Artists Archive
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A.K. Burns is an artists and compulsive collaborator who lives and works in Brooklyn, NY. Using sculpture, video, collage and performed social actions, Burns exploits and perverts utilitarian forms, in an effort to upend the pathology of language and meaning. Burns is a founding member and co-organizer of W.A.G.E. and co-editor of RANDY, an annual trans-feminist arts magazine. Burns has shown and screened works internationally, including the Tate Modern (UK), The Brooklyn Museum (NY), Hessel Museum of Art (NY), Los Angeles Contemporary Exhibitions (CA); Sculpture Center (NY), TAG (Netherlands), and Callicoon Fine Arts (NY). Burns received a BFA from Rhode Island School of Design and an MFA from Bard College, Milton Avery Graduate School of the Arts.
Learn moreAlex S. Vitale is Professor of Sociology and Coordinator of the Policing and Social Justice Project at Brooklyn College and the CUNY Graduate Center. He has spent the last 30 years writing about policing and consults community based movements, human and civil rights organizations, and governments internationally. Prof. Vitale is the author of City of Disorder: How the Quality of Life Campaign Transformed New York Politics and The End of Policing. His academic writings on policing have appeared in Policing and Society, Police Practice and Research, Mobilization, and Contemporary Sociology. He is also a frequent essayist, whose writings have been published in The NY Times, Washington Post, The Guardian, The Nation, Vice News, Fortune, and USA Today. He has also appeared on CNN, MSNBC, CNBC, NPR, PBS, Democracy Now, and The Daily Show with Trevor Noah.
Learn moreAlfredo Jaar is an artist, architect, and filmmaker who lives and works in New York. His work has been shown extensively around the world. He has participated in the Biennales of Venice (1986, 2007, 2009, 2013), Sao Paulo (1987, 1989, 2010, 2021), as well as, Documenta in Kassel (1987, 2002).
Important individual exhibitions include The New Museum of Contemporary Art, New York (1992); Whitechapel, London (1992); Moderna Museet, Stockholm (1994); The Museum of Contemporary Art, Chicago (1995); and The Museum of Contemporary Art, Rome (2005). Major recent surveys of his work have taken place at Musée des Beaux Arts, Lausanne (2007); Hangar Bicocca, Milan (2008); Alte Nationalgalerie, Berlinische Galerie and Neue Gesellschaft fur bildende Kunst e.V., Berlin (2012); Rencontres d’Arles (2013); KIASMA, Helsinki (2014); Yorkshire Sculpture Park, UK (2017), Zeitz MOCAA, Cape Town, South Africa (2020) and SESC Pompeia, Sao Paulo (2021).
The artist has realized more than seventy public interventions around the world. Over sixty monographic publications have been published about his work. He became a Guggenheim Fellow in 1985 and a MacArthur Fellow in 2000. He received the Hiroshima Art Prize in 2018 and the Hasselblad Award in 2020.
His work can be found in the collections of The Museum of Modern Art and Guggenheim Museum, New York; Art Institute of Chicago and Museum of Contemporary Art, Chicago; MOCA and LACMA, Los Angeles; MASP, Museu de Arte de São Paulo; TATE, London; Centre Georges Pompidou, Paris; Nationalgalerie, Berlin; Stedelijk Museum, Amsterdam; Centro Reina Sofia, Madrid; Moderna Museet, Stockholm; MAXXI and MACRO, Rome; Louisiana Museum of Modern Art, Humlaebeck; Hiroshima City Museum of Contemporary Art and Tokushima Modern Art Museum, Japan; M+, Hong Kong; and dozens of institutions and private collections worldwide. Learn moreA.L. Steiner is a collective member of Chicks on Speed, co-curator of the project Ridykeulous, founding member of Working Artists and the Greater Economy (W.A.G.E.) and collaborates with numerous visual and performing artists. Her works have been featured internationally at such venues as P.S.1/MoMA, Tate Modern, The New Museum, Institute of Contemporary Art/Boston, Centre Pompidou, The Kitchen, REDCAT, and Zacheta National Gallery of Art, among others. Her work is included in such public collections as the Brooklyn Museum of Art, The Museum of Modern Art and the Marieluise Hessel Collection. Steiner is currently based in Los Angeles and is faculty at the University of Southern California.
Selected Press
The Lowdown: A.L. Steiner, Io Tillet Wright, New York Times T Magazine, May 11, 2011.
Eve Fowler & A.L. Steiner, North Drive Press #4, 2007.
Would it be okay if I kept my sweater on?, Naomi Fry, Paper Monument.
Learn moreAmber Boydston is a Portland born Abolitionist educator, with an Irish mother and an Ethiopian father who has been teaching and facilitating trainings around social justice and equity for 25 years since she was a young teen. Her organization Spirited Justice focuses on police abolition in addition to the abolition of all anti-Black and oppressive systems. She works with businesses interested in decolonizing the way they sustain their practice within communities, in addition to teaching inside and outside of the educational industrial complex, elementary through higher ed. Amber's work focuses largely on healing the epigenetic impacts of colonialization and combating ACE's (adverse childhood experiences) that People of the Global Majority experience through the sanctioned systems of fascism and genocide. She weaves in large amounts of breath and meditation practice with her education, supporting the journey of Liberation across the Global Majority diaspora. As a parent and lifelong learner, Amber is incredibly passionate about remaining curious, using her access to open doors, and keeping the pressure on creating the kinds of worlds in praxis that we hope to one day leave behind for the youth.
Learn moreAMERICAN ARTIST makes thought experiments that mine the history of technology, race, and knowledge production, beginning with their legal name change in 2013. Their artwork primarily takes the form of sculpture, software, and video. Artist is a recipient of the Herb Alpert Award in Visual Art and a Creative Capital grantee. They are a former resident of Smack Mellon, Red Bull Arts Detroit, Abrons Art Center, Recess, EYEBEAM, Pioneer Works, and the Whitney Museum Independent Study Program. They have exhibited at the Whitney Museum of American Art, the Museum of Modern Art, the Studio Museum in Harlem, the Museum of Contemporary Art Chicago, Kunsthalle Basel, Switzerland, and Nam June Paik Art Center, Seoul. Their work has been featured in The New York Times, Cultured, Artforum, and Art in America. Artist is a co-director of the School for Poetic Computation and a core faculty at Yale.
ig: @ivorytower_headass
Learn moreTBA Guest Scholar and Asst. Professor of Performance Art, Fairhaven College Western Washington University.
Learn moreariella tai is a video artist, film scholar, and independent programmer from Queens, New York. They are interested in Black performance and cultural vernaculars in film, television and media studies. They are one half of “the first and the last,” a fellowship, workshop and screening series supporting and celebrating the work of Black women and femmes in film, video and new media art. They have shown work at Anthology Film Archives, the Portland Oregon Women’s Film Festival, Portland Institute For Contemporary Art, Northwest Film Center, Boathouse Microcinema, Wa Na Wari, the Black Femme Supremacy Film Festival, MOCA and Smack Mellon. Their most recent video work "safehouse" premiered at Trinity Square Video in Toronto as part of group show "Architectures after the Asylum" curated by Sajdeep Soomal.
Learn moreAriel Osterweis (TBA:16 Guest Scholar) recently joined the faculty of The Sharon Disney Lund School of Dance at the California Institute of the Arts (CalArts), where she will teach dance history, aesthetics, and pedagogy. She has also taught at Skidmore College, Wayne State University, and UC Berkeley. Osterweis earned her PhD in Performance Studies at UC Berkeley and her BA in Anthropology at Columbia University. Her book manuscript, Body Impossible: Desmond Richardson and the Politics of Virtuosity (working title), is under contract with Oxford University Press and examines issues of race, class, gender, and sexuality in contemporary dance. Osterweis also researches Sub-Saharan African dance and mixed-race, feminist, and transgender performance that disavows dance-based virtuosity. Publications appear in Dance Research Journal, TDR/The Drama Review, Women and Performance, e-misférica, Theatre Survey, The Oxford Handbook of Dance and the Popular Screen (Oxford University Press, 2014), and Choreographies of 21st Century Wars (Oxford University Press, 2016). Osterweis danced with Complexions Contemporary Ballet, Mia Michaels R.A.W., and Heidi Latsky, choreographs, and has served as dramaturg for John Jasperse and Narcissister. She is on the Board of Directors of the Society of Dance History Scholars and is Book Reviews Editor for Dance Research Journal.
Learn moreAutumn Knight is a New York-based, Texas-born interdisciplinary artist working with performance, installation, video, sound, and text. Drawing from her training in theater, group dynamics, and psychology, Knight makes performances that reshape power structures and upend audience expectations of live experiences. Her performance work has been on view at various institutions, including Human Resources, Los Angeles; Akademie der Künste, Berlin; Shedhalle, Zurich; Whitney Museum of American Art, New York; Portland Institute of Contemporary Art, OR; The Kitchen, New York; Museum Of Contemporary Art Chicago, IL; Museum Ostwall, Dortmund; Brooklyn Academy of Music, NY; Performance Space New York, NY; and REDCAT, Los Angeles. Her performance work, WALL, is the first live performance work acquired to the permanent collection of the Studio Museum in Harlem. Knight is the recipient of various awards, grants, honors, and fellowships, including an Art Matters Grant, the Anonymous Was a Woman Award, a Foundation for Contemporary Arts Grant, the Nancy B. Negley Rome Prize in Visual Art, and a Guggenheim Fellowship.
Learn moreThe Design Collaborative know as the Black Aesthetic Studio (BAS) is led by artist duo Cleo and Kayin Davis, in conjunction with Professor of Architecture Robert Alexander Clarke, and historian Kimberly Moreland. They will investigate policing through the lens of Oregonian historically anti-black urban politics and policies. And how these systems of policing affected Black Folks' ways of living, being, and seeing throughout time.
BAS aims to uncover how past, present, and future policing histories have imprinted African Americans' psychology and aesthetic throughout time. They will construct temporal gateways that will encapsulate specific periods which will draw the audience into black space, thus illuminating the user on how we see our histories and futures which has been policed by white authorship from the founding of our nation. These constructed visions will be critique on Oregon racist history and policies, allow one to understand how migration and oppression has transforms black identity and its expressions.
Cleo Davis started his education in architecture at the University of Oregon further changing to industrial design at San Jose State. He is an artist whose work takes a critical view of the social, political and cultural issues and through his work, he continues to reconstruct the cultural view modernizing while also highlighting traditions. Although he engages with multiple subjects and mediums his methodology remains consistent. He also has started the screw loose Studio the Mayo House project and most recently, the archives project in collaboration with Kayin.
Kayin Talton Davis started off in an artistic direction from a very young age, but later learned her love for math and science and pursued a Bachelor's in mechanical engineering at Portland State University. Her design projects were always influenced by a drive to be accessible to all. She started the soapbox theory in 2001, as a way to express herself creatively. And through these mediums, her interest is always in creating something that is positive, helpful and accessible to all but especially children from culturally underrepresented communities.
Robert Alexander Clarke is a designer, educator, and theorist practicing at the intersection of culture, identity, and architecture. His work aims to develop and canonize black aesthetics, thus authenticating it as a lens through which to practice architecture. His design office, BAS (Black Aesthetic Studio) was founded by Clarke, Cleo Davis and Kimberly Morland; their studio explores how to unearth new aesthetics that are immensely specific to African American culture, experience, and identity. Before joining as Activist in Residence at UCLA’s City Lab, Clarke held posts as a Wilson Smith III Design in Spatial Justice Fellow at the University of Oregon’s College of Design. As well as Research Fellow at Newlab under the supervision of architect and New York University Associate Professor of Practice Mitchell Joachim. Before opening his practice, Clarke worked for many years at architectural firms across the globe, including HOK, Terreform ONE, Gensler, and Archi-Union.
Kimberly Stowers Moreland, MBA, MURP, is wife of Michael L. Moreland and the mother of four amazing young adults: Katherine, Mike Jr., Kristen, and Karina. She owns Moreland Resource Consulting and has over 25+ years of experience in the public sector, urban and historic preservation, community development, and urban planning in Portland, Tacoma, and Salem.
Moreland serves as the President of the Oregon Black Pioneers, and their mission is to preserve the history of Black Oregonians. On behalf of the Oregon Black Pioneers, she authored Images of America: African Americans of Portland (Arcadia Publisher). She is the Vice-Chair of the Portland Historic Landmark Commission and a member of the Portland Landmark Commission.
As a community historian, Kimberly began documenting Portland's Black history for over 30+ years. As a city planner with the City of Portland, she worked with the community advisory committee and local historians to produce the History of Portland's African-American History (1805 to the Present). She was on the project team that produced Cornerstones of Community: The Buildings of Portland's African American History, published in 1995. She was subsequently involved in the Multiple Property Documentation (MPD) history project, which builds on the Cornerstones research to produce African American Resources in Portland, Oregon, from 1851 to 1973. This research brings attention to sites related to Portland's Black history so they can be listed in the National Register of Historic Places.
As owner of Moreland Resource Consulting, Moreland worked with the Oregon Department of Transportation (ODOT) and Home Forward, former the Housing Authority of Portland (HAP), to better understand how their past policies unjustly impacted African Americans. Since, 2021, she has teamed with the City of Portland and Architectural Resource Group (ARG) on successfully approval of four National Historic Landmark Register nominations significant to Portland's Black history, including Dean's Beauty and Barbershop, Mt. Olivet Baptist Church, Golden West Hotel, and Dr. John D. Marshall Building. In 2023, with Constructing Hope, Moreland co-authored Building Legacy: BIPOC Construction Trailblazers in Oregon, which highlighted twenty-three construction trade pioneers.
In 2023, she partnered with Robert Clark and Cleo Davis to establish Black Aesthetics Studio LLC (BAS). The firm explored how to unearth new aesthetics specific to African-American culture, experience, and identity.
Learn moreGerard & Kelly (Brennan Gerard and Ryan Kelly) have collaborated since 2003 to create project-based installations and performances interrogating the formation of the couple and the critical potential of intimacy. Driven by an inquiry of their own partnership, the duo uses choreography, video, and sculpture to address questions of sexuality, memory and the formation of queer consciousness. Their work has been exhibited internationally at Palais de Tokyo, Paris; Guggenheim Museum, New York; the Hammer Museum, Los Angeles; New Museum, New York; and The Kitchen, New York, among other institutions. Their ongoing performance series Modern Living, in collaboration with L.A. Dance Project, was recently presented by The Glass House, New Canaan, Connecticut, and the MAK Center for Art and Architecture at the Schindler House in West Hollywood, in association with Art Production Fund. Gerard & Kelly have received numerous recognitions for their work, including the New England Foundation for the Arts (2015), Art Matters grant (2014), and the 2014 Juried Award from the New York Dance and Performance Awards, also known as the Bessies. Gerard & Kelly completed the Whitney Museum Independent Study Program in 2010, and received their MFAs in 2013 from the Interdisciplinary Studio in the UCLA Department of Art.
Learn moreCandace Avalos is a first-generation American “Blacktina”, daughter of Black Americans from the south and Guatemalan immigrants. Mi nombre en español es Candis Ávalos. Originally from Virginia, she received her Bachelor of Arts degree in Modern Foreign Languages, with a focus on Spanish and Italian, and Master of Education degree in College Student Personnel Administration from James Madison University. Prior to her current career as a nonprofit executive leader, she started her career as an educator and worked at Portland State University for 8 years providing civic engagement education and advising support for student leaders. She lives in East Portland and is an active member of her community, previously serving as chair of the Citizen Review Committee and Charter Review Commission for the City of Portland, as well as currently on the boards of the Coalition of Communities of Color and Street Roots. Her hobbies include perfecting her Guatemalan recipes, reading social justice literature, playing kickball in her fast pitch league, and exploring Portland's parks.
Learn moreForensic Architecture (FA) is a research agency, based at Goldsmiths, University of London, investigating human rights violations including violence committed by states, police forces, militaries, and corporations. FA works in partnership with institutions across civil society, from grassroots activists, to legal teams, to international NGOs and media organisations, to carry out investigations with and on behalf of communities and individuals affected by conflict, police brutality, border regimes and environmental violence.
Our investigations employ cutting-edge techniques in spatial and architectural analysis, open source investigation, digital modelling, and immersive technologies, as well as documentary research, situated interviews, and academic collaboration. Findings from our investigations have been presented in national and international courtrooms, parliamentary inquiries, and exhibitions at some of the world’s leading cultural institutions and in international media, as well as in citizen’s tribunals and community assemblies.
Learn moreHolland Andrews (they/them) is a vocalist, composer, clarinetist, and performance artist whose work focuses on the abstraction of operatic and extended-technique voice to build soundscapes encompassing both catharsis and dissonance. Frequently highlighting themes surrounding vulnerability and healing, they create a realm of live performance that is boundlessly present. They have been commissioned by REDCAT, ISSUE Project Room, and the 2024 Whitney Biennial, where they created two sound installations and the performance work Speaker. Notable musical collaborations include Son Lux, Nils Frahm, JJJJJerome Ellis, Christina Vantzou, William Brittelle, Peter Broderick, Darian Donovan Thomas, and Jeremy Toussaint-Baptiste. Their work is presented nationally and internationally, collaborating with artists such as Bill T. Jones, Sonya Tayeh, Dorothée Munyaneza, Otobong Nkanga, Jenn Freeman, NARCISSISTER, Demian DinéYazhi, Oliver Beer, and Will Rawls. Andrews is a Guggenheim Fellow, Creative Capital Awardee, Foundation for Contemporary Arts Awardee, and United States Artists Fellow.
Learn moreJ. Ashlee Albies has been practicing civil rights and employee-side employment law for almost 20 years. She has devoted her legal career to advocating for clients who have been harmed by discrimination, retaliation, or unfair treatment by an employer or by the government. Ashlee has a long history of civil rights advocacy — working to use the legal system and her legal knowledge to advance human rights. She has provided legal support to many mass demonstrations in Portland and nationally, and represents community groups and individuals seeking to hold police accountable. She also helped organize legal seminars for prisoners and the Life Without Parole Storytelling Project at Oregon State Penitentiary in 2019. She regularly offers community education and continuing legal education seminars on the First Amendment, free speech, creative uses of the law, trial advocacy, and civil rights litigation.
Website: http://www.albiesstark.com/
Learn moreJo Ann Hardesty is a veteran and civil rights leader whose compassionate vision brings Portland together. As the first Black woman elected to city council, Commissioner Hardesty championed the Portland Street Response, relieving the burden on police to respond to mental health crises. She helped build the coalition that set the national standard for local climate action, and at the height of the George Floyd demonstrations, she crafted a police reform measure that 82% of voters approved. She is a former state representative serving North/Northeast Portland and former President of the Portland NAACP.
Learn moreJustine A. Chambers is a dance artist and educator living and working on the unceded Coast Salish territories of the Sḵwx̱wú7mesh, Musqueam, and Tsleil-Waututh Nations in Vancouver, Canada. Her practice is a collaboration with her Black matrilineal heritage, and extends from this continuum and its entanglements with Western contemporary dance and visual arts practices. At the centre of her practice is a question often posed by her grandmother: “You feel me?” This question is both a declaration of one’s personal orientation, and an invitation to reorient and include what is held in our flesh. Chambers meets this question in her work by attending to individual and collective embodied archives, social choreographies of the everyday, and choreography/dance as otherwise ways of being in relation. Chambers’ work has been hosted at galleries, festivals, and theaters nationally and internationally including Experimental Media and Performing Arts Center (EMPAC), Troy, NY; Toronto Biennial of Art, Toronto, ON; Libby Leshgold Gallery, Vancouver, BC; Leonard and Bina Ellen Gallery, Montreal, QC; Contemporary Art Gallery, Vancouver, BC; Sophiensaele, Berlin, Germany; National Arts Centre, Ottawa, ON; Agora de la Danse, Montreal, QC; Art Museum at the University of Toronto, Toronto, ON; Morris and Helen Belkin Art Gallery, Vancouver, BC; Cantor Fitzgerald Gallery, Haverford, PA; Artspeak, Vancouver, BC; Vancouver Art Gallery, Vancouver, BC; Western Front, Vancouver, BC; The Dance Centre, Vancouver, BC; Burrard Arts Foundation, Vancouver, BC; and the Hong Kong Arts Festival. Chambers holds a MFA in Interdisciplinary Art and is currently Assistant Professor in Dance at the School for Contemporary Arts at Simon Fraser University, Vancouver, BC, and Associate Artist to The Dance Centre, Vancouver, BC. Chambers is Max Tyler-Hite’s mother.
Learn moreKemi Adeyemi (TBA:16 Guest Scholar) is Assistant Professor of Gender, Women & Sexuality Studies at the University of Washington. She is working on a manuscript that explores how black queer women manipulate sound and the body to reorganize the racialized networks of pleasure in the nightlife scenes of gentrifying neighborhoods. Her work has appeared in Palimpsest and Sounding Out!, and she is co-editing the first collected volume on queer nightlife studies. Kemi received a PhD from the Department of Performance Studies at Northwestern University.
Learn moreFounded by Luisa Pardo and Gabino Rodríguez in 2003, Lagartijas Tiradas al Sol is a young Mexican theater company reflecting the new dynamics of contemporary Mexican culture. They develop their multimedia stage productions as mechanisms to link work and life and give voice to overlooked moments in social and political historical. Lagartijas has toured widely throughout Mexico and Europe and has received awards from the Impatience Festival and the Zürcher Theater Spektakel.
Related Content
Learn moreMaster Artist Michael Bernard Stevenson Jr. is Black, Italian, Queer, Non-Binary, Neurodyvergent, and practices primarily in america. Their collaborative approach results in artwork by and for the people.
Stevenson’s practice has been dedicated to supporting young people ages 4 to 18 in developing the necessary skills to encourage advanced imaginative thinking and self-confident expression. In 2019 they developed the Afro Contemporary Art Class at Dr. Martin Luther King Jr. School which has had many forms since, including Afro Futurist February, and three years of Fred Hampton Summer Camp. Supporting community efforts as well, taking the shape of support for the effort to Save Dr. Martin Luther King School from being displaced by the expansion of Interstate 5 which has triggered the need to move Harriet Tubman Middle School. Stevenson is currently working in the Albina community to develop a Living Archive at Jefferson High School with students, community, and the architectural design team. Stevenson also has a robust portfolio of artist projects centering food and gathering around it, projects involving sculpture, drawing, and photography, and new work in collaboration with currently and formerly incarcerated folks. These include Tin Can Phone, a podcast all about life in and outside of prison, and Gallery Blue, a curation and exhibition project both of which are owned and operated by formerly incarcerated individuals. Stevenson pursues these professional and creative goals passionately because they believe that empowered and open-minded young people and communities are the best and most direct way toward ensuring a sustainable and prosperous future for all.
Learn moreNana Adusei-Poku, PhD, is Assistant Professor in African Diasporic Art History in the Department of History of Art at UC Berkeley, California. She was previously Associate Professor and Luma Foundation Fellow at the Center for Curatorial Studies, Bard College, New York. Her book Taking Stakes in the Unknown: Tracing Post-Black Art was published in 2021 with Transcript Verlag and her articles have been published in Nka: Journal of Contemporary African Art, e-flux, Kunstforum International, Flash Art, L’Internationale and darkmatter. She curated the event “Performances of Nothingness” (Academy of Arts, Berlin, 2018) and Black Melancholia (Hessel Museum Bard College, Annandale-on-Hudson, New York 2022).
Learn moreRobert Alexander Clarke is a designer, educator, and theorist practicing at the intersection of culture, identity, and architecture. His work aims to develop and canonize black aesthetics, thus authenticating it as a lens through which to practice architecture. His design office, BAS ( Black Aesthetic Studio ) was founded by Clarke, Cleo Davis and Kimberly Morland; their studio explores how to unearth new aesthetics that are immensely specific to African American culture, experience, and identity.
Before joining as Activist in Residence at UCLA’s City Lab, Clarke held posts as a Wilson Smith III Design in Spatial Justice Fellow at the University of Oregon’s College of Design. As well as Research Fellow at Newlab under the supervision of architect and New York University Associate Professor of Practice Mitchell Joachim. Before opening his practice, Clarke worked for many years at architectural firms across the globe, including HOK, Terreform ONE, Gensler, and Archi-Union.
Learn moreTBA:16 Guest Scholar Sampada Aranke (PhD, Performance Studies) is an Assistant Professor in the History and Theory of Contemporary Art at the San Francisco Art Institute. Her research interests include performance theories of embodiment, visual culture, and black cultural and aesthetic theory. Her work has been published in Art Journal, Equid Novi: African Journalism Studies, and Trans-Scripts: An Interdisciplinary Online Journal in the Humanities and Social Sciences at UC Irvine. She’s currently working on her book manuscript entitled Death’s Futurity: The Visual Culture of Death in Black Radical Politics.
Learn moreThe Javaad Alipoor Company (TJAC) is a contemporary theater company that makes work for a changing world and a global audience. Rooted in experimental and multiplatform practice, their work asks the most pressing questions we all face. With a commitment to internationalism, complexity, diversity, and fun, they make work for the twenty-first century, transforming what people think theater can be and what it can do.
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