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Part beer garden, party happy hour, and part afterparty, BEFORE & AFTER is an opportunity to come together with the TBA:24 community at PICA. These dedicated gatherings bookend the festival experience with a blend of celebration, conversation, and decompression, offering space to grab a drink or a bite before the first performance of the day, or cap off the evening after daily events have wrapped up. With a variety of food and drink options to explore, BEFORE & AFTER is more than a pit stop—it's a time to deepen your connections and extend the magic of TBA.
Learn moreEqual parts survey exhibition and emergent experiment, Outside Inside World activates PNCA’s 511 Gallery as a showcase for works in the Videotones archive as well as a site for making and sharing new work.
Learn moreThe 2024 Time-Based Art Festival opens by honoring the Portland tradition of First Thursday with a come one, come all jam session with Videotones, Elbow Room’s neurodiverse digital media collective. No musical ability required—bring yourself, an instrument,* your voice. Come make a sound or just witness our giant, undulating community band.
Learn moreFor the 2024 Artists’ Biennial, presented by Oregon Contemporary, Bean Gilsdorf presents an experimental lecture-performance that enmeshes facts, figures, memes, and clichés about the arts with key theories from psychology, philosophy, and linguistics.
Learn morePlease join us on Saturday, May 11, 2024, for Mapping the Pipeline Education Series, created and organized by Buddy Terry and Master Artist Michael Bernard Stevenson Jr.
Learn moreMMIR: Keeping Us Safe: Community Safety Strategies from PDX Native Community organizers.
Learn moreJoin us for an in-person group listening session of the new audio documentary about Black Cross Healthcare Collective (BCHC).
Learn morePlease join us on Saturday, April 6, 2024, for Mapping the Pipeline Education Series. This program is part of Policing Justice, which is on view at PICA from February 23 – May 19, 2024.
Learn moreThis symposium will bring together panels of local community leaders for discussions on the history of police violence and racist policing in Portland, ongoing attempts to hold police accountable and reform policing practices, and burgeoning efforts to radically reimagine public safety in our communities.
Learn moreArtist Panel Discussion Moderator: Mac Smiff Participants: Tai Carpenter, Robert Clarke, Alfredo Jaar, Kimberly Moreland, Sandy Rodriguez, Master Artist Michael Bernard Stevenson Jr., and Robert Trafford
Learn moreThis exhibition examines policing practices in Portland, Oregon, and their relationship to longer local and national histories of oppression through the lens of artists who call Portland their home and those who played witness and documentarian from across the globe.
Learn moreFor this lecture, American Artist will speak about new and old work and the conceptual ties that inform their practice as an interdisciplinary artist.
Learn moreTrue to the title, we’ll slowly share more information about each Time-Released program over the coming months. Read on to learn more.
Learn moreDB Amorin's "long shadow" is a 45-minute soundwalk composition inspired by the desire to return to that which may no longer be familiar to us. The layered audio experience, drawing on the artist’s memories of the Ko’olau mountain range, the transition of season, and the longing for vanishing eras, is designed to trace the path of the MAX Red Line from the urban center of Portland to the Portland International Airport as a soundtrack for the movement towards unreachable places.
Learn moreTHE ACHE is the third installment of Allie Hankins’ five-part performance series of projects entitled, By My Own Hand. Developed in collaboration with Hannah Krafcik, THE ACHE calls attention to the myriad of ways selfhood can be constituted and remixed through creative acts of self-determination; it takes shape as 1) a video exhibition 2) a publication release and 3) a series of free intergenerational art-making workshops facilitated by local artists dee bustos, Muffie Delgado-Connelly, Midori Hirose, and Ralph Pugay.
Learn moreWill Rawls presents a new interdisciplinary work, [siccer], that addresses the relationship between blackness and image-making through a live performance accompanied by a video installation. Encompassing dance, photography, and sound, [siccer] experiments with stop-motion, a filmmaking technique in which subjects incrementally shift positions between photographs to produce the illusion of movement.
Learn moreIn conjunction with the video installation Alka domo and performance Flowing Like Waterfalls, join us on August 29 at 6:00 pm for a panel discussion with Seba Calfuqueo, artist Malcolm Peacock, and radical educator Vo Vo. Moderated by Converge 45's Derek Franklin.
Learn moreSeba Calfuqueo (b. 1991, Santiago, Chile) is an internationally celebrated artist of Indigenous Mapuche origin. Their work appeals to their Indigenous inheritance to propose critical reflections on the social, cultural, and political status of the Mapuche subject in contemporary Chilean society, in Latin America and the world. Calfuqueo’s work marshals, among other elements, installation, ceramic, performance, and video art to explore the cultural similarities, differences, and stereotypes produced by the melding of Indigenous and Western ways of thinking. Their work often starts from the broad field of performance art, but also extends into videos that are often exhibited later and sometimes together with elements used in the action itself.
Learn moreIn addition to major video installation, Alka domo — on view at PICA August 24 through September 24, 2023 — Seba Calfuqueo will present Flowing Like Waterfalls (2022-2023) in PICA's Annex on August 26 at 3:30 pm. Flowing Like Waterfalls is a 20-minute performance that approaches the power of water's fluidity as a means to explore the body, gender, sexuality, and the relationship of water with life, forests, and ecosystems.
Learn moreHow can art be transformative—for individuals, groups, and society? Prem Krishnamurthy explores these and other questions by sharing recent projects across design, writing, and experimental pedagogy. Taking each project as a rehearsal for the next—and as a way to explore different scales of transformation—his approach prototypes forms of connection and collaboration embedded within contemporary artistic practice. Using writing, music, movement, and conversation (+ karaoke!), this participatory event opens up polyvocal ways of working in and on the world.
Learn moreCurated by Roya Amirsoleymani and Felisha Ledesma, Remembering to Remember: Experiments in Sound is a multifaceted program of 15+ international, national, and local artists spanning six live performances; five newly commissioned multichannel compositions; four film/video works at the intersection of sound and moving image; and one month of artist residencies, community workshops, and public engagements. The container for this breadth of programming is an exhibition that will be on view at PICA from February 17 to March 19, 2023, with an opening reception on Friday, February 17, 2023, 6:00 - 8:000 pm. Artists include Adee Roberson, Alison O’Daniel, bone lattice, Crystal Quartez, Hiro Kone, Kite & Robbie Wing, Lucy Liyou, Nivhek, Nyokabi Kariũki, Reese Bowes, Saint Abdullah, Sholeh Asgary, Synth Library Portland, Takashi Makino, and Tomoko Sauvage.
Learn moreBioscope is a traveling sculpture that peers into the atoms of shame. Centering the matriarch as the keeper of home, where we first experience shame, the project grapples with this feeling through personal interviews, Bollywood movies, and video performance.
Learn morejaamil olawale kosoko’s meditative multi-channel film and installation Syllabus for Black Love serves as the ship inside which the multimedia performance the hold is positioned. Through rhythmic and restorative gestures, the hold creates a perceptive and somatic experience for both performer and audience.
Learn moreSasha Worzel’s Dreams of Unknown Islands transforms the architecture of the museum into an ecological dreamscape in which coastal shores, animal migrations, and the shifting colors of the sky are transmitted through ritual sound, projected film, and a set of functional sculptures housing five listening islands that urge us to pause, rest, and contemplate.
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