Artists Archive
P
A Black Art Ecology of Portland (BAEP) is a multi-faceted, multi-discipline, multi-sited new initiative that brings together community organizations in coalition to devote resources to creating, reclaiming, and redefining spaces for Black art, youth, and audiences in Portland. Responding to this rupture in Portland’s Black community, the City of Portland’s Arts Affordability resolution, and most importantly, the Arts & Culture section of the Portland African American Leadership Forum’s (PAALF) “People’s Plan,” BAEP brings together community organizations prioritizing residents who have experienced, or are at risk of, forced displacement from places that have long been hubs of Black life. BAEP is supported by an Oregon Community Foundation Creative Heights grant, Miller Foundation, The Douglas F. Cooley Memorial Art Gallery at Reed College, the Regional Arts & Culture Council, The Ford Family Foundation, Community Development Partners, Portland Institute for Contemporary Art, Portland Art Museum, and the Pacific Northwest College of Art. PICA is the fiscal sponsor and a core partner of A Black Art Ecology of Portland through the SPACE Program. SPACE Program SPACE (Supporting Partners, Artists, and Community Events) offers PICA’s space, equipment, staff and other resources in support of local artists and community organizations to curate and produce residencies, programs, and events. SPACE is supported in part by the Regional Arts & Culture Council, Maybelle Clark Macdonald Fund, James F. and Marion L. Miller Foundation, Pacific Power Foundation, and Rose E. Tucker Charitable Trust.
Learn morePenney is a New York City-based singer, performer, writer, DJ, and personality. He has kept a meticulous public photographic record of his life, spanning his years as a teenage punk growing up in Kansas City, to a four-year stint as a staple of the Bay Area drag scene (including a year hosting the longest-running drag show in San Francisco, as well as his own nationally acclaimed high-concept freakout High Fantasy), to his current moment as “a menace to the monotony of nightlife” (VMagazine.com) in New York City. He has lent his voice to SSI ON, Hunx and His Punx, Miracles Club, the Myles Cooper Band, and Total Accomplishment and is currently finishing his debut full-length record, a collaboration with Teengirl Fantasy’s Nick Weiss, to be released on Ecstasy Records.
Learn moreGray and Paulsen are artists who live and work collaboratively. Their idea-based practice fuses history, fiction, autobiography, and artistic commentary into a wide variety of material works. Their work has been shown and published internationally. They live and work in Portland, where they are represented by PDX Contemporary Art.
Selected Press
Anna Gray & Ryan Wilson Paulsen, Nat Andreini, Shift.jp, June, 2011.
Review: Anna Gray and Ryan Wilson Paulsen at PDX Gallery, DK Row, The Oregonian, July 15, 2010.
Learn moreArmon Poostpasand, Portland born and raised, is ambitious and optimistic in the many faces of adversity. With
a BA in digital communications, Armon creates content for the people.
Learn moreSince a young age, Thomas Meluch has been fascinated by natural sounds and the textures of decay. He began playing piano before his feet could reach the pedals, and for more than a decade has sought to create a unique sonic environment by combining remnants of pop song structures with the lushness and unpredictability of field recordings. A veteran drummer of a half dozen bands and an avid collector of instruments and analog devices, Meluch relies on guitar and voice as the bases for his work as Benoît Pioulard.
Learn moreAs co-directors of the BodyCartography Project, Olive Bieringa (NZ) and Otto Ramstad (USA) investigate empathy and the physicality of space in urban, domestic, wild and social landscapes through dance, performance, video, installation work and movement education. Their works range from intimate solos for the street, stage, or gallery, to large site-based community dance works, short experimental films, to complex works for the stage. They have created performance works, short films and installations across the USA, Canada, New Zealand, Japan, Europe, Russia and South America and were recently named “Dance Company of the Year” by the Twin Cities City Pages. They are featured artists in the first book about site dance in the USA published by University of Florida Press entitled Site Dance, the Lure of Alternative Spaces.
For greater context and a more in-depth exploration of BodyCartography Project and their work, click here to view a PDF of collected reviews, interviews, articles and links. A great resource for those who really want to dive into the Festival!
Learn moreBri Pruett is a stand-up comic and improviser from Portland, Oregon. Willamette Week named her one of the Funniest 5 Comedians in Portland. She’s appeared at the Bridgetown Comedy Festival, the All Jane No Dick comedy festival, the Seattle International Comedy Competition, San Francisco Sketch Fest, and Bumbershoot. She makes regular appearances at Helium Comedy Club, Curious Comedy Theater, and other Portland showcases.
Learn moreCinema Project is a collectively run, non-profit organization based in Portland, Oregon, and founded in 2003, Cinema Project works to promote public awareness of avant-garde cinema past and present. Featuring artists, curators, and scholars from around the world, Cinema Project’s semi-annual series of screenings, lectures, and discussions function to broaden engagement with, and deepen critical understanding of, innovative experimental film and video art.
Learn moreDescending Pharaohs is an ethno-psych project soundtracking the alleyway fight scenes to near-eastern films of the ’70s. Half structure/half improvisation, drawing influence from Arabic/Anatolian electric music, spiritual jazz, British psych, and the heavier side of Krautrock, Descending Pharaohs is Ricardo Esway (Militant Children’s Hour, Gazillions, Gamelan Sekar) on guitar; Larold Will (Les Etrangers, Topiary Kings, Brainwarmer) on drums and electronics; and Theo Khoury (Tunneler, Gaza Tunnels) on bass, oud, and djoura.
Learn moreDon’t Shoot Portland is an arts and education organization that promotes social justice and civic participation. Our year-round programming allows us to advocate for community members facing racism and discrimination by providing legal representation and direct advocacy. Since our inception in 2016, Don’t Shoot Portland has hosted its own dialogues, community forums and workshops focusing on history, archiving and social culture. The art proponent of our work acts as a communicative tool to facilitate discussions about race in America while providing educational assets to those most affected by discrimination in public policy.
As we uplift and amplify social movements around the world, your solidarity and commitment to change is the impact needed. We must continue to evolve alongside one another to extend this work. Our community action plan provides direct essential resources, legal advocacy and more to support communities that have been systemically marginalized. Our programming will remain free and low-barrier to keep our resources accessible to all.
Teressa Raiford is a community organizer, philanthropist and fourth generation Portlander. Her experiences with gun violence inspired her to demand accountability from leaders and lawmakers surrounding public safety. In 2016 Teressa established a human rights organization, Don’t Shoot Portland, focusing on civic education, art and nonviolent direct action while providing legal access to vulnerable communities.
Tai Carpenter (she/her) is a writer, gallerist and community archivist with a passion for social impact in the realms of art and civil rights. She is also the founder of Compose Yourself Magazine, an independent online publication spotlighting music, culture and social justice. She has curated political art installations, facilitated panel discussions and organized artmaking workshops centered on civic action with Portland Art Museum, University of Oregon’s Special Collections and University Archives, Society of American Archivists, The Schomburg Center for Research in Black Culture, Shift Collective and Documenting the Now, among others.
Her work allows her to intersect two passions, art and civil rights, to create a more equitable and creative world by utilizing critical research to facilitate dialogues around art in relation to current social movements.
Tai is currently the Board President of Don’t Shoot Portland, a community-based advocacy nonprofit and Director of The Black Gallery. Most recently she was Gallery Coordinator for the Jordan Schnitzer Museum of Art at Portland State University, Gallery Manager at HOLDING Contemporary and an Archives & Records Management Coordinator at the City of Portland Archives.
Learn moreNow a resident of New York City, Drew Pisarra began performing solo works five years ago at various work-in-progress forums around Portland. His initial short pieces culminated in his evening-length work, Queer Notions. His subsequent monologue, Fickle, debuted at Portland Actor's Conservatory and toured to Highways in Los Angeles and On the Boards in Seattle as part of their Northwest New Works series. His piece, The Gospel According to Saint Genet, was commissioned as part of the Portland Art Museum's 1995 Biennial. Pisarra has also appeared in numerous productions with the Imago Theatre, and has collaborated with several local artists including Katherine Peterson, Linda K. Johnson, and Cynthia Ciamente. His poetry has been published in various magazines, and a collection of his short fiction entitled Public Spanking was released by Future Tense Press in 1996.
Learn moreEd Purver, a Brooklyn-based artist who integrates digital media into public spaces, has recently created artworks for the Liverpool Biennial (UK), Seoul Institute of the Arts (South Korea), and the Manhattan Bridge.
Learn moreElena Pankova is a Russian artist represented by CANADA New York. Elena Pankova press from CANADA New York.
Learn moreFirst Nations Performing Arts is focused on cultural change, commissioning, touring and presenting Indigenous performance, as well as capacity building for the Indigenous and non-Indigenous performing arts sectors. For our all-ages intergenerational gathering we celebrate the FNPA Network Track members — a coalition of First Nations performing artists — in an evening which will evolve through sharing food, storytelling, interactive performance, music, noise, and artistic experimentation.
Learn moreGare St. Lazare Players Ireland are Ireland's most travelled theatre company, having visited over 63 cities in 21 countries worldwide to perform from their repertory of over 17 Beckett productions. The group evolved out of the original Gare St. Lazare Players, an international company founded in Chicago by Bob Meyer in 1983 and based simultaneously in Ireland and France. Since 1995, Judy Hegarty Lovett and Conor Lovett have been running the company. First Love premiered in 2008 in Ireland and has since toured to Argentina, Bulgaria, France, Greece, Ireland, Romania, Switzerland, Turkey and USA.
Selected Press
The Lovetts of Méricourt, Ruadhan Mac Cormaic, The Irish Times, April 10, 2010.
In Festival, Biography, Beckett and Blues, Jason Zinoman, New York Times, January 14, 2009.
Conor Lovett has a 'Love' affair with Beckett, Christina Borger, New Haven Register, June 14, 2009. Learn moreGenesis Breyer P-Orridge (born Neil Andrew Megson; 1950) is an avant-garde, cultural engineer, Fluxus pioneer, groundbreaking performance artist, inventor of Industrial Music, founder of music projects COUM Transmissions, Throbbing Gristle, Psychic TV, "wrecker of civilization," essayist and theoretician, Pandrogyne, and, most recently, as twin. In 2007 he/r partner Lady Jaye Breyer dropped he/r body. Genesis continues to represent the amalgam Breyer P-Orridge in the material “world” and Lady Jaye represents the amalgam Breyer P-Orridge in the immaterial “world” creating an ongoing inter-dimensional collaboration.
Instagram: pandrogyne
Twitter: GenesisBPO Learn moreIngvild Langgård is a composer, musician and artist, educated from the Academy of Fine Art, Oslo (2006), specializing in sound art. She works in different media, and composes and performs music for stage, film, and in her own main music project, Phaedra. Phaedra released the album The Sea for Norwegian avant garde label Rune Grammofon in 2011. Phaedra´s music is a mix of folk and psychedelia with a dash of blues and soul; sacred death hymns and shimmering atmospheres, combining crystalline vocals, folk instruments and deep bass lines, with a touch of pure Scandinavian darkness. As with all of Langgård´s work it blends homegrown mythology, baroque aesthetics, and the possibility of altering the perception of the audience. Her work is shown in national and international museums and galleries, such as The Astrup Fearnley Museum of Modern Art, Oslo, Lydgalleriet, Bergen, and and Chashama Gallery in New York. Langgård also works as a curator and co-founded the artist run gallery Rekord in 2006. Langgård has been awarded several grants for her work, and received the Norwegian State´s Working Grant for young artists twice. She currently is working on the next Phaedra album, to be released 2014, as well as upcoming Fiksdal/Langgård/Becker projects.
Learn moreJamarsa Peters, Meet Me On Da Floor President
Jamarsa Peters is a business professional with an astute financial acumen, an empathic heart, and a strong sense of business and personal responsibility. These qualities were shaped largely by his family dynamic. He is the oldest of two siblings. It was after the death of his mom that he assumed paternal responsibility for his younger siblings. With this responsibility, he decided to become this paragon for positivity and for excellence that his siblings could emulate. Because he wanted to be that example for his family, he chose to pursue higher education at Grambling State University where he majored in Business Information Systems; subsequently, earning his Bachelor of Science degree in 2006. In college, he was a member of the collegiate cheerleading team and received technical dance training while being a part of the Orchesis Dance Company under the direction of Dianne Maroney-Grisby, former Alvin Ailey dancer. In addition to his business acumen, he is an extremely powerful choreographer, dancer, and producer having danced with LGBTQ underground Legendary male J-Sette teams like Grambling X-Men, Memphis Elite, and the Texas Teasers where he currently resides in Dallas. Currently, he is recognized as an Icon in the Meet Me On Da Floor dance community where he now serves as President while continuing to change the narrative and making a difference one 8 count at a time!
Re-Sette the Stage—a three-part conversation series happening in August, September, and October 2021—was conceived by Jamarsa Peters in partnership with Jermone Donte Beacham and jumatatu m. poe.
Learn moreJane Paik took her first dance class when she was 17 years old – ballet. And loved it. She spent 2 1/2 years studying modern at the age of 19 - Martha Graham. Old school, but solid. Since then, she has continued to be mainly self-taught, though she has had the chance to take class with some excellent teachers including Stefan Wenta, Augusta Moore, Ryan Heffington, Kitty MacNamae, and Oliver Steele.
In conjunction with her entrance into the world of dance, Jane found herself as a founding member of the San Francisco theater troupe Sassymouth. Helmed by writer/director John Fisher, the troupe earned a cult following in San Francisco with its cutting-edge examinations of gender, sex, and politics. She wore many hats with the troupe including Producer, Choreographer, Dancer, and Actor and was recognized for her various roles including Joy of Gay Sex (Best Ensemble), Combat! (Mark Goodman award for Distinguishment in Acting) , and Medea, the Musical. (HBO Aspen Comedy Festival - Pick of the Festival, GLAAD choice awards - Best Play, LA Weekly, Best Play, BATCC Awards -Best Choreography, Best Ensemble Cast)
She has appeared in a handful of independent shorts and films seen in various festivals including Outfest, Ladyfest, and the South by Southwest Film Festival.
She began producing works under the name Janet Pants in 1997 and Founded the Janet Pants Dans Theeatre (later Leg and Pants Dans Theeatre) in 2001. Often hailed as a pioneer in bringing experimental modern dance to the underground music scene - in a style that has been described as "punk rock in dance form" - she continues to mash together her take on dance/film/music in various performances, videos, and sounds.
Learn moreJessica Bissett Perea (Dena’ina/Scottish American) is an Assistant Professor of Native American Studies at the University of California, Davis. Her research and teaching focus on music, sound, and media studies; critical race and gender studies; Alaska Native and Circumpolar Inuit cultures, histories, and politics; Urban Indigeneities; African and Native alliances and cultural production in the Americas; jazz and improvisational musics; research ethics and methodologies; critical theory and pedagogy. She completed her PhD in Musicology from UCLA in 2011 and was awarded a UC President’s Postdoctoral Fellowship in Music at UC Berkeley from 2011-2013.
Jessica was born in Anchorage, Alaska and raised forty miles north in the Matanuska-Susitna Valley. She is an enrolled member of the Knik Tribe and a shareholder in Cook Inlet Region, Inc. (an Alaska Native Corporation). Her innovative dissertation research and dedication to community outreach were recognized with a 2010 Alaska Native Visionary Award, presented by the Alaska Native Heritage Month committee and board of directors.
Jessica’s writings have appeared in the American Indian Culture and Research Journal, MUSICultures (formerly the Canadian Journal for Traditional Music / La Revue de Musique Folklorique Canadienne), the Journal of the Society for American Music, the Grove Dictionary of American Music (2nd edition), and an edited volume Jazz/Not Jazz: The Music and Its Boundaries (University of California Press, 2012).
Learn moreJess Perlitz’s work is informed by our formations of landscape and the body’s place within it, finding points of desire, incongruity, and disruption. Born in Toronto, CA, she is a graduate of Bard College and received an MFA from Tyler School of Art and clown training from the Manitoulin Center for Creation and Performance. Perlitz is currently based in Portland, OR, where she is Associate Professor and Head of Sculpture at Lewis & Clark College, and most recently, the co-leader of the year-long Portland’s Monuments & Memorials Project and the Experimental Arts Research Forest. Perlitz was named a 2019 Hallie Ford Fellow, won a Joan Shipley award, and received an award from the American Academy of Arts and Letters. Her work has appeared in playgrounds, fields, galleries, and museums, including the Institute for Contemporary Art, Philadelphia, PA; Socrates Sculpture Park, Astoria, NY; Cambridge Art Galleries, Cambridge, CA; De Fabriek in The Netherlands; and aboard the Arctic Circle Residency. Her project, Chorus, is currently installed at Eastern State Penitentiary in Philadelphia, PA, as part of the museum’s ongoing artist installation series.
Learn moreJoseph M. Pierce is an Associate Professor in the Department of Hispanic Languages and Literature at Stony Brook University. His research focuses on the intersections of kinship, gender, sexuality, and race in Latin America, 19th-century literature and culture, queer studies, Indigenous studies, and hemispheric approaches to citizenship and belonging. He is the author of Argentine Intimacies: Queer Kinship in an Age of Splendor, 1890-1910 (SUNY Press, 2019) and co-editor of Políticas del amor: Derechos sexuales y escrituras disidentes en el Cono Sur (Cuarto Propio, 2018) as well as the forthcoming special issue of GLQ, “Queer/Cuir Américas: Translation, Decoloniality, and the Incommensurable.” His work has been published recently in Revista Hispánica Moderna, Critical Ethnic Studies, The Art Newspaper, and has also been featured in Indian Country Today. Along with SJ Norman (Koori of Wiradjuri descent) he is co-curator of the performance series Knowledge of Wounds. He is a citizen of the Cherokee Nation.
Learn moreI am a choreographer, performer, and educator based between Philadelphia and New York City who grew up dancing around the living room and at parties with my siblings and cousins. My early exposure to concert dance was through African dance and capoeira performances on California college campuses where my parents studied and worked, but I did not start formal dance training until college with Umfundalai, Kariamu Welsh’s contemporary African dance technique. My work continues to be influenced by various sources, including my foundations in those living rooms and parties, my early technical training in contemporary African dance, my continued study of contemporary dance and performance, and my recent sociological research of and technical training in J-setting with Donte Beacham. I produce dance and performance work with idiosynCrazy productions, a company I founded in 2008 and now co-direct with Shannon Murphy. Previously, I have danced with Marianela Boán, Silvana Cardell, Emmanuelle Hunyh, Tania Isaac, Kun- Yang Lin, C. Kemal Nance, Marissa Perel, Leah Stein, Keith Thompson, Kate Watson-Wallace, Reggie Wilson, and Kariamu Welsh (as a member of Kariamu & Company). As a performer, I also collaborate with Merián Soto.
Re-Sette the Stage—a three-part conversation series happening in August, September, and October 2021—was conceived by jumatatu m. poe in partnership with Jermone Donte Beacham and Jamarsa Peters.
Learn moreKatherine Profeta’s longest-term credits are as a dramaturg with choreographer and visual artist Ralph Lemon (1997-present) and as a founding member, choreographer and occasional performer with Elevator Repair Service theater company (1991-present). She has also done dramaturgical work in dance, theater and points in-between with Julie Taymor, Karin Coonrod, Annie Dorsen, David Thomson, Alexandra Beller, Nora Chipaumire, and Theatre for a New Audience. She holds a Doctorate of Fine Arts from the Yale School of Drama in the department of Dramaturgy and Dramatic Criticism. Her first book, Dramaturgy in Motion, examines the labor of the dramaturg in contemporary dance and movement performance, alongside a history of her collaboration with Lemon. Her writing has also been seen in Performing Arts Journal; Theater Magazine; Movement Research Performance Journal; Theatre, Dance and Performance Training; and TCG’s The Production Notebooks. "She is an Associate Professor in the Department of Drama, Theatre and Dance at Queens College, CUNY, and currently a Visiting Associate Professor at the Yale School of Drama."
Learn moreKelly Pratt is a multi-instrumentalist, composer, and arranger. From 2006–12, he was a full-time member of indie-pop outfit Beirut, contributing arrangements, brass/woodwinds, and vocals. He has performed and recorded with hundreds of artists including Arcade Fire, LCD Soundsystem, Coldplay, The War on Drugs, and Passion Pit. In 2012 and 2013, he collaborated with David Byrne and St. Vincent, providing arrangements for their album “Love this Giant”, as well as serving as arranger and musical director for their world tour. In 2015 he was the arranger and brass/woodwind player for Contemporary Color, a multimedia tour curated by Byrne featuring contemporary pop stars accompanied by color guards. Pratt is also the chief songwriter and vocalist of the band Bright Moments, whose debut NPR called “a wildly creative album, packed with energy.”
Learn moreKendra Jayne Patrick directs an itinerant, eponymous art gallery based in New York City. The program is focused on exhibition-making and symbology related to the twenty-first century avant-garde, specializing in post-conceptual and post-internet sculpture, digital, photography, and painting. Since opening in late 2017 the gallery has shown a range of international artists and practices including Ivan Argote, Lap-See Lam, Kenya (Robinson), Jo Shane, and Arden Surdam. Gallery Kendra Jayne Patrick has been featured in Artsy, Vulture, ARTnews, Barron’s, the San Francisco Chronicle, and DAZED Magazine.
Learn moreLalo Perez (b.Bakersfield, CA) is an interdisciplinary artist based in Portland, OR. Their practice investigates the intersections of identity through social environments, creating attention to the fragility of familiar cultural connections by grounding their practice in the action of construction and deconstruction. Through rituals, Lalo creates a dialogue between material, language, and imagery, developing a visual archive that reflects the inherited faith that leads them. Lalo has participated in artist residencies at Casa Lü in Mexico City, MX; Jupiterfab in Guadalajara, MX; and Caldera a.i.r in Sisters, OR, and has been awarded grants by The Nat Turner Project and Regional Arts and Culture Council. They are currently pursuing a BFA in Intermedia at the Pacific Northwest College of Art.
Learn morePoitras is currently working on a trilogy of documentaries about post-9/11 America. The first film of the trilogy, My Country, My Country, was nominated for an Academy Award. The second film, The Oath, received the Cinematography award at Sundance, a Gotham Award, and the Directing award at Cinema Eye. She is currently filming the third part of the trilogy. Poitras is the recipient of a Guggenheim Fellowship and USA Rockefeller Fellowship, and has attended the Sundance Labs as a Fellow and a creative advisor. Her work has been shown at Sundance, Berlin Film Festival, the Museum of Modern Art, and the Film Society of Lincoln Center. Before making films she worked as a professional chef.
Selected Press
'En Garde II: omg' at Ronald Feldman Fine Arts, Robert Shuster, The Village Voice, January 19, 2011.
Review: Terrorism, apocalypse and food-fight humor at The Contemporary, Catherine Fox, ArtCriticATL.com, November 2, 2010.
A few questions with filmmaker Laura Poitras, Debbie Michaud, Creative Loafing Atlanta, October 5, 2010.
Learn moreLittle people makes downtempo electronic music.
It is part beats, bleeps and snippets of other people's music... real live instrumentation.
Selected Video:
Selected Press:
"Marley Carroll 'First Thought, Best Thought (Little People Remix)'," XLR8R, by Melkorka Licea, April 18, 2014
"Listen to a New Jiberish Mix, Curated by Little People," HYPETRAK, by Petar Kujundzic, May 13, 2014 Learn moreMalique Pye is a visual artist from Atlanta, Georgia. He works in multiple mediums, his primary focus being photography. Malique's photographic career began with capturing wildlife and sports photography. Influenced from his experience working with dogs and horses in Florida, and playing rugby and experience break dancing.
He is based in Portland, Oregon, where he finished his BFA in Photography at Pacific Northwest College of Art. His current practice focuses on finding commonalities between subjects and exploring the way the perspectives in which they can be seen.
He is inspired by the ability to capture moments of movement that are often overlooked or missed in the real time we experience them. Preserving the energy and emotion of instances that capture passion and allow the opportunity to sit with them for longer periods of time. media
Learn moreManuel Pelmus studied dance in Bucharest, Romania, and performed extensively with the Romanian National Opera, Romanian television, and the state opera in Cluj, before spending several years performing with the Hamburg Opera, touring throughout Europe, Asia, and South America. Pelmus began creating his own works in 1997, and include Outcome, Common Grounds (a collaboration between Pelmus and two choreographers from Norway and Japan), and Punct Fix, all of which have toured widely in eastern and western Europe and North America. Pelmus will bring Punct Fix to the United States in the fall of 2003.
Learn moreMariano Pensotti (Buenos Aires 1973) is an Argentine author and theater director. He studied cinema, visual arts and theater in Buenos Aires, Spain and Italy. He is a graduated from Escuela Nacional de Bellas Artes Rogelio Yrurtya (Buenos Aires) and was a fellow studient at Casa de América (Madrid) and La Loggia CISD (Italy). In theater, as an author and director, he created more than fifteen performances in the past ten years.
Among his latest creations are Cineastas (Filmmakers) (2013) premiered at Kunstenfestivaldesarts (Brussels) and presented in Wiener Festwochen, HAU Berlin, Holland Festival and Theaterformen, El Pasado es un animal grotesco (The past is a grotesque animal) (2010/2012) premiered at Complejo Teatral de Buenos Aires and presentd at Kunstenfestivaldesarts (Brussels), Festival de Otoño (Madrid), Theaterformen (Hannover), Hebbel am ufer (Berlin), Auabirlewen (Bern), Norwich & Norfolk Festival (England), Kampnagel Festival (Hamburg), Zürcher Theater Spektakel (Zürich), Tempo Festival (Rio de Janeiro), Fiac (Bahia), Rotterdamse Schowburg (Rotterdam), Frascati Theater (Amsterdam). Sometimes I think I can see you (2010/2011) premiered in Berlin at Hebbel am Ufer as part of Ciudades Paralelas Festival and presented in Buenos Aires, Cologne, Brussels, Zürich, Warsaw, Salamanca, Copenhage, Helsinki, Girona and Paris. Encyclopaedia of unlived lives (2010) premiered at Schauspielhaus Graz (Austria) and presented during Steirischer Herbst Festival and La Marea (2005/2011) premiered at the V Buenos Aires International Festival and later on invited to the Kunstenfestivaldesarts (Brussels), Hebbel am Ufer Theater (Berlin), Homo Novus Festival (Riga), Dublin Festival (Ireland), Festival Automne en Normandie (Rouen), Carrefour International de Théâtre (Québec), Festival Transamériques (Montréal), Yokohama (Japan), Festival Temporada Alta (Girona), Norfolk & Norwich Festival (England), Metropolis Copenhague (Denmark) and Push Festival (Vancouver).
Pensotti has become one of the most noted experimental directors throughout the world. He has been heralded as one of Latin America’s brightest theater talents and he and his company tour extensively throughout the year.
He formed the Grupo Marea together with set designer Mariana Tirantte.
For his work he received several awards worldwide. His texts has been published and translated to more than twenty languages. In his work he developed two different lines, one composed by stage performances where he write his own very literary texts and the play is strongly based in the work with the actors, and in paralell he produced several site specific performances where the main intention is to create a particular contrast in between fiction and reality with fiction placed in public places.
Selected Press
"Macklin Kowal interviews Mariano Pensotti," Macklin Kowal, THE OFFCENTER, February 16, 2012.
Learn moreMarta María Pérez Bravo was one of the artists whose work was featured in "Pushing Image Paradigms" this past summer (1996). Drawing specifically from synthesized religious elements of Catholicism, Candomble, and Santería, personal history, and metaphoric sign, Marta uses her body as a personal altar, transforming images of herself into symbols of ritual and sacrifice through which she explores her identity as a woman. Her work has been received with both controversy and critical acclaim. Marta currently lives and works in Havana, Cuba, and has received numerous awards and international recognition for her unique photography.
Learn moreMickey Pollizatto is a queer artist, musician, sound collaborator and dancer. They spent their earlier years in Portland creating music as the drag character Cabiria Jones, in the bands caught in candy and later CJ & The Dolls. From 2004-2013, they have contributed to Portland’s TBA festival, toured Europe, and the United States multiple times and later with Portland artists Carla Rossi, The Pepper Pepper and Jen Hackworth. They also contributed to Portland’s Risk/Reward and Dance+.
In recent years, they have provided sound and stage support for The Pepper Pepper’s productions, including Diva Practice: Duet and Solo. They also contribute as a dancer and music producer for Weighted Bodies, a fat forward dance troupe. Currently Mickey cohosts, produces and edits “What The Q,” a podcast exploring queer culture by inviting queer identified guests to have open discussions about the queer identity. Moving forward they hope to collaborate more with queer, fat and femme artists, specifically in the areas of music, dance, comedy, drag & outreach.
Learn moreGutierrez is a New York-based dance and music artist who makes solo and group pieces with a variety of artists under the moniker Miguel Gutierrez and the Powerful People. His work has toured internationally to festivals and venues including American Realness Festival in New York; Festival d’automne à Paris; Antipodes Festival in Brest, France; Out There Festival at the Walker Art Center in Minneapolis; UNAM in Mexico City; and ImPulsTanz in Vienna. He is the winner of three New York Dance and Performance “Bessie” awards.
Learn moreMobile Projection Unit (MPU) is a roving studio that presents new, experimental, site-specific outdoor video projections throughout Portland, Oregon. Our work focusses on spatializing video through projection mapping, and live interactive video performance through creative coding. Founded and directed by Sarah Turner and Fernanda D’Agostino in 2018, MPU is also a curatorial project, putting the tools of production into the hands of artists. MPU has worked with media artists Sharita Towne, Sabina Haque, Ruben Garcia Marrufo, Jaleesa Johnston, Craig Winslow, Megan McKissack, Victoria Wells, and Hasan Mahmood. MPU received a 2020 Northwest Film Center commission to create “Phases of the Moon” for the Portland International Film Festival. Recent projects include “been there,” a series of experimental works by Black filmmakers curated by Ariella Tai and presented as a drive-in movie, and screenings with Snack Bloc in support of BLM. MPU is funded in part by the Precipice Fund through The Andy Warhol Foundation for the Visual Arts, The Calligram Foundation, and the Regional Arts and Culture Council. Sarah Turner is an artist, new media curator, creative producer, and art director. Fernanda D’Agostino is an interactive video installation artist, public artist, and creative coder.
Learn moreMusic Population Project is an effort to bring chamber music back to the people, invoking times when performances were public spectacles, when operas were performed in front of enthusiastic audiences, when uprisings followed premieres and classical music was pop music. The MPP germinated in Portland, Oregon under the direction of Brede Rørstad, working closely with the Music Population Orchestra, a chamber music ensemble created to fulfill the mission of The MPP. Operating more like a band than a traditional orchestra, the ensemble performs with and without electronics in configurations varying between four and twenty musicians in bars, clubs, galleries, and more traditional concert venues. Looking back to his native Norway for inspiration, Rørstad combines classical and electronic influences in what he deems klatronic compositions for chamber ensembles, commercials and short films. Rørstad is currently working on bringing the MPP to Europe and establishing an Oslo-based Music Population Orchestra.
Learn moreNat Turner Project (NTP) is a fugitive space based in Portland, Oregon. NTP enables artists of color to go beyond the usual expositions inherent in presenting the art of marginalized perspectives; dispersing funds, resources, and platforms to create or express one's own language within and without the parameters of racial commodification or designation. NTP creates an environment of inclusivity –– a communal harbor for artists previously silenced by institutional constraints –– and actively provides them spatial priority.
Learn moreOffsite Dance Project was started in 2008 to pioneer alternative approaches to arts presentation through site-specific performance in locations such as trains, parks, and museums. Offsite also produces an annual community forum, We dance, to stimulate Japan’s contemporary dance scene by bringing artists from various genres together in unusual circumstances that generate new ways of approaching their art.
Learn moreThe Brooklyn-based artist has always deftly balanced the experimental with the accessible: He has released several albums under his Oneohtrix Point Never moniker on various independent labels – including the 2013 3-CD/5 LP Rifts, a compilation of his early work – as well as amassing a large catalogue of mini-album tape releases. His most recent disc, 2011’s Replica, was built around samples of television commercials; Sasha Frere Jones of the New Yorker called it “music that gently triggers a series of images and feelings, none of which you can name and all of which seem entirely common.” He has built live soundscapes at the Museum of Modern Art; collaborated with Montreal-based ambient electronic music composer Tim Hecker on the largely improvised 2012 Instrumental Tourist; and recast the title track from his 2010 disc Returnal as an elegant and emotive piece for piano, featuring the otherworldly voice of Antony Hegarty. Advertising powerhouse Saatchi & Saatchi tapped Lopatin for an installation event at the 2012 Cannes film fest and Sofia Coppola’s longtime cohort Brian Reitzell invited him to create original music for Coppola’s The Bling Ring. Said the Saatchi execs, “There’s this grandeur to his music, but it’s always counterbalanced by moments of irony and lightness.”
Selected Press:
"The Top 50 Albums of 2013," Pitchfork, December 2013
Learn moreThe Oregon Painting Society is an art collective from Portland, Oregon, formed in 2007. They have exhibited and performed at Fontanelle Gallery (PDX) and Reed College (PDX).
Learn morePablo de Ocampo lives in Vancouver where he is Exhibitions Curator at Western Front. He has curated screenings, exhibitions, and performances at galleries, cinemas, and festivals internationally. From 2006 to 2014, de Ocampo was Artistic Director of the Images Festival in Toronto, and in 2013, served as the programmer of the 59th Robert Flaherty Film Seminar, History is What's Happening. He was a founding member of the collective screening series Cinema Project in Portland, OR.
Learn morePackard Jennings is an American artist who appropriates pop culture symbols and references to create new meaning using a variety of media including printmaking, sculpture, animation, video, and pamphleteering. In his early career he modified billboards, a common practice of culture jammers.
Learn moreGija language. Born c.1922. Died 2OO7.
Celebrated as one of Australia’s most important artists, Paddy Bedford was also a Lawman of the greatest authority amongst his Gija people. Bedford was born c. 1922 in the remote and majestic country of Bedford Downs Station in the East Kimberley region of northwestern Australia. It was from the station that he gained his surname, his first name coming from the severe Australian Station Master, Paddy Quilty, the man believed responsible for the massacre of a group of Bedford’s kin a few years earlier. This undercurrent of colonial violence was ever present in Bedford’s work. Along with artist Timmy Timms, he was integral to the development of the landmark exhibition Blood on the Spinifex, held at the Ian Potter Museum of Art at the University of Melbourne in 2OO2. The exhibition brought the memory of station massacres into disquieting view, and propelled Bedford’s work to national acclaim. Bedford spent much of his life working as a stockman, or ranch hand, before starting to paint in 1998 when he was in his late seventies. His earliest works conformed closely to the East Kimberley style pioneered by Rover Thomas and Paddy Jaminji in the early 198Os. Bedford quickly mastered the style, fashioning his own distinctive blend of austerity, meandering line and stark color combinations. Bedford introduced a new expressionism to East Kimberley painting. In 2OO6, he was the subject of a major touring retrospective organized by the Museum of Contemporary Art, Sydney. His works are held in most major collections in Australia, as well as important collections in Europe and American. In 2OO4, he was one of eight artists invited to create designs to adorn the Muse’ e du quai Branly in Paris.
Learn morePaige Sarlin is an artist, filmmaker, scholar, and political activist. She holds a Ph.D. in Modern Culture and Media from Brown University and an M.F.A. in Film/Video/New Media from the School of the Art Institute of Chicago. Her feature-length documentary film, The Last Slide Projector, premiered at the Rotterdam International Film Festival in 2007 and screened at Anthology Film Archives in 2008. From 1999 to 2010, she was an active participant in the 16Beaver Group in New York City, a platform for the discussion of the intersection of art and politics. Her writings have been published in October, Re-Thinking Marxism, Reviews in Cultural Theory, The Journal of Aesthetics and Protest, and Framework: A Journal of Film and Culture. She is at work on a book-length manuscript entitled Interview-Work: The Genealogy of a Media Form. She is an Assistant Professor in the Department of Media Study at University at Buffalo, SUNY.
Learn morePAINTALLICA is a collaborative of artists who come together across state lines and genres to make art together. PAINTALLICA’ s members have exhibited extensively nationally and internationally; individually they have been written about in Sculpture Magazine, The New York Times and Artforum. Some are painters, some are sculptors, one is a published graphic novelist, two are veterans, one made headlines by offending a presidential candidate. Paintallica includes but is not limited to Dan Attoe, Gordon Barnes, Craig Thompson, Shelby Davis, Josh Podoll, Jesse Albrecht, Jamie Boling, Cece Cole, Jeremy Tinder, Tim Bowman, JS Decker, Brandon Buckner, Richard Nelipovich, Josh Wilichowski, Bill Donavan, Greta Songe and Chris Miller.
Learn morePallace is a healing artist based in Seattle. She is director of Queer Astrology Club and teaches at Portland School of Astrology. QAC channel can be found on youtube for free lectures on ancient astrological techniques. She moonlights as a rope bondage specialist and hypnotist who crushes men psychologically and then cackles maniacally and writes poetry about it.
Learn morePallavi Sen is from Bombay, India. She works with installation, printmaking, textiles, and intuitive, musical movement. Current interests include planting gardens and meadows, inner lives of birds and animals, the grief of the anthropocene, South Asian costumes, domestic architecture, altars, atheism and magical thinking, pattern histories, friendship + love, past/presen/future lover, work spaces, work tables, eco-feminism, love poems, the gates to Indian homes, walking, seeds, and twice daily cooking.
She received her MFA in Sculpture + Extended Media from the Virginia Commonwealth University. She is the Assistant Professor of Multiples + Distributed Art at Williams College and dean at the Skowhegan School of Painting and Sculpture. She is the author of Dead Planet Cookbook, and is currently working on her second book about a garden based curriculum.
Learn morePamela Council is a New York based interdisciplinary artist creating fountains for Black joy. Guided by material, cultural, and metaphysical quests, Council’s practice embodies a darkly humorous and inventive Afro-Americana camp aesthetic, BLAXIDERMY. Through this lens, Council uses sculpture, architecture, writing, and performance to shed light on under-examined and under-valued narratives.
Council has created commissions, exhibitions, performances or presentations for: New Museum for Contemporary Art, United States Library of Congress, Schomburg Center for Research in Black Culture, Studio Museum in Harlem, and MoCADA. Council has been Artist-in-Residence at MacDowell, Red Bull Arts, Bemis, Rush Arts, MANA, Signal Culture, Mass MoCA, and Wassaic Project. A recipient of the 2017 Joan Mitchell Grant, Council holds a BA from Williams College and an MFA from Columbia University and is currently artist in residence at ISCP.
Social Media handles
twitter / pamelacouncil
instagram / pamelacouncil
Patreon / BLAXIDERMY
venmo / pamelacouncil
cash app / $pammypammy
Learn moreFounded in 1991 by Aedin Cosgrove and Gavin Quinn, Pan Pan Theatre has since produced 22 productions, published a major photographic book, and produced a film, One. The ensemble has worked with a host of Irish and international performers and artists, and both worked and toured extensively throughout Ireland as well as Australia, Canada, China, Europe, Korea, and the United States.
Learn moreParenthetical Girls is a pop group. Of sorts. Charting a particularly idiosyncratic course over its complicated chronology, the ensemble has been home to a revolving cast of collaborators in multiple disciplines, with founder and creative director Zac Pennington acting as the sole constant. With a résumé that includes dalliances in chamber music, large-scale experimental theater, electronic pop, and innumerable other aesthetic and sonic diversions, the group has performed its work at a multitude of international arts and music festivals, including Donaufestival (Vienna), Primavera Sound (Barcelona), New Island Festival (NYC), Intersecciones (Gijon, Spain), PuSh Festival (Vancouver, B.C.), Bumbershoot (Seattle), and TBA:08 (Portland). Ever the pragmatists, Parenthetical Girls are in the midst of releasing their latest album, Privilege, as a series of five, blood-numbered 12” EPs, via the group’s own Slender Means Society label.
Learn morePato Hebert is an artist, teacher, and organizer. His work probes the challenges and possibilities of interconnectedness. His creative projects have appeared at the Centro de Arte Contemporáneo, Quito; Beton7, Athens; the Ballarat International Foto Biennale; and the Songzhuang International Photo Biennale. Hebert is a COVID-19 long hauler, living with the ongoing impacts of the coronavirus since March of 2020, and publicly addressing the pandemic through creativity and community building. His solo exhibition about long COVID, Lingering, debuted at Pitzer College in 2022, curated by Ruti Talmor. His writing about COVID has appeared in Lastgaspism: Art and Survival in the Age of Pandemic (eds. Romero, A.,Tucker, D.,Wang, D.), and The Long COVID Survival Guide: How to Take Care of Yourself and What Comes Next (ed: Fiona Lowenstein). Hebert serves as Chair and teaches in the Department of Art & Public Policy at Tisch School of the Arts, New York University.
Learn moreIn her practice, Patricia Vázquez Gómez (she/her) investigates the social functions of art, the intersections between aesthetics, ethics, and politics, and the expansion of community-based art practices. She uses a variety of media to carry out her research: painting, printmaking, video, exhibitions, music, and socially-engaged art projects. The purpose and methodologies of her work are deeply informed by her experiences working in immigrant rights and other social justice movements. Her work has been shown at the Portland Art Museum, Portland, OR; Reece Museum, Johnson City, TN; Cascade Paragon Arts Gallery, Portland, OR; Art League Houston, Houston, TX; and Linfield Art Gallery, McMinnville, OR, and also in apartment buildings, neighborhoods, community-based organizations, and schools. She has received support from the Ford Foundation, Regional Arts and Culture Council (RACC), Portland Institute for Contemporary Art (PICA), Oregon Community Foundation, Oregon Metro, and the National Endowment for the Arts. Patricia teaches at the undergraduate and graduate levels at Portland State University. Her work can be explored at patriciavazquez.art.
Patricia is a 2022/3 Golden Spot Residency awardee.
Learn morePatrick Rock is a conceptual artist who has shown internationally, most recently with the collective AMERICAN MEAT LLC., and with the post-punk trio PISS in the Sequences Live Art Festival in Reykjavik. He is the director of ROCKSBOXCONTEMPORARYFINEART, a short-term artist residency and exhibition space in Portland, as well as the director of the Portland State University Art Department galleries, where he also teaches as an adjunct instructor of its Art Department.
Learn morePatrick Long is an artist and illustrator, his simple and evocative pen and ink drawings mimic and mirror how we look and live. Through his eyes the hilarity of man is captured in a wry facial expression, the artfulness of a couture gown in the flourish of a sleeve. Long draws the awkward, the under-appreciated, the fashion forward and the utterly mundane with equal reverence . His illustrations have been published in The New Yorker, The New York Times, National Geographic Explorer, Vouge Nippon, Fantastic Man and Assouline. His work was featured in “Crossing the Line” an exhibition for the Heathman Hotel organized by the Elizabeth Leach Gallery. His famous drawings of “Cops in Love” were featured in Plazm Magazine and in Core Sample, a city-wide exhibition in 2003.
Learn morePaul Clipson is a San Francisco-based filmmaker who often collaborates with sound artists and musicians on films, live performances, and installations. His work has been exhibited and performed both nationally and internationally at such festivals as the New York Film Festival, Edinburgh Film Festival, and the Rotterdam International Film Festival. His Super 8 and 16mm films aim to bring to light subconscious visual preoccupations that reveal themselves while working in a stream of consciousness manner, combining densely layered, in-camera edited studies of figurative and abstract environments, in a process that encourages unplanned-for results, responding to and conversing with the temporal qualities of musical composition and live performance.
Learn morePeggy Piacenza has been creating work and building community in Seattle for over 30 years. She is committed to generating new work and collaborating with others to create lasting relationships that impact the artist community. Peggy’s work embodies a wide spectrum of experience drawing from explorations in improvisation, video art, performance, meditation and interdisciplinary collaborations. Her latest project, The Forever Project, utilizing video installation and live performance, premiered in January 2024 at On the Boards.
In addition to her own work, she is currently working with NYC/Toronto-based performance collective Same As Sister (S.A.S.). She has collaborated and performed with Seattle-based dance-theater companies 33 Fainting Spells and Pat Graney Company, choreographers Dayna Hanson, Stephanie Skura, Lionel Popkin, Deborah Hay and others. Peggy will be choreographing for the 2025 Seattle Festival of Dance + Improvisation’s Performance Cohorts showcase at Velocity Dance Center.
She is a co-founder of Base, a non-profit organization dedicated to elevating risk and invention in dance, performance and multidisciplinary art.
Peggy is the recipient of a 2024 Artist Trust Fellowship. In 2011, she was the inaugural recipient of the Helen Gurley Brown Magic Grant, supporting a project that brought Cambodian and American artists together in Cambodia for cross-cultural dialogue and dancing within classical and contemporary dance forms. A documentary film about this project was screened at Velocity Dance Center’s Speakeasy Series.
She is a 2010 graduate of Smith College’s Ada Comstock Scholars Program, where she majored in Religion and Gender Studies.
Learn morePepper Pepper is a Portland, OR-based multidisciplinary artist. His work transforms vulnerability into spectacle - using artifice, technology, and camp to metabolize trauma into luminous, often magical performance worlds. Pepper has presented performances on stages and at festivals including Risk/Reward, the Time-Based Art Festival (TBA), Performance Works Northwest, NCECA, and internationally at OFF! Biennale Budapest. Their visual and installation work has been exhibited at Oregon Contemporary, Linfield University, Seattle Central College, and The Budapest Art Fair.
Pepper has incubated new experimental works at residencies like MacDowell, Monson Arts, Playa, Caldera, Signal Fire, and PonderosaTanz (Germany), Pepper’s practice bridges experimental performance and nightlife legacy. With over 20 years in cabaret and drag production, Pepper has appeared at and been featured at The Austin International Drag Festival, OUTstages (Victoria, BC), and is co-host of The Portland Drag Theatre Festival alongside frequent collaborator Anthony Hudson.
His ongoing project Pink Moment explores PINK as queer energy, ritual, and resistance while hybridizing performance, photography, and installation into an evolving archive of embodied glamour.
@thepepperpepper
www.thepepperpepper.com Learn moreWith a steady onslaught of independent media cropping up around the city in theaters, galleries, clubs, basements, and warehouse walls, Portland has gained a reputation as an important center for experimental and underground film and video. A major force in this scene is Peripheral Produce, a film and video screening and distribution project that has since 1996 offered roving, site specific experimental film events that showcase moving-image works by local, national and international artists. In its original form, the project organized monthly events in various locations throughout Portland to present experimental and underground film and video shorts. As popularity grew, Peripheral Produce expanded to include a video distribution label that compiles and releases videos of selected short works for sale to the public. Peripheral Produce’s nomadic screening format has now morphed into one large annual event, the PDX Film Festival, which has quickly become both locally popular and nationally recognized.
Peripheral Produce founder and curator Matt McCormick is a Portland-based filmmaker whose works offer abstract and witty observations of contemporary culture and environment. His films have shown widely, including the Sundance Film Festival and Lincoln Center, have been praised in publications including Art Forum and The New York Times, and will be featured in the upcoming Baja to Vancouver West Coast Contemporary Art exhibition.
Learn moreSomewhere in the murky recesses of childhood memories—of Sunday-morning television, mounds of improbably coloured junk food, and inane addictive jingles—lurks Peter Burr, a tech-gnostic agent. His mission: to subjugate the innerspace, chock open the escape hatch, and enable the immoderate two-way flow of synthesised realities. Burr’s green-screen dream is yours too. A television is broadcasting from within you as you watch it; a boiling, aberrant, hysterical fusion of mind and matter, technology and cultural form. Confronting the malaise of too much television, Burr’s diagnosis is also his prescription: more of the same!
Peter Burr (b. 1980) is an artist from Brooklyn, New York. His work has been presented in a variety of spaces including Le Centre Pompidou, Paris, FR; Reina Sofia National Museum, Madrid, ES; and the International Film Festival, Rotterdam. Past residencies include the MacDowell Colony (NH); Bemis Center (NE); and IMPAKT Works, Utrecht (NL). He is also the founder of Cartune Xprez.Selected Press
"AO Interview — Peter Burr before his "SPECIAL EFFECT" performance at the Museum of the Moving Image," D. Creahan, ArtObserved, January 17, 2013.
"The Dream Outside: An Interview with Peter Burr About Cartune Xprez," Caroline Picard, Bad at Sports, June 22, 2011.
Learn morePeter Coffin was born in Berkeley, California in 1972. He has had solo exhibitions at Herald St, London; Andrew Kreps Gallery (NY); The Wrong Gallery (NY); the Palais de Tokyo, Paris; Michael Benevento, Los Angeles (CA); Galerie Emmanuel Perrotin, Miami (FL); The Horticultural Society of New York (NY); and le Confort Moderne, Poitier, France; as well as recent group exhibitions at the Tate Modern, London, and P.S.1 Contemporary Art Center in NY. He is represented by Andrew Kreps Gallery.
Learn moreBorn and raised in Boston, Massachusetts, Peter Falanga decided to attend school in New Orleans, Louisiana to study music at Loyola University New Orleans. Upon volunteering at the 2009 New Orleans Film Festival, he switched his major from music to film and digital media, and added a minor in philosophy. Immediately upon earning his BA, he decided to pursue a master’s degree that would align with his interests in philosophy, film theory, community outreach, and video making.
Peter moved to Portland, Oregon last August to become a member of the MA Critical Theory and Creative Research program’s inaugural cohort at the Pacific Northwest College of Art. Currently, he is working on his master’s thesis, which is an extensive study of sincerity and its expression in the works of David Foster Wallace, the films of the New Sincerity, and in the 1977 Woody Allen film Annie Hall.
Learn morePeter Kreider received his BFA from New York State College of Ceramics at Alfred University, 1995, and his MFA from Tyler School of Art at Temple University, 2004. Kreider’s recent exhibitions include The Ghosts of Coleridge (NY) 2009; Material Afterlife, Grand Rapids (MI) 2009; The Blank Show in Shanghai, China, 2007; Up as if Down, Cuchifritos (NY) 2007; Tropical Punch, Jack the Pelican Presents, Brooklyn (NY) 2007; and Material World, Public Art Fund, Metrotech Plaza, Brooklyn (NY) 2005. Kreider is the recipient of an Emerging Artist Fellowship from the Socrates Sculpture Park, Long Island City, NY. Kreider is included in the White Columns Curated Artist Registry. He lives and works in Brooklyn, NY.
Learn morePeter Ksander is a Stage Designer who holds a MFA from the California Institute of the Arts. Previously he has lived and worked in Brooklyn NY , Chicago IL, Iowa City, IA and Los Angeles, CA.
Design credits include scenic and/or lighting designs for: Man in a Case (Big Dance Theater, Hartford Stage,) The Brothers Size (The Public Theater, The Studio Theater in Dublin, The Old Globe), There There (Kristin Kosmas / Chocolate Factory, On The Boards,) Othello (Theater for a New Audience, Intiman Theater), On the Levee (Lincoln Center Theater 3), The Scarlet Letter, Arms and the Man(Intiman theater), A House In Bali (Bang on a Can/ Cal Performances), The Misanthrope (Portland Stage Company), Making of Americans (Walker Art Center), Laude in Urbis (Compania di Colombari, Orvieto Italy), This Place is a Desert (w/ Jay Scheib, Institute of Contemporary Art, Under the Radar Festival, MIT), Drum of the Waves of Horikawa (The Theater of a Two-Headed Calf), Stanley 2006(HERE Art Center w/ Lisa D'Amour), Saint Joan of the Stockyards (Stillpoint/PS122) and several productions for the California Institute for the Arts, including Baal, The House of Bernarda Alba and...Or the Whale (an operaic adaptation of Moby Dick by boxer Julie Crocket) His design work has appeared in the Buanos Aries in Translation Festival, at The Maison des Arts de Creteil and The Ontological Hysteric Incubator, PICA's Time Based Art Festival, and at the Massachusetts Institute of Technology.
In 2008 he won an Obie award for the scenic design of Untitled Mars (this title may change), created and directed by Jay Scheib and presented at PS122 and the National Theater of Hungary.
In 2014 he won a Bessie award along side the other designers for the visual design of This was the End.
Over the years he has worked with Richard Foreman (Bad Behavior, Wake Up Mr. Sleepy! Your Unconscious Mind is Dead, Deep Trance Behavior in Potatoland, Astronome: a Night at the Opera, Idiot Savant), Erik Ehn (Ideas of Good and Evil, ICE: Cry me a river...), Karin Coonrod (Laude in Urbis, The Blackamoor Angel, Love's Labors Lost, Orfeo), Mark Wing-Davey (1:23, Small Tragedy, Behind the Eye, Pericles,) and Robert Woodruff (Oedipus).
Between 2001-2004 Ksander was associate scenic designer to Douglas Stein, working on projects both nationally and internationally. In 2006, Stein and Ksander begun co-designing projects, which have included: Carson Kreitzer's Behind the Eye and Lemon Andersen's County of Kings.
In 2005 Peter was a recipient of the NEA/TCG Career Development Program, through which he spent two years investigating how experimental theater ideas are explored at all levels of production in the United States.
In 2006 He joined the curatorial board of the Ontological-Hysteric Incubator and for the next five years served as a curator of new and experimental work. At that time he worked along with co-curator Brendan Regimbal to develop the SHORTFORM program, a residency for artists to explore serial and sequential performance works.
In 2011 Ksander relocated to Portland OR to take up a teaching position in Scenography at Reed College. In 2013 he was on the selection panel for the Risk/Reward festival and began working with Portland companies Hand2mouth, The Portland Playhouse and the Portland Experimental Theater Ensemble.
His work as a generative performance artist includes creating, in collaboration with other artists, performances including: Seeing the Elephant, and The Sleeping Dane Effect (a collaboration with animator Melissa Chimovitz). He is co-founder of Tiny Elephant, whose first piece, The Stupid Butterfly Project, was presented by Arts at St. Ann's, as part of Puppetlab. He is a member of TENT, a company rooted in image and performance-based ensemble generated work that questions theatrical tradition. Most recently TENT developed Ugly Children do not get Cake, a rooftop performance exploring the distance between an individual and the dreams contained in the architecture of a city. Previous projects with TENT include: Zero Winter, Oh Sweet Captain or the Ahab Stomp, Your Shipwreck is No Disaster, KG: Life in a Tin Can, and He bent his head and watched his steps, for this helped him avoid thinking.
Peter also has continuing artistic relationships with the Theater of a Two-Headed Calf, The Object Collection, Lear DeBessonet, Jay Scheib, Quinnopolis NY, Restless NYC, and Banana Bag and Bodice.
Learn morePeter Simensky’s work has been featured in solo exhibitions at the Museum of Contemporary Art San Diego; Museum 52, New York; The Swiss Institute, New York; and Project Row Houses, Houston. Selected group exhibitions at Sculpture Center, NY; Palais de Tokyo, Paris; Mass Moca, North Adams; Tanya Bonakdar Gallery New York; Andrew Kreps Gallery, New York; and Paul Kasmin Gallery, New York among others. Simensky’s Gold Dust was recently featured in Cabinet’s, Money Issue. He has received awards and grants from LMCC, NYFA, and the Foundation for Contemporary Arts. He lives and works in Portland, OR and Brooklyn, NY.
Learn morePetra Kovacic was born in Split, Croatia. In 2008, she graduated from Academy of Fine Arts in Zagreb, Croatia. Kovac’ic’ has exhibited in fifteen group and solo exhibitions and has performed her in numerous festivals in Croatia and abroad in New York, France, and Macedonia. She collaborated in workshops on artistic and pedagogical praxis and is a member of the Croatian Association of Artists, Zagreb and Split, and the Moving Academy of Performing Arts.
Learn morePhilip Edward King lives in Portland, Oregon, USA. Their interdisciplinary work deals with questions surrounding the loosely defined term "human nature" juxtaposed with themes of crisis unique to the 20th and 21st centuries.
Learn moreAbout Philip Glass, by Tim Page
Through his operas, his symphonies, his compositions for his own ensemble, and his wide-ranging collaborations with artists ranging from Twyla Tharp to Allen Ginsberg, Woody Allen to David Bowie, Philip Glass has had an extraordinary and unprecedented impact upon the musical and intellectual life of his times.
The operas – Einstein on the Beach, Satyagraha, Akhnaten, and The Voyage, among many others – play throughout the world’s leading houses, and rarely to an empty seat. Glass has written music for experimental theater and for Academy Award-winning motion pictures such as The Hours and Martin Scorsese’s Kundun, while Koyaanisqatsi, his initial filmic landscape with Godfrey Reggio and the Philip Glass Ensemble, may be the most radical and influential mating of sound and vision since Fantasia. His associations, personal and professional, with leading rock, pop and world music artists date back to the 1960s, including the beginning of his collaborative relationship with artist Robert Wilson. Indeed, Glass is the first composer to win a wide, multi-generational audience in the opera house, the concert hall, the dance world, in film and in popular music -- simultaneously.
He was born in 1937 and grew up in Baltimore. He studied at the University of Chicago, the Juilliard School and in Aspen with Darius Milhaud. Finding himself dissatisfied with much of what then passed for modern music, he moved to Europe, where he studied with the legendary pedagogue Nadia Boulanger (who also taught Aaron Copland , Virgil Thomson and Quincy Jones) and worked closely with the sitar virtuoso and composer Ravi Shankar. He returned to New York in 1967 and formed the Philip Glass Ensemble – seven musicians playing keyboards and a variety of woodwinds, amplified and fed through a mixer.
The new musical style that Glass was evolving was eventually dubbed “minimalism.” Glass himself never liked the term and preferred to speak of himself as a composer of “music with repetitive structures.” Much of his early work was based on the extended reiteration of brief, elegant melodic fragments that wove in and out of an aural tapestry. Or, to put it another way, it immersed a listener in a sort of sonic weather that twists, turns, surrounds, develops.
There has been nothing “minimalist” about his output. In the past 25 years, Glass has composed more than twenty operas, large and small; eight symphonies (with others already on the way); two piano concertos and concertos for violin, piano, timpani, and saxophone quartet and orchestra; soundtracks to films ranging from new scores for the stylized classics of Jean Cocteau to Errol Morris’s documentary about former defense secretary Robert McNamara; string quartets; a growing body of work for solo piano and organ. He has collaborated with Paul Simon, Linda Ronstadt, Yo-Yo Ma, and Doris Lessing, among many others. He presents lectures, workshops, and solo keyboard performances around the world, and continues to appear regularly with the Philip Glass Ensemble.
Learn morePhilip Grass is the electronic project helmed by Burton Schaber and Ben Durfee. The two met in 2011 while studying at University of Massachusetts, and began to slowly and increasingly orbit developments in electronic music together, attending shows on a regular basis, until they began to collaborate on their own material in early 2012. Their sound is characterized by an uncompromising instinct for change, as shuffling drums and moody pitch-shifted vocals can give way to riotous synth chords, jazz samples, or any number of other possible vibes. One can usually best identify a Philip Grass track by the sense of nocturnal nostalgia that permeates their melodic sensibility. The duo explore these seeming incredible transitions during their live performances, triggering samples, drums, and often playing live keys, with an animated air that communicates just how busy they are on stage.
Selected Press:
"Philip Grass 'All I Need'," XLR8R, by Derek Kaneko, February 18, 2014
"Devonwho's Remix of Philip Grass' 'All I Need' Is a Smoky Dream," SPIN, by Chris Martins, March 26, 2014
Learn morePhilip Iosca is an award-winning designer, visual artist and published poet. Currently a designer for EF Education's Architecture and Design Studio, Iosca focuses on large projects in North America including New York, Boston, Miami, Toronto, Washington DC, and San Diego.
Previously Iosca founded his own art and design studio, Iosca Industries; served as the director of marketing and design for Portland Institute for Contemporary Art (PICA); worked as a cultural engineer for Ace Hotel Portland, initiating their collaboration with Pendleton Woolen Mills; and was a member of Wieden+Kennedy’s experimental advertising agency WK12.
Iosca graduated with honors from Rhode Island School of Design in 2004, with a major in Textiles. Iosca has exhibited in California, New York, Oregon, Rhode Island, Washington, and internationally in Holland and Italy. A collection of his poems entitled Ballad of the Sad Young Men was released by Publication Studio in 2011. Iosca's art version of Jean Cocteau's The White Paper was published by Container Corps in 2013.
Philip Iosca lives and works in New York City.
Learn moreBlanc is a native of France.
Learn morePhilippe Parreno makes work that revolves around the nature of an image as well as the modes of its exhibition. He often draws on already-existing material and enriches it with his own, mostly narrative ideas. He lives in Paris.
Learn moreBorn in 1970, Philippe Quesne received his education in Visual Arts. For 10 years he designed sets for theater, operas and exhibitions. In 2003, he created the Vivarium Studio Company, and directed his first show, La Démangeaison des ailes, based on the acts of taking off and falling down. Philippe Quesne hunts the marvelous, the tiny, and pushes to the extreme experiences of our daily lives as well as the relationship between mankind and nature. As he did as a child, collecting insects, he now works and studies small communities under his microscope. The scenography is used as an ecosystem in which he immerses his actors into. His shows, such as La Démangeaison des ailes (2003), Des expériences (2004), D’après nature (2006), L’Effet de Serge (2007), La Mélancolie des dragons (2008), Big Bang (2010), Swamp Club (2013), Next Day (2014), compose a repertory that tours all over the world. In addition to his work for the theater, he creates performances and interventions in public spaces or natural sites, and displays his installations in the context of exhibitions. Since January 2014, he has been serving as the co-director of Nanterre-Amandiers, National Dramatic Center. In 2016, he will create Caspar Western Friedrich at Kammerspiele in Munich and Welcome to Caveland! at Kunstenfestivaldesarts in Brussels
BIO PAGE IMAGE/S:
La Mélancolie des dragons 1 @ Martin Argyroglo
La Mélancolie des dragons 5 © Pierre Grosbois Learn morePhoebe Davies (London) is a Welsh artist and researcher based at Somerset House Studios. Working across video, sound, performance, and print, her practice investigates how people perceive their social framework, often working with—and in response to—individuals, and communities, generating work through collaboration, collective action, and DIT (Do It Together) strategies. She currently co-facilitates two research groups, Synaptic Island, a London-based, womxn and non-binary sound collective, and Art is Action, a UK-based social practice research group. Phoebe Davies Website
Learn morePictureplane is Travis Egedy. Having cut his teeth on killer remixes for Crystal Castles, HEALTH, Thieves Like Us, and worked with Beirut's Zach Condon, Pictureplane's debuts with the anthemic and otherworldly "Trance Doll" 7-inch. Grimy synths, broken beats, and bucolic vocals collide somewhere between early 90s house music and the gnarly soundscapes of Black Dice to forge a sound wholly unique and endlessly exciting. It begins here: Pictureplane is going to destroy dance-floors in 2009.
Learn morePieter Ampe grew up in Ghent, Belgium, and studied at the Salzburg Experimental Academy of Dance, the Arnhem Dance Academy, and P.A.R.T.S. in Brussels. Together with Guilherme Garrido, he has created and performed Still Difficult Duet (2007) and Still Standing You (2010). In 2006, Ampe took part in danceWEB, a scholarship program at Vienna’s ImpulsTanz-festival, and since 2009, he has been an artist-in-residence at CAMPO. Ampe has worked with stage director Jan Decorte, performance duo United Sorry, artist Roland Seidel, noise-rock quartet The Germans, and choreographer Anne Teresa De Keersmaeker, among others. Guilherme Garrido is a Portugese-born artist, dancer, and musician. Between 2007 to 2009, he was the curator of Show Rooms within the frame of the annual Festival da Fábrica in Porto. He has performed as a dancer with Maria Clara Villa-Lobos, Ibrahim Quraishi, and Tommy Noonan/PVC company. In 2011, he premiered his first solo work, GO JOHN, at Fresh Festival in Croatia, and in 2012 he presented BEST BEAST, his first group piece as choreographer in HAU, Berlin. He has performed Still Standing You with Ampe at Kunstenfestivaldesarts in Brussels, Festival Transamerique in Montreal, and PuSH Festival in Vancouver, BC.
Learn moreFeaturing 10-12 musicians, Pink Martini performs its multilingual repertoire on concert stages and with symphony orchestras throughout Europe, Asia, Greece, Turkey, the Middle East, Northern Africa, Australia and New Zealand, South America and North America. Pink Martini made its European debut at the Cannes Film Festival in 1997 and its orchestral debut with the Oregon Symphony in 1998 under the direction of Norman Leyden. Since then, the band has gone on to play with more than 50 orchestras around the world, including multiple engagements with the Los Angeles Philharmonic at the Hollywood Bowl, the Boston Pops, the National Symphony at the Kennedy Center, the San Francisco Symphony, and the BBC Concert Orchestra at Royal Albert Hall in London. Other appearances include the grand opening of the Los Angeles Philharmonic’s Frank Gehry-designed Walt Disney Concert Hall, with return sold-out engagements for New Year’s Eve 2003, 2004, 2008 and 2011; two sold-out concerts at Carnegie Hall; the opening party of the remodeled Museum of Modern Art in New York City; the Governor’s Ball at the 80th Annual Academy Awards in 2008; the opening of the 2008 Sydney Festival in Australia; two sold-out concerts at Paris’ legendary L’Olympia Theatre in 2011; and Paris’ fashion house Lanvin’s 10-year anniversary celebration for designer Alber Elbaz in 2012. Pink Martini’s debut album Sympathique was released independently in 1997 on the band’s own label Heinz Records (named after Lauderdale’s dog), and quickly became an international phenomenon, garnering the group nominations for “Song of the Year” and “Best New Artist” in France’s Victoires de la Musique Awards in 2000. Pink Martini released Hang On Little Tomato in 2004, Hey Eugene! in 2007 and Splendor In The Grass in 2009. In November 2010 the band released Joy To The World—a festive, multi-denominational holiday album featuring songs from around the globe. Joy To The World received glowing reviews and was carried in Starbucks stores during the 2010 and 2011 holiday seasons. All five albums have gone gold in France, Canada, Greece and Turkey, and have sold well over 2.5 million copies worldwide. In Fall 2011 the band released two albums – A Retrospective, a collection of the band’s most beloved songs spanning their 17-year career, which includes eight previously unreleased tracks, and 1969, an album of collaborations with legendary Japanese singer Saori Yuki. 1969 has been certified platinum in Japan, reaching #2 on the Japanese charts with the Japan Times raving “the love and respect Saori Yuki and Pink Martini have for the pop tradition shines through on every track.”
Learn morePrem Krishnamurthy (b. 1977) is a designer, author, and educator. He received the Cooper Hewitt National Design Award for Communications Design in 2015 and KW Institute for Contemporary Art’s “A Year With…” residency fellowship in 2018. His professional papers were acquired by Bard College’s Center for Curatorial Studies in 2019. In 2022, Domain Books published his book-length epistolary essay, On Letters, which was named one of Fast Company’s “Best Design Books of 2022”. Prem graduated with a B.A. in Fine Art from Yale College in 1999 and was awarded a Fulbright Fellowship to Germany the same year.
He currently directs Wkshps, a multidisciplinary design studio, and organizes Department of Transformation, an itinerant workshop that practices collaborative tools for social change. In addition to leading design projects with artists, cultural institutions, and nonprofit organizations across the world, he has curated several large-scale exhibitions. These include Oh, Gods of Dust and Rainbows, the 2022 edition of FRONT International, Cleveland Triennial for Contemporary Art; Our Silver City, 2094 at Nottingham Contemporary; and Ministry of Graphic Design in Sharjah, UAE. Previously, Prem founded the design studio Project Projects and the exhibition space P! in New York.
Learn moreLarrakia language. Born 1938. Died 2OO2.
Known as Midpul to his Larrakia kin, there is some debate as to how Prince of Wales acquired his royal epithet. Some suggest it was because he danced for Queen Elizabeth II when she visited Darwin in 1963. More likely is that it was because he was the son of King George (Imabul) and grandson of King Miranda, the recognized leader of the Larrakia at the time of the British arrival in Darwin. Midpul never ascended to King because by the time he became leader of the Larrakia, the patronizing colonial practice of “crowning” Indigenous leaders had been eliminated. Irrespective, Midpul was a proud and important leader of his people. In 1971, he and his brothers mounted a public protest to have parts of Darwin declared a Larrakia reserve, and later he was actively involved in the successful Kenbi Land Claim. Despite suffering a stroke that paralyzed most of his left side, Midpul began painting in 1995, drawing his inspiration from the body markings used in ceremonial rituals. Although the Larrakia had a long artistic tradition, Midpul was the first artist to seek a sustained engagement with the contemporary art world. Without any template to work from, he produced works of singular poetry and grace; restrained yet visceral; tremulous yet compellingly assured. Compared to the tight-knit dot- paintings of the Central desert, Midpul’s paintings were a revelation. Across stark, unmodulated grounds, his marks hover like ghostly fingerprints. Haptically direct, these marks offer a stark evocation of the body in movement, creating a haunting metaphor for the memory ancient rituals burnished into the ether of time. In 2OO1, Midpul was awarded the general painting prize at the Telstra National Aboriginal and Torres Strait Islander Art Awards. His works are held in most state collections in Australia, including the National Gallery of Australia, the Art Gallery of New South Wales, and the National Gallery of Victoria.
Learn morePrincess Bouton is a Black Transfeminine freelance filmmaker and performance artist based in Portland, Oregon. She graduated from the Portland State University film program in the spring of 2020. Her work often incorporates movement art and explores topics of intersectionality and pleasure activism. She has a dance background that includes modern dance, ballet, and vogue and she creates from a place that draws from each form. Princess Bouton is also a community builder and organizer in the Portland Kiki ballroom scene and is the princess of the kiki House Of Flora. The QTPOC models seen in her work are often individuals from her local queer community, who she invites to be highlighted and celebrated.
Learn morePSU’s Art and Social Practice MFA program was founded in 2007. The Program combines individual research, group work, and experiential learning in order to train artists to make meaningful work, and to collaborate effectively with people, organizations and institutions. Portland State University emphasizes civic engagement and pursuing research that serves the community and the Art and Social Practice MFA program energetically supports that mission. Our community is our classroom.
Learn morePortland State University's Art Department offers free public lectures every Monday night of the school year.
PSU MFA MONDAY NIGHT LECTURE SERIES ON VIMEO
Click on the events at right to view past artists and speakers.
Learn morePublication Studio is an experiment in sustainable publication. They print and bind books on demand, creating original work with artists and writers they admire, books that both respond to the conversation of the moment and can endure. They attend to the social life of the book, cultivating a public that cares and is engaged. Publication Studio is a laboratory for publication in its fullest sense — not just the production of books, but the production of a public. This public, which is more than a market, is created through deliberate acts: the circulation of texts; discussions and gatherings in physical space; and the maintenance of a digital commons. Together these construct a space of conversation, a public space, which beckons a public into being. At TBA, Publication Studio will conduct real-time collaborations with Festival artists and performers, strategizing and producing new books on-demand in a retail storefront.
Publication Studio was founded and is run by Matthew Stadler, formerly the literary editor of Nest Magazine and co-founder of Clear Cut Press, and Patricia No.
Selected Press
Book Publishing as Common Ground, Caroline Cummins, Oregon Humanities, Spring 2010.
A Very Long - and Very Interesting - Interview with Matthew Stadler of Publication Studio, Matthew Simmons, HTMLGIANT, March 18, 2010.
Learn moreRaised by wolves in parts unknown. Classicly trained in Europe, art has been a part of her life and provided a therapeutic output for years of untrained trauma. Black lives matter. Believe victims. Find beauty in our collective ugliness.
Learn moreRabbits Road Press is a community Risograph print studio and publishing press founded and run by OOMK. The project was commissioned by Create London and is based at Old Manor Park former Carnegie Library. The small-scale publishing press provides printing and book binding services for artists and community groups in Newham in East London and beyond. A responsive programme of workshops and events explore a contemporary model for community publishing, bringing together artists, designers, writers and neighbours.
Learn moreRalph Pugay is an artist who was born in the province of Cavite, Philippines, and has resided in Portland, OR for the majority of his adult life. He creates imaginative and thought-provoking tableaus that prompt viewers to contemplate the boundaries of cultural norms, identity, and social perception. His works have been exhibited at various venues, including Ortega Y Gasset Projects, Seattle Art Museum, Upfor Gallery, Marinaro, Webb Art Gallery, Vox Populi, AA|LA, and King School Museum for Contemporary Art. Pugay is the recipient of a Joan Mitchell Foundation Painters and Sculptors Award, a Betty Bowen Award, and an Oregon Arts Commission Individual Artist Fellowship among others. He has also been an artist-in-residence at Skowhegan School of Painting and Sculpture, the Joan Mitchell Center, the Rauschenberg Residency, Vermont Studio Center, PICA’s Creative Exchange Lab, Crows Shadow, and the University of Oregon’s Center for Artistic Research.
Learn moreHelgard Haug, Stefan Kaegi, and Daniel Wetzel founded the theatre label Rimini Protokoll in 2000 and have since worked in different constellations under this name. Work by work, they have expanded the means of the theatre to create new perspectives on reality.
Rimini Protokoll often develops their stage-works, interventions, performative installations, and audio plays together with experts who have gained their knowledge and skills beyond the theatre. Furthermore, they like to transpose rooms or social structures into theatrical formats. Many of their works feature interactivity and a playful use of technology.
Hence, Rimini Protokoll declared the “General Assembly” of Daimler stockholders a theatre play, or, with “Call Cutta” and “Call Cutta in a Box,” they set up a transatlantic conversation between a worker in an Indian call center and each audience member.
With “100% City,” they have created a worldwide, ever-newly contextualizing work in which 100 statistically selected inhabitants of the city gather on a theatre stage. Their production “World Climate Conference” mirrors the drama of diplomatic efforts to protect the Earth's atmosphere at the Schauspielhaus Hamburg. For the multiplayer video walk “Situation Rooms,” they built a hyperrealistic set in which the 20 audience members follow the tracks of people whose biographies have been shaped by weapons.
In “Utopolis,” the audience is guided through the city by 48 portable speakers that set a course for shared or contradicting utopias.
Recently, more immersive and interactive works have been created for museums, such as “win><win“ and “Urban Nature.”The pieces "All right. Good night." (2022), “Chinchilla Arsehole, eyeye” (2020), “Situation Rooms” (2014), “Wallenstein” (2006), and “Deadline” (2004) have been invited to the Berliner Theatertreffen. On top of that, Rimini Protokoll received the Mülheimer Dramatikerpreis for “Karl Marx: Das Kapital, Erster Band,” the German theatre award Faust, the Grand Prix Theatre from the Swiss Federal Office for Culture, the European Theatre Award, the Silver Lion at the Theatre Biennale in Venice, as well as the German Audio Play Award and the War Blinded Audio Play Prize.
Since 2003, the production office of Rimini Protokoll has been in Berlin.
Learn moreRoy Pérez teaches and writes about gender, sex and race in contemporary literature, art, and performance. He is an associate professor of English, American Ethnic Studies, and Women's and Gender Studies at Willamette University in Salem, Oregon. His poems and essays have appeared in Trap Door: Trans Cultural Production and the Politics of Visibility (MIT Press, 2017), Narrative, Race, and Ethnicity in the United States (OSUP, 2017), Women & Performance: a journal of feminist theory, the Best of Panic! poetry anthology, Bully Bloggers, and FENCE Magazine, and he is co-editor with Kadji Amin and Amber Musser of "Queer Form," a special issue of ASAP/Journal. He is writing a book titled Proximities: Queer Configurations of Race in Latinx Literature and Performance.
Learn moreSTROLL is the amoeba baby of a loose and shifting collaboration of sex workers committed to organising for justice and equity. Founded in 2015 as a street outreach project with a side publication, over the years STROLL has provided hot meals, clothing, legal referrals, workshops, references and resume help, home HIV test kits, and a bad date list to sex workers and houseless workers in the PNW.
Learn more at strollpdx.org
Learn moreSynth Library Portland is a collectively run arts organization that supports a diverse community of artists, centering access for marginalized folks to experiment, learn, and participate. We are an audiovisual art laboratory that provides Portlanders with access to a myriad of production tools and equipment, as well as practical workshops hosted by local and visiting artists. After having to close our physical space and suspend in-person programming due to Covid-19, we adapted to host remote workshops, launched our take-home gear lending program in 2021 and resumed in-person workshops a year later. We are committed to generating equity, opportunity, and freedom to explore and create in our artistic communities.
http://synthlibraryportland.com
Aaron Guice - artist in residence of Synth Library Portland (2023)
Yaw Evans - artist in residence of Synth Library Portland (2023)
Learn moreSTEW: Guitars/Vocals, Text/Music
THEATER: Book, Co-Composer and Lyricist for Passing Strange (2008 Tony—Best Book, 2-time 2007 Obie (Best New Theater Piece and Best Ensemble ), Family Album (2014 Oregon Shakespeare Festival), Notes of a Native Song (Spring 2015 Harlem Stage), Wagner, Max! Wagner! (Fall 2015 Kennedy Center) The Total Bent (Public Theater 2016), Making It (Spring 2010 St. Anne’s Warehouse), Brooklyn Omnibus (Fall 2010 Brooklyn Academy of Music) Resurrection City (2016 Studio Theatre), Chicago Omnibus (Museum of Contemporary Art, Chicago 2012) FILM: Spike Lee’s Passing Strange. ROCK AND ROLL: Stew and The Negro Problem. Albums: Post Minstrel Syndrome, Joys and Concerns, Guest Host and The Naked Dutch Painter (both called Album of the Year by Entertainment Weekly), Welcome Black, Something Deeper than These Changes, Making It and the cast album of Passing Strange. Numerous Lincoln Center appearances, United Nations, Symphony Space.: Guest Host and Album of the Year by Entertainment Weekly TV: Stew is co-composer (w/ Heidi Rodewald) of “Gary Come Home,” for SpongeBob SquarePants. ARTS EDUCATION: Doctor of Humane Letters, Oshkosh University, Wisconsin; California Inst. of the Arts; New School; Stanford; University of Wisconsin, Madison; University of the Arts, Philly. Stew is a Sundance Institute Alum and currently teaches at Sarah Lawrence.
Heidi Rodewald is the Tony Award nominated, Obie Award winning co-composer of the musical Passing Strange, which transferred from The Public Theater to Broadway in 2008. Rodewald composed music for Karen Kandel's Portraits: Night and Day (2004); Brides of the Moon by The Five Lesbian Brothers (2010); and co-composed music for Shakespeare's Othello and Much Ado About Nothing and Romeo and Juliet (2010-12). Rodewald joined the band The Negro Problem in 1997, where she began a longtime collaboration with singer songwriter, Stew. She has collaborated with him in a range of capacities -- as a co-composer, producer/arranger and performerSheis. the co-composer with Stew of the musical Family Album which premiered at the Oregon Shakespeare Festival during the 2014 season, Notes of a Native Song, at Harlem Stage in 2015, Wagner, Max! Wagner!! at the Kennedy Center in 2015, and The Total Bent at The Public Theater,May 2016.Heidi is the composer of The Good Swimmer, with librettist Donna DiNovelli, presented by Prototype Festival January 2016 at the space HERE in NYC,and scored her first film I Dream Too Much, which had it's world premiere at the 2015 SXSW Film Festival.
Learn moreOver the past year, The Stripper Project crew has travelled around the country listening, filming, recording and capturing people who work the sex industry. Even though we believe our journey isn’t done, we have collected a wide variety of voices.
Our intention for this project is: 1. People outside of the industry be able to see and experience content that is genuine and true to us And; 2. Have people in the industry begin to grasp how different this job can be depending on race, social status, education and, mental health status. We hope to create greater support to our community from the inside out.
Learn moreTrevino L. Brings Plenty is a poet and musician who lives, works, and writes in Portland, OR. He is singer/songwriter/guitarist for the musical ensemble Ballads of Larry Drake. He has read/performed his work at poetry festivals as far away as Amman, Jordan and close to his home base at Portland’s Wordstock Festival.
In college, Trevino worked with Primus St. John and Henry Carlile for this poetry work, studied with Tomas Svoboda for music composition, and Jerry Hahn for Jazz guitar.
Trevino is an American and Native American; a Lakota Indian born on the Cheyenne River Sioux Reservation, South Dakota, USA. Some of his work explores the American Indian identity in American culture and how it has through genealogical history affected Indigenous peoples in the 21st century. He writes of urban Indian life; it’s his subject. His titles include Wakpá Wanáǧi, Ghost River (2015), Real Indian Junk Jewelry (2012), and Shedding Skins: Four Sioux Poets (2008). Learn moreTrevor Paglen is an artist whose work spans image-making, sculpture, investigative journalism, writing, engineering, and numerous other disciplines.
Paglen’s work has had one-person exhibitions at the Smithsonian Museum of American Art, Washington D.C.; Carnegie Museum of Art, Pittsburgh; Fondazione Prada, Milan; the Barbican Centre, London; Vienna Secession, Vienna; and Protocinema Istanbul, and participated in group exhibitions the Metropolitan Museum of Art, the San Francisco Museum of Modern Art, the Tate Modern, and numerous other venues.
Paglen has launched an artwork into distant orbit around Earth in collaboration with Creative Time and MIT, contributed research and cinematography to the Academy Award-winning film Citizenfour, and created a radioactive public sculpture for the exclusion zone in Fukushima, Japan.
Paglen is the author of several books and numerous articles on subjects including experimental geography, artificial intelligence, state secrecy, military symbology, photography, and visuality. Paglen’s work has been profiled in the New York Times, the New Yorker, the Wall Street Journal, Wired, the Financial Times, Art Forum, and Aperture. In 2014, he received the Electronic Frontier Foundation’s Pioneer Award and in 2016, he won the Deutsche Börse Photography Prize. Paglen was named a MacArthur Fellow in 2017.
Paglen holds a B.A. from U.C. Berkeley, an MFA from the Art Institute of Chicago, and a Ph.D. in Geography from U.C. Berkeley.
Learn moreVivian Phillips is Director of Marketing and Communications for Seattle Theatre Group, the largest performing arts organization in the Puget Sound Region, where she serves as chief spokesperson and oversees all marketing and communication functions for more than 750 annual events presented by STG. Vivian chairs the Seattle Arts Commission and previously served as Director of Communications to Seattle Mayor Paul Schell, overseeing citywide public information and emergency operations communications functions including WTO.
As a seasoned broadcast professional, Vivian produces and hosts award-winning arts programming for King County television, and previously hosted public affairs programs for the ABC and PBS affiliates in Seattle. She regularly hosts/moderates live conversations, most recently moderating a conversation with best-selling author Ta-Nehisi Coates for a sold out crowd of 2900. Other noted interviews/conversations, live and for television, include: Harry Belafonte, Ruby Dee, Sherman Alexie, Magic Johnson, Charles Johnson, Alex Rodriquez, Mechell Ndegeocello, Dan Savage, Terry McMillan, Jesmyn Ward, Gloria Steinem, Eve Ensler, Congressman John Lewis, among others.
Vivian has represented the Seattle Theatre Group to the Africa Consortium for 11 years.
Learn more
William Pope.L was born in 1955 in New Jersey. He currently lives and works in Chicago, IL, where he is an Associate Professor in the Department of Visual Arts at the University of Chicago. He has had solo exhibitions at institutions including the Art Institute of Chicago, the Carpenter Center at Harvard University, the Santa Monica Museum of Art, the Kunsthalle Wien and the Portland Institute for Contemporary Art. MIT Press published a monograph to accompany The Friendliest Black Artist in America, his 2002-2004 traveling survey exhibition. His work has been exhibited and performed at Museum of Modern Art in New York, The Whitney Museum in New York, Museum of Contemporary Art Los Angeles, The New Museum in New York and the Renaissance Society in Chicago. Recent exhibitions and performances include Radical Presence: Black Performance in Contemporary Art at Contemporary Arts Museum Houston, Texas; Flux This! With Pope.L and Special Guests at Museum of Modern Art in New York, NY; and The Long White Cloud, Te Tuhi Gallery, Auckland, New Zealand. Learn moreZoë Poluch’s artistic practice puts into motion different mediums and takes shape in different rooms. Her relationship with the “contemporary dance” scene is based on a long term and practice-based interest in the politics and poetics of moving and sensing. She looks forward to the far future, perhaps 2070, when she will inaugurate a dance company for dancing people over 70 years old and tour on a solar airplane. In the past, she studied and worked in Canada and Belgium and could be found dancing and performing with established and emerging choreographers, mostly in Europe and North America. Since 2010 she has been based in Stockholm, Sweden, and works as Assistant Professor and Head of the Bachelor Programme in ance Performance at Stockholm University of the Arts. She is currently on parental leave.
Learn more