On the surface Crotch is about art, its histories, and its heroes. Deeper, a sadness grows, a queer melancholy. Moving across a stage full of sculpture, Hennessy references the images and actions of the legendary artist Joseph Beuys, embodying his shamanic beliefs and channeling this mythic figure in a solo performance. With music ranging from Emmy Lou Harris to Nirvana, Crotch is a song, a dance, a lecture, and a conversation with the dead. True to Beuys’ legacy and Hennessy’s improvisational practice, Chaos through Play becomes Form.

Crotch was developed at Ponderosa (Stolzenhagen Germany) in 2007 and was commissioned/presented at L’Arsenic (Lausanne Switz) in 2008.

This performance takes place alongside of the PICA Symposium: Bodies, Identities & Alternative Economies, a weekend of performances, discussions, screenings, and lectures on the ideas and politics behind Hennessy’s in-progress TBA:12 performance Turbulence (a dance about the economy). The Symposium takes place June 21–24, 2012.