Past

TBA:14 Jesse Sugarmann WE BUILD EXCITEMENT

Positioning three Chrysler minivans atop 42 inflatable airbeds, Sugarmann creates a slow-motion wreck.

Tags: TBA Visual All Ages Exhibition Outside TBA:14 Festival

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TBA:14 Jennifer West FLASHLIGHT FILMSTRIP PROJECTIONS

Jennifer West launches the first of her new pre-post fragmented cinematic environments where viewers are invited into an environment of flashlights, projections, filmstrips, images, and shadows. The Los Angeles-based artist will premiere the first in this series of interactive cinematic installations at this year’s TBA Festival.

Tags: TBA Visual All Ages Exhibition

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TBA:14 MSHR RESONANT ENTITY MODULATOR

MSHR presents a cybernetic system made up of hand-built analog synthesizers and digitally fabricated hieroglyphic sculptures. Light, sound, and shape are pulled through nested feedback eddies as the system unfolds. Visitors become part of the feedback cycle, steering its course through their intentional engagement and ambient presence.

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TBA:14 As round as an apple, as deep as a cup

As round as an apple, as deep as a cup is a group of projects, perhaps an exhibition, maybe a poem. The presentations are not odes to something… the artists may or may not be poets, but all of it is OF poetry. For sure the installations, performances, and publications produced will rely on poetics… the study of how different parts come together, contributing to the never-ending search for “subject.” I hope that the endeavor feels like this. Like a thing broken apart and then put together again in the mouth—made real by reading it out loud. The projects are meant to behave like the carefully chosen discordant words in a certain kind of poem. The kind of poem that is a problem to ponder.” —Kristan Kennedy

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TBA:14 Wynne Greenwood STACY

CULTURE-HEALING. In this commissioned project, celebrated queer feminist artist Wynne Greenwood transforms the Cooley Gallery into a studio and performance space in order to re-engage her groundbreaking art band—Tracy + the Plastics—in relationship to her most recent experimental video, installation, and object-based works.

Tags: TBA Visual All Ages Exhibition TBA:14

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Anna Craycroft

C’mon Language is an exhibition in pursuit of an artistic vocabulary.

Tags: TBA Visual All Ages Exhibition Symposium

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TBA:12 VISUAL: Morgan Ritter

Ritter's "charged objects"—whether a working fountain or a series of precarious sculptures—are formed from raw and rehydrated clay pulled directly from the Oregon earth.

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TBA:12 VISUAL: Isabelle Cornaro

A series sprayed wall paintings derived from 16mm films, recalling Impressionist landscapes and Modernist abstractions. Paired with several films from the artist's oeuvre.

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TBA:12 VISUAL: End Things

Featuring Alex Cecchetti, Isabelle Cornaro, Claudia Meza, Morgan Ritter, Van Brummelen & De Haan, and Erika Vogt.

Tags: TBA Visual All Ages Exhibition TBA:12 On Sight Festival

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TBA:12 VISUAL: Erika Vogt

Cast forms suspended by pulleys from the gallery ceiling invite audience interaction, guided by Vogt's enigmatic drawings.

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TBA:12 VISUAL: Alex Cecchetti

A "relay performance" illustrated with found and adapted objects, handed off from the artist to subsequent performers like a game of telephone.

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TBA:12 VISUAL: Van Brummelen & De Haan

A multi-part project re-animating the contested Pergamon Museum frieze, highlighting the contemporary and historic power dynamics between Turkey and Germany.

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TBA:11 ON SIGHT: Occupation/Preoccupation

The United States has over 700 military bases on foreign soil in sovereign countries where we have no declaration of war. This project unites musicians, researchers and music-lovers to gather covers by American musicians of songs that originate from each of these places.

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TBA:11 ON SIGHT: Jesse Sugarmann

Jesse Sugarmann’s automotive performances are elegant pile-ups. His vehicular actions engage the car accident as an inadvertent monument, a spectacle of trauma and a point of social exchange.

Tags: TBA:11 On Sight Outside Festival Exhibition Visual TBA

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TBA:11 ON SIGHT: YOUNG-HAE CHANG HEAVY INDUSTRIES

Warning: this is just for laughs. There’s no redeeming social value. We’d apologize, but that’s sort of our goal every time we do what we do—you know, create an empty vessel you can fill with your own nonsense.

Tags: TBA:11 On Sight Festival Exhibition TBA Visual

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TBA:11 ON SIGHT: Mona Vatamanu & Florin Tudor

Each spring, Romanian children set mounds of white poplar fluff aflame in the street gutters. The sparks and small fires in the film suggest the numerous catalysts for social change around the world.

Tags: TBA Visual All Ages Exhibition Film TBA:11 Festival

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TBA:11 ON SIGHT: Patrick J. Rock

A forced-air-inflated, pink elephant-shaped, viewer-interactive jumproom, reflecting the ecstasy and absurdity of the modern artist.

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TBA:11 ON SIGHT: Halsey Rodman

Rodman’s installations use different forms of near-identical objects, creating a sense that despite their concrete physicality, something about them remains unresolved and unfixed.

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TBA:11 ON SIGHT: Cristina Lucas

Lucas’ video makes a sly commentary on the diaspora of Western factories to the Third World, through an encounter with one such British company, Europleasure International LTD.

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TBA:11 ON SIGHT: Anna Gray & Ryan Wilson Paulsen

The Fix It office will both produce the publication September, a daily art historical broadside specially produced for TBA:11, and be an active space where the artists will work on site to correct, revise and compile errata from previous editions of the paper.

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TBA:11 ON SIGHT: Kate Gilmore

In a private performance for the camera, a quintet of women will tear apart an enormous cube comprised of more than 5,050 pounds of wet clay.

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TBA:11 ON SIGHT: Claire Fontaine

Claire Fontaine is a Paris-based collective artist, founded in 2004. After lifting her name from a popular brand of school notebooks, Claire Fontaine declared herself a “readymade artist” and began to elaborate a version of neo-conceptual art that often looks like other people’s work.

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TBA:11 ON SIGHT: Whoop Dee Doo

An all-ages, anything-goes variety show, Whoop Dee Doo enlists wildly diverse participants and collaborates with a wild range of performers—from science teachers and Celtic bagpipers to clogging troupes, drill teams and drag queens—all for an audience of wide-eyed children.

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TBA:11 ON SIGHT: Ohad Meromi

Meromi creates an architecture for action, in which visitors are invited to form their own troupe to interpret and perform scenes from his "Stage Exercises for Smokers and Non-Smokers."

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