Past
Allie Hankins’ By My Own Hand is a 5-Part series of performances that began in 2022, culminating with Part 5, which will be presented during PICA’s Time-Based Art Festival in September 2026. PICA will be hosting a series of free screenings of Parts 2–3 leading up to the live premiere.
Learn morePortland Institute for Contemporary Art (PICA) is thrilled to announce Body on Me, a group exhibition by Cameron Clayborn, .Compost Cooperative (Tabitha Nikolai, Myra Lilith Day, garima thakur, Zanna Kerrigan, and Carly Barton), and Vishal Jugdeo, curated by Kristan Kennedy, PICA Artistic Director and Curator of Visual Art. Taking the human body and its many negotiations as its conceptual starting point, the presentation features media-based works that cross photography, installation, video, and video game technology and design. Throughout the exhibition, artists investigate digitally-mediated imagery of the natural world and human form in conversation with technological interventions. Body on Me will open with a performance by Clayborn on October 18, and will remain on view through December 20, 2025.
Learn moreThis immersive installation explores the relationship between a group of Mayan youth living in Portland with with their mother tongue: maayat’aan (Maya Peninsular/Yucatec Mayan), an Indigenous language of present-day Yucatán, Mexico. Mostly shot in the Yucatán municipalities of Maní and Dzan with audio recorded in Portland, ja’ / buuts’ / t’aan investigates personal struggles to learn and preserve Indigenous languages that mirror enduring societal failures to support their survival.
Learn moreAlmost Everyone Is Ready: The Cinema of Stephanie Barber Presented by Cinema Project Stephanie Barber makes films and videos in which verbal communication often takes top billing, but they could also be watched for their elegant imagery alone. She is continually drawing our focus, with the intense work of her art, to the tenderest spots mostly out of reach.
Learn moreGranular Synthesis converges installation, sound, and video in a nonlinear presentation of digital fragments in reference to diasporic memory. The work integrates experimental sampling, splicing, and rearrangement, as well as conceptual methodologies around collapse and incompletion.
Learn morePAM CUT presents a screening of "The Untold Tales of Tuteremoana" and a discussion with special guest actress Mere Tokorahi Boynton (Te Aitanga-a-Māhaki & Ngāi Tūhoeof Aotearoa New Zealand), who stars in the third episode. Prior to this event, Mere will be performing in Sam Hamilton’s experimental opera Te Moana Meridian as part of TBA:24. Prior to this event, Mere will be performing in Sam Hamilton’s experimental opera "Te Moana Meridian" as part of TBA:24.
Learn moreEqual parts survey exhibition and emergent experiment, Outside Inside World activates PNCA’s 511 Gallery as a showcase for works in the Videotones archive as well as a site for making and sharing new work.
Learn moreDo Not Resist (2016): Thursday, April 18, 7:00 p.m. Short: Conditioned Response (2017)
Learn moreAlien Boy: The Life and Death of James Chasse (2013): Thursday, April 4, 7:00 p.m. Short: Just a Dog (2016)
Learn moreArresting Power: Resisting Police Violence in Portland, Oregon (2015): Thursday, March 21, 7:00 p.m. Short: State of Oregon (2017)
Learn moreReimagining Safety (2023): Thursday, March 7, 7:00 p.m. Short: Is Portland Dying? (2024) Q&A with directors Matthew Solomon and Cory Elia, moderated by Alex Vitale
Learn moreTrue to the title, we’ll slowly share more information about each Time-Released program over the coming months. Read on to learn more.
Learn moreIn 2001, artist and filmmaker K8 Hardy set out to document her daily outfits on video.
Learn moreSeba Calfuqueo (b. 1991, Santiago, Chile) is an internationally celebrated artist of Indigenous Mapuche origin. Their work appeals to their Indigenous inheritance to propose critical reflections on the social, cultural, and political status of the Mapuche subject in contemporary Chilean society, in Latin America and the world. Calfuqueo’s work marshals, among other elements, installation, ceramic, performance, and video art to explore the cultural similarities, differences, and stereotypes produced by the melding of Indigenous and Western ways of thinking. Their work often starts from the broad field of performance art, but also extends into videos that are often exhibited later and sometimes together with elements used in the action itself.
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