Upcoming
Learn more about accessibility at TBA:26. PICA is committed to accessibility as a value, ethic, and opportunity for learning, growth, and change. As we strive to create greater access to all of our programs and events, including the TBA Festival, we welcome feedback and dialogue from audiences and artists about their experiences and suggestions for improvement. To submit feedback, please contact us at boxoffice@pica.org or call (503) 224-PICA (7422).
Learn moreJoin us for the opening night of TBA at Elbow Room’s GOOD DANG WEEKNIGHT!—a bingo night and live music show/fundraiser to benefit Elbow Room, a nonprofit community art studio and gallery space focused on providing artistic mentorship, material support, and meaningful exhibition opportunities to artists with intellectual and developmental disabilities in Portland, OR.
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Past
Access for TBA:24
Learn moreSasha Worzel’s Dreams of Unknown Islands transforms the architecture of the museum into an ecological dreamscape in which coastal shores, animal migrations, and the shifting colors of the sky are transmitted through ritual sound, projected film, and a set of functional sculptures housing five listening islands that urge us to pause, rest, and contemplate.
Learn moreThe October conversation would focus on the Let ‘im Move You (L’MY) community (how they've worked with local performers in tour locations and what their experiences have been, what they've learned from location changes, challenges of context that have arisen in J-Sette happening outside of original contexts)
Learn moreThis offering is a sci-fi-inspired multi-sensory stim, a personal reflection on the ways our sensitive systems intertwine with surroundings—how they collapse time, reorganize, spin out, and regulate. Apogee is climax at a distance.
Learn morerise x fall is a collaboration of Portland-based artists rubén garcía marrufo, jaleesa johnston, and maximiliano. Taking the form of live performance, object, and large-scale, multi-channel video installation, their TBA project AT THE END OF EMPIRE is made and presented by marrufo and maximiliano. For this Institute event, they are joined by collaborator johnston for a conversation about the project’s process, ideas, and concerns, as well as rise x fall’s broader collective work.
Learn moreTBA artist Eileen Isagon Skyers will share a talk covering her multifaceted practice and career in the arts. She will discuss our contemporary framework for viewing, making, and valuing art against a backdrop of rapidly shifting technology, and how that manifests in her own work and criticism about digital art and culture. Co-presented with PNCA’s MA in Critical Studies Program.
Learn moreEmily Johnson and collaborators on her TBA project Being Future Being—including Raven Chacon, Drew Michael, and Holly Mititquq Nordlum—will share insights into their creative and collaborative processes in making a work of performance, installation, sound, and ancestral landscapes that propose new futures and relationalities with each other and our world.
Learn morePortland-based curator and writer Ashley Stull Meyers facilitates a conversation with Garrick Imatani and Travis Stewart (Chinook, Kalapuya, Rogue River) about The Drift, the culmination of their multi-year project that engages questions of repatriation, healing, and Indigenous futures through virtual reality, publication, digital fabrication, and photography. Imatani and Stewart will be joined by special guest Dr. Brook Colley (Wasco, Warm Springs, Eastern Cherokee; Enrolled: Eastern Band of Cherokee), Assoc. Professor & Chair of the Native American Studies Program at Southern Oregon University.
Learn morePARTICIPANT AFTER DARK and PICA present DOOMSCROLLING, a livestream video premiere of Michelle Handelman’s THE PANDEMIC SERIES (2020-2021), with a live collaborative reading and performance between Handelman and musician/performer Shannon Funchess, co-founder of the band Light Asylum.
Learn moreSUSAN, the follow-up to Ahamefule J. Oluo’s acclaimed musical Now I’m Fine, is a story about the failings of men and the endurance of women. The performance on Sept 14 will be ASL interpreted.
Learn moreThis event will have ASL interpreters and open captioning. Leading Deaf musician, artist, and advocate Myles de Bastion and their CymaSpace collaborative curate a night of experimental music and sound that centers Deaf and Hard-of-Hearing artists and audiences. Through visual, vibrational, light-based, and other immersive and multi-sensory interpretations and displays of sound, this night of performances will create multiple modes and nodes of access for Deaf and Hearing audiences alike, expanding our notions and perceptions of artistic and experiential possibilities for music and sound art. ASL interpretation, captioning, and other forms of accessibility and accommodation will be provided.
Learn moreStarring Anthony Hudson—the human vessel for Portland’s premiere drag clown Carla Rossi—Looking for Tiger Lily (Solo) utilizes song, dance, drag, and video to put a queer spin on the ancestral tradition of storytelling. Asking what it means for a queer, mixed Native person to experience their heritage through white normative culture as they recount growing up watching the 1960 production of Peter Pan featuring Sondra Lee’s blonde, blue-eyed, 'Indian Princess' Tiger Lily, Anthony (and Carla) draws from a songbook stretching across Disney’s Pocahontas to Cher’s "Half- Breed." Not just autobiography, Looking for Tiger Lily (Solo) is a coming-of-age story that's more than cowboys versus Indians.
Learn moreTBA artist Myles de Bastion—an artistic director, musician, creative altruist, and advocate for Deaf and Hard-of-Hearing communities—is joined by others working for greater access and inclusion for Disabled artists and audiences. * This conversation will be ASL interpreted
Learn moreIn conversation with Jaclyn I. Pryor, Anthony Hudson / Carla Rossi (Confederated Tribes of Grand Ronde) shares insights into the TBA performance Looking for Tiger Lily (Solo), including how the performance serves to queer acenstral storytelling practices, artistic and pop cultural references, and stereotypes of Native identities. * This conversation will be ASL interpreted
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