in MoMA PS1’s Greater New York exhibition in October 2015, and has received commissions from The Kitchen, The Invisible Dog, New York Live Arts, Danspace Project, and Issue Project Room. Rosenblit has also collaborated and performed with artists including Simone Aughterlony, Young Jean Lee, Ryan McNamara, Yvonne Meier, Sasa Asentic, Anne Imhof, Miguel Gutierrez, A.K. Burns, and Kerry Downey with Joanna Seitz. Rosenblit’s upcoming work, Swivel Spot, in collaboration with Geo Wyeth premiers at The Kitchen in March 2017. A new collaboration with Simone Aughterlony, Everything Fits in the Room, premieres January 2017 as a commission between HAU Hebbel am Ufer and Haus der Kulturen Der Welt in Berlin as part of their 100 Years of Now festival.